Gear

About a week ago I was in New York City visiting for pleasure and decided there was no way I could leave without visiting my favorite store in the city: the B&H superstore. This was something I had been looking forward to since it would be the first time I could get my hand on the new Sony a9 and see what all the fuss was about. During my visit, I was absolutely floored by the performance of the a9 and how the Sony kiosk had way more attention than anywhere else in the store. This along with the recent announcement of Canon’s 6D Mark II and Nikon’s company woes made me realize how much the industry needs a company like Sony.

Cable management is one task that for me is bizarrely fun and rewarding. In my last article, I wrote about creating a DIY portable charging station built out of a Craftsman tool box that is serving me quite well in the studio and in the field. Clients have been impressed with the simplicity and intentional design in keeping a lot of gear charged. It communicates quite a bit about how you take care of your investments. Here are a few tips to help you manage the clutter in your office or studio.

Since the new Sony a9 announcement and subsequent release, it’s been earmarked as an honest competitor to the sports and wildlife scene. As time went on we saw a lot of talk about it being framed in the context of sports photography, so I eagerly wanted to take it out and see what it had to offer to the wildlife and bird photographers who were often getting left out of these discussions. Here’s a collection of my thoughts after heading out into the woods with the Sony a9.

Nikon let us down softly with a barely a glimmer of information Tuesday as it announced development of the D850, but gave little additional information. Between yesterday and today, NikonRumors received leaked photos of the D850 and shared some specifications the camera should feature. Many of these are in line with what we expected from previous rumors, but there are some additional surprises that are sure to impress even the most cynical-minded.

Just recently, I was able to test out the Venus Optics 105mm f/2 STF lens. After having it and using it here and there for a few months, I came to the conclusion that it would not be a bad addition to my photo bag. There were a lot of things I enjoyed about this lens considering I've never really had a prime telephoto lens before.

When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here's a thorough comparison of the major bodies and lens kits you'll likely be considering. As long as you're considering full frame, regardless of budget, here's a comparison for it.

Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?

Ok, it's not the most exciting subject, but a good tripod is worth its weight in gold, and a bad one will leave you continually shaking your fist at the sky and cursing. Here are five things you should look for when deciding to purchase a tripod.

A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.

It does. It doesn't. Sometimes it does. There might be no question more polarizing in the photography community than "does gear matter?" Here's what five successful pros have to say on the subject.

It is possible. I'm not here writing this to beat you in the head with an “it's not the gear” rant; we can all agree that take is a bit redundant after awhile. But with that said, it still holds very true. What I'm here writing to share is why I decided to use one lens, which one I used, how I use it, and most importantly, how you can too. I built my entire portfolio using one lens and one lens only. Before you read on, can you guess which lens by looking at the photos below?

Canon released the 1D X Mark II last year, representing the next generation of its flagship model, a camera meant to be without compromise — top of the line capabilities, durability, and performance. As even consumer-level cameras reach sometimes stratospheric heights, the truly professional models have had to reach for even greater heights to continue to distinguish themselves. Read on to see where the 1D X Mark II fits in.

Announced earlier this year, the brand new Elinchrom ELB 1200 is finally about to be available on the market. The Swiss flash manufacturer has just published all the details regarding their premier adventure light for photographers, including its release date and the trade-in offer for Ranger RX owners.

Lowepro recently announced an update to their popular Flipside series of backpacks aimed at meeting the modern photographer and videographer's needs. Here I review the largest and most robust of the series, the Flipside 500 AW II.

Cranes are quickly becoming a staple in the bags of many videographers and for good reason. It has a smaller footprint, lower cost of entry, and has a relatively low learning curve than most gimbals on the market. Even though most users can pick up and go without ever opening the manual. There are still fundamental crane movements that you need to learn to take a good scene and make it a great scene.

If you follow any rumor mills, the night before a product is announced, we almost always know what it's going to be and the main features behind it. Even a few photos might leak. Apple is the only company that can keep such a tight lid on its releases, and even they have trouble. So we should have known something wasn't quite right when we didn't have any good information on the new D850 that was supposedly going to be announced today. Instead, Nikon simply announced the camera's development.

