Studio

Bullet-Time Light-Painting Photography with Eric Paré

Bullet-Time Light-Painting Photography with Eric Paré

If you find yourself asking, "what the hell is bullet-time?" You’ve probably never seen the matrix. Bullet-time is also known as adrenaline time or focus time. It’s been used as far back as 1985 in Accept’s Midnight Mover Video. It was taken one step further by the Matrix franchise utilizing CGI, stopping time, and rotating the camera perspective though a complex scene and starting back up again.

Unique Beauty - Lighting Out Of The Box

Unique Beauty - Lighting Out Of The Box

Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.

How To Photograph Jewelry For Catalogs

How To Photograph Jewelry For Catalogs

As a commercial photographer, I specialize in product, food, and architecture. One of the products we've been shooting a lot of lately is jewelry, specifically jewelry for catalog use. In my opinion, jewelry is one of the hardest things to photograph, and many photographers don't know where to start. Whenever we're tasked with photographing shiny, reflective, spherical objects, our studio sounds like a group of sailors on leave with all the profanity flying around (often times strung together to make complete sentences).

How to Shape Light Using a Parabolic Reflector

How to Shape Light Using a Parabolic Reflector

In this video, Karl Taylor and Urs Recher experiment with and demonstrate the uses of a Parabolic reflector. Using a model who is wearing white against a white background, they produce a number of portraits demonstrating how to shape the Para light to separate the model from the background. The versatility of this practice is quite astounding as the photographer is able to stand in front of the light and have it still perfectly illuminate the model and is a simple one light set up.

Profoto TTL-N Remote for Nikon Announced and Available for Pre-Order

Profoto TTL-N Remote for Nikon Announced and Available for Pre-Order

While Canon users have had this for some time, Nikon users have been waiting for a TTL remote to control their Profoto B1 flashes. Finally the Air Remote TTL-N has been announced and is available for pre-order on B&H for $395. Allowing TTL use up to 300 feet away or normal use at up to 1000 feet, these radio remotes also let you control the power output on multiple units at a time, building on the already fabulous Air system and opening it up to Nikon users with the B1.

The Studio Essential - How To Construct High-Quality V-Flats And Why

The Studio Essential - How To Construct High-Quality V-Flats And Why

Ever since I started diving into studio photography the term “V-Flat” has been a big mystery to me. Google and YouTube have been the quintessential resource for photography knowledge and for whatever reason there isn't much detailed information on how to construct a V-Flat or what purpose they actually serve. It took time to sift through the noise of nonsensical DIY fabrication and even more time to unfold the enigma of this studio essential.

Chris Crisman Shoots The Perfectly Powerful Peanut Campaign

Chris Crisman Shoots The Perfectly Powerful Peanut Campaign

His client list reads like a who's-who in iconic businesses: Pearl Vision, American Standard, Shell Oil, Virgin Galactic, AOL, Wells Fargo, Salesforce, Red Bull, Minute Maid, Costco, and Allstate. He has even photographed celebrities like Kevin Spacey, Richard Branson, and Al Gore. No doubt you've seen the remarkable work of Chris Crisman in the past, but photographers want to know how does he do it? What does his studio look like? What equipment does he use?

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