Lets face it, it takes awhile to get the absolute perfect double exposure. Although the Canon 5D Mark III might make it a little bit easier with it's live view, the truth is that it takes time. For these double exposures, Francesco Paleari was able to do just that. He merged people with architecture in the most perfect sense.
Some four thousand custom tintype portraits, countless Polaroids and more than 30 gallery shows but after four years in business, Photobooth San Francisco is closing its doors at the end of March 2014. One of the few commercial studios selling custom hand-made tintypes, Photo Booth, located on Valencia Street, has been a favorite and easy place to have a one-of-a-kind metal portrait made.
My photographer-friend from Moscow Aleksey Dovgulya is visiting me in Los Angeles right now. We went to the same high school, but only met in 2008 after I got into photography. While I was studying in Australia Aleksey built an impressive list of commercial clients in Russia. In the past few years he has photographed for major brands such as Rolls-Royce, Renault, BMW, Schwartzkopf & Henkel, Benetton, Vogue, Christian Louboutin, and the list goes on and on.
About 9 years ago, I was a tour photographer for the rock band 3 Doors Down and I had the chance to attend my first Nascar race (from the infield no less!) As a car guy, it was a great chance to watch all of the action from the front row. Never did I imagine in my wildest dreams that I would be getting a call from the National Guard nearly 10 years later to do the official 2014 photoshoot of one of my favorite drivers and his new car, Dale Earnhardt Jr.
I’m always intrigued by those photographers who shoot self portraits, particularly when they bring something new to the mix. Chino Otsuka used her camera and some skillful Photoshop work to not only carry out a self portrait series, but to transport herself back in time, into photographs featuring her younger self - sometimes from almost three decades in to her past. The results are both thought provoking and mesmerizing.
I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.
I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.
The "Selfie", love it or hate it, had a pretty great year. Within a decade the term has gone from drunk forum ramblings to being accepted into the Oxford English Dictionary as of November 2013. Scrabble players rejoice! This meteoric rise to fame for the simple word has garnered the attention of celebrities and it has even spawned customized cappuccino machines that turn your morning cup of joe into a literal cup of Joe...or Frank...or Bobby.
When looking at portraits, we have a tendency to look at the eyes first. We can't help it, it's part of human nature. This is why I personally believe it is extremely important to capture and refine the eyes in your photos to create more engaging portraits. Retoucher Michael Woloszynowicz created an awesome 4 part video series about how to make your eyes look amazing in post production. See the rest of the post below to watch video parts 2 through 4.
Last week John Dominis, one of the most prolific photographers for LIFE Magazine, passed away aged 92. His work was celebrated not just for the strength of his image making, but because of the sheer breadth of what he shot. Today, when we're told to "focus and specialize" let’s take a moment to look back and remember one of the most consistent and diverse photographers of the 20th Century.
Martin Schoeller is undoubtedly one of the premiere portrait photographers in the world. In this episode of National Geographic Live! Schoeller talks about shooting for National Geographic (including the images found in the most recent issue) as well as several of his other projects. Shooting for the magazine took him to Tanzania where he shot his signature style of portraits as well as some epically beautiful environmental pictures.
This is yet another article of the Secrets to Crafting Top-Quality Beauty Portraits series. If you haven't read the first three, you can find them here: on compositing, on shooting Beauty portraits on location and in studio.
Today I would like to talk about framing, posing and directing your models when shooting Beauty portraits. While lighting and compositing are very important parts of creating a striking image, the model's pose, facial expression and her body language can make or break it.
Art director, designer and photographer, Minneapolis-based Phil Jones’ recent self-initiated project focused on real estate portraits on bus stops. Working with producer Alexis Jones, he posed as several local agents and then pasted his portrait parodies over the existing advertisements. Published to his website last week, it was soon picked up by Good Morning America and has gone viral on the web.
In this article I would like to share some of the basics and tips for those of you who enjoy shooting beauty portraits with controlled artificial lighting.
Make sure to check out my previous articles of this series: Secrets to Crafting Top-Quality Beauty Portraits: On Location Lighting and Composition and visual balance.
The ability of photography to capture singular moments of emotion – love, particularly - is what many of us find fascinating with the medium, particularly those of us that photograph people. Ben lost his wife Ali to lung cancer shortly after they married, but with his young daughter Olivia, paid tribute to both the love for his wife and the love for his daughter in a wonderful, touching shoot that highlights the true power of photography.