Chinese lighting manufacturer Godox has just released a few details about their most recent project: an off-camera flash for your smartphone. The Godox A1 is more than just a constant light, offering several options in what they are calling their first “phone flash system.”

I don’t always write about power solutions for video and photography equipment, but when I do, it’s because I see something that is versatile, space-saving, and designed with traveling in mind. I appreciate all three of those things in a product, so the Crank Juice Box might be a product I get behind.

We all have or will want to buy gear that is out of our price range or that we think doesn't have enough value compared to another competitor's products, and we'll choose what we can afford today over what might be a better piece of equipment bought later. I'm certainly one of those photographers that learned what I value after committing to several manufacturer's products over others that I tried and had to abandon due to their workmanship, cost, or my actual need. Maybe you are going through this internal debate now with a lauded piece of equipment that will be a benefit to you and your work, but the price exceeds its perceived value to you. Do you really need that equipment or is there a cheaper alternative?

I've been waiting for the day that a tablet could capably replace a dedicated laptop for photography work since I bought the original iPad in 2010. That day seems to be closer than ever with the latest round of iPad Pros. Check out this review of their ability to provide a dedicated workflow for photographers.

One of the critical things for your camera is to keep the sensor clean. Dust floats around almost everywhere; Once it gets inside your camera it can cause major problems and will cause more work for you in postproduction trying to remove the spots in your photos.

With every new lens release we get bombarded with wild claims of “sharpest lens ever” and “bokeh so soft you’ll want to lie down in it.” A barrage of MTF charts and comparisons flood the web and debates rage in forums about which lens is better than which. Opinions fly and the knowledgeable and no so knowledgeable lock horns. But what if there were something other than sharpness that we could be looking at to discover a lens’ optical quality. Just what does a high element count with a few ED elements do to the resulting images?

We've all see those "what's in my bag" videos on YouTube, but this one was particularly interesting to me, as it's a fun walk through camera history. Check out how one professional landscape photographer's gear bag has evolved over the course of three decades.

Since it turned high-resolution digital cinema upside-down, RED has been a name synonymous with big Hollywood films. But getting RED gear has remained relatively difficult, often requiring waiting periods and only available directly from RED. Yesterday however, B&H Photo Video began offering RED accessories and the Epic-W Brain with the Helium 8K S35 sensor and Scarlet-W Brain with Dragon 5K sensor.

I love editing photos. For me, pressing the shutter is only the first 10 percent of the adventure. So, any product that promises to not only speed up the editing process, but just as importantly, make it more intuitive, is an intriguing proposition. Enter Palette, which transforms editing from an exercise in mousing sliders to a real, tactile process.

How could you make photo editing more intuitive? Both working professional photographers and beginners would really benefit from a more intuitive, time-saving way of interacting with Adobe Lightroom. Dragging sliders and rating images can be, well, a drag sometimes. I’m actually surprised it took this long for a creative company to dream up a dedicated photo editing console for Adobe Lightroom. But the day has finally arrived. Loupedeck promises to change the way you work with Lightroom and shorten the amount of time you spend sitting at your computer. Loupedeck is here and we’re reviewing it.

Hensel claims that their Cito 500 is the fastest flash in the world with a flash duration of 1/100,000th of a second. This is so fast that it can "freeze" a bullet mid flight. We decided to put this sales pitch to the test and set up a shoot with some live ammunition.

Photographers today demand a lot from their equipment, and we expect a lot when purchasing gear that we plan on traveling with. Fstoppers takes a look at a lightweight carbon fiber travel tripod that’s packed with the features you may be looking for.

The Sigma 14mm f/1.8 DG HSM ART Lens is one of the most exciting lenses for astrophotography enthusiasts in recent years and here are some of the first real world Milky Way images taken with the lens that also answer the big question: How's the coma?