More Posts in: Landscape and Nature Photography
Grain silo
A couple of old photos taken while the Amtrak was stopped - somewhere in Colorado, I think?
(And yes, I like that the vertical leans!)
New website post
Just a heads up for anyone that may be interested (and as things are slow in the group.....).
The reproach
The attitude of these birds seemed me as human , so I took it.
Black Leopard
This female has arrived at Hamerton. This place rescues animals from all over the world, mainly endangered species, and they breed when they can.
Leopard spots and high heels
I've photographed Ady a few times now. We get better each time as a team. This image was a fave from our latest session. I hope you like it to.
9 Comments
This is a bit close to home, for me just now. I am about to do some complex multi-exposure, not just 2 or 3 exposures, car shots that will hopefully include the transitions from day to evening, sunset whatever. I have never done anything like this before so am aware, through the thinking about it, that this is no easy thing and there are techniques that must be mastered to achieve the quality I need to produce.
With all that in mind, and I repeat I have never done this type of work, what do I think about this image? For me, and I have a bias to the darkside, it looks a bit pale overall, lacking a bit of colour, which I would have thought a sunset photograph should be all about. Accepting that others are likely to feel differently, lets move on to a less personal observation. Overall, the blending seems to have worked well, with one exception, being the big cloud, which seems to be in a different colour, paler and more yellow, sky and there are three pale blobs in the sky left of the cloud. I would suggest a vigniette to darken the corners, which seem bright and this is distracting, drawing the eye away from the subject, the piers.
Finally the shot is nicely composed and has somethng about it. If only the sun had been setting in line with the ends of the piers, but that is beyond out gift, unfortunately.
I only hope my forthcoming shoot porduces work that looks this good.
Thanks for the feedback. When doing blends manually it helps if you know how to use luminosity masks, which helps to blend exposures seemlessly. I watched Elia Locardi's tutorial and it helped a lot. In regards to the image I actually prefered the subtle tone rather then the more dark tone which did try in a previous atempt. I do agree that the blobs seem a little distracting at this point and a vignette will help. In regards to the sun's position I guess I might get a better composition at a later time of the year.
Good luck with your project.
Thanks Marco. I'll check out Elia Locardi's tutorial.
Marco,
I can nit pick only one thing in this shot. ..the partial pier at the far left. Its OK but the image would be a bit stronger without it. I think it would have to be cloned out as keeping the sun in the shot is important. I love the almost fish-eye lens feel to the foreground composition with the straight horizon line, sets up a nice juxtaposition in the composition.. Your blending works great for me. Congrats.
Mike
You are suggestion is absolutely correct. the only reason I didnt mask the pier out is because I'm not the good at cloning. But I will give it a try. Thanks
I really like this image except for the cloud near the sun, i think it needs a little more definition. As for blending techniques, I use Jimmy mackintyres easy panel (it's free) which makes is really easy to create and use luminosity masks. Great for blending exposures.
Thanks for the tip Paul.
Beautiful!
Thanks Scot