What Is the Worst Photography Advice You've Ever Been Given?

What Is the Worst Photography Advice You've Ever Been Given?

There are a lot of fantastic resources for information on photography, but sometimes, there is some utterly useless advice offered. So, for a bit of light relief, I want to know what the worst photography advice you've ever been given is.

I've collected some fantastic advice over the years — advice that has served me well: "Always have a camera with you," "get it right in camera," and "salt water and electronics do not mix well." But among these fragments of wisdom I have gathered have been other pieces of advice that were better off forgotten.

So, share in the comments the worst advice you've received as a photographer, recent or way back when. Here are a few of mine:

1. 'You'll Never Get Anywhere Without a Photography Degree'

Earlier this year, I wrote a whole article on this advice, as it stayed with me for some time. The quote doesn't need almost any unpacking, but I'll give you some context. While I was at university studying philosophy, I went to a meet and greet evening and was introduced to a photography student by a friend, who introduced me as a photographer too. He hoped that the common ground would ignite a nice conversation; it didn't. She hit me with the quote above, and we argued for a while before parting ways.

2. 'You Should Be Shooting in Manual Mode'

This is a mixed bag. How the person who told me this meant their words is without question, terrible advice. He was unambiguously suggesting that professionals shoot in manual mode almost exclusively, and amateurs shoot in the priority modes or auto. That's incorrect! However, I lean on manual mode far more than I ever expected to, so if I'm generous, I could say it wasn't far off being useful advice. "Every photographer ought to be able to shoot in manual mode comfortably" would be much more useful advice.

3. Shoot Wide Open or at the Sweet Spot

I've not put this in quotation marks intentionally, as it isn't a direct quote from any one person. Rather, it's this unwritten wisdom that gets silently passed down from photographers. I wrote a complete article on this recently called "Why You Should Be Using the Forgotten Apertures Between Wide Open and Front-to-Back Focus" if you want a more thorough breakdown of this point, but I'll summarize it like this: Just because you have a fast lens with a good widest aperture doesn't mean you always have to use it at that extreme. For several years, I took portraits and dared not to venture north of f/2.8 at the absolute highest unless I needed everything in focus, then it was f/8. That is a limiting mindset!

4. 'Professional Photographers Use Full Frame'

This is a tricky one. The person who gave me this advice wasn't trying to mislead me, and it isn't quite as sloppy as it sounds, but I took it to heart. I was using an APS-C camera back when I first dipped a toe in photography's waters. However, when I started considering making some money in the industry, I was convinced that full frame cameras are necessary for several reasons. The truth is, while most professional photographers shoot with full frame or larger sensors, it isn't even close to a necessity. I upgraded to an older full frame camera at the first opportunity, and while I don't regret it per se, I do think my money would have been better allocated on lenses and education. Speaking of education...

5. 'Don't Waste Your Money on Photography Tutorials'

The end of this quote is: "because there is so much for free." This is both right and wrong, depending on the angle. It's right insofar as there is a wealth of good educational material available for free on YouTube and websites like us. It's also true that a lot of online education is behind paywalls and a great deal of it is not worth the price. But to lump all paid tutorials into the category of wasting your money is a mistake. The best educational material I've seen on photography has been paid. This isn't a snide way to plug our Fstoppers tutorials — see, I'm not even going to link to them — but they (and tutorials similar to them) are worth the money. They aren't just some photographer sitting in a room and talking for two hours. They're complex, deep, and long collections of videos and files by experts of genres. I've watched many paid tutorials, both ours and others, and they are well worth the money. In fact, high-quality education is nearly always a better investment than gear.

6. 'Don't Get Into Photography'

This one was given to me by Alex Cooke, but I think we've all heard a variation of it at one point or another. On occasion, it might be genuine and honest advice, but usually, it's somebody who hasn't done particularly well with photography. Or, in Cooke's case, it was a local photographer wanting to protect his patch. I was told that there's no money in photography, and it was implied I ought to not get into photography professionally for that reason. The truth is, not many people make good money from photography, but some do. That distinction is an important one.

7. 'You Should Shoot Weddings, They're Easy Money'

Nope. I've shot a fair few weddings in my time (despite never being a wedding photographer nor advertising for them), and I can tell you, though the fee you get looks high, it's anything but easy money. The stress, preparation, and workload on the day is almost unrivaled. The day I shot the wedding of an A-lister's brother, I didn't stop for 18 hours straight, and the pressure I put on myself was staggering. That's without the editing phase, which really eats into the hourly rate that seemingly large fee breaks down into. Honestly, wedding photography might be one of the hardest and most stressful ways of getting money as a photographer. It is rewarding, and I do enjoy it, but it's so far from easy that the person who told me this deserves a large fish to the face.

What's the Worst Photography Advice You've Been Given?

Over to you now. I want to hear the worst advice you've been given and why. Share it in the comments below.

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56 Comments

Graham Glover's picture

Never shoot above ISO 100. Ha ha ha ha!!!!!!

Try shooting nighttime sports at ISO 100.

Back in 1990 or 91, when I was first starting out, somebody told me, "don't work for the casinos and especially don't work for Donald Trump. You will never see your money." This was some of the best advice I have been given

Matthew Lacy's picture

I somehow missed how this was at all relevant.

Michael Dougherty's picture

A case of TDS. LOL

I had someone tell me something similar, when working for any politician get the money upfront and be sure the check clears. Most seem to follow the "Low pay, Slow pay or No pay" formula.

Equipment recommendations are always suspect.

Alex Reiff's picture

I'd recently bought a telephoto lens, and realized I could save $50 by buying an extended Arca plate instead of a tripod collar, so I asked a forum if there was any performance differences between the two. One person's answer was "Just buy the tripod collar, it's only $60."

Along the same lines of "just throw money at it" solutions, the mod of that forum suggested I but $800 in monolights when I asked using equipment I have, and I saw a few people saying that lens holsters were a waste of money and you should buy more lenses and redundant bodies instead.

I thought tripod collars were just about reducing strain on the lens mount, particularly if your lens is super long and heavy. You probably made the right call in terms of there being a negligible image quality difference, but if you're rough on your equipment then it might be a bad idea to support the lens through the camera than the other way around for some telephotos.

Alex Reiff's picture

The main issue I was trying to address was that a long, heavy lens puts the center of gravity too far forward of the center of the tripod, causing the ball head to sag as you're setting up a shot. By happenstance, the lens is shaped so that part of it rests on the Arca plate, so that should reduce strain on the lens mount.

Just me's picture

"Please take beautiful pictures"

Play around with your new camera to familiarize yourself with it.

This was a huge waste of time. Aperture, ISO, shutter - everyone and their sister has a tutorial or an article on that. However, I was lost on how to explore other camera functions. Playing around with menu settings more often led to changes I didn't understand, though some were interesting. The Sony menu system didn't help as I'd regularly develop amnesia about how I got to a setting in the first place to change it back.

Having learned playing around with the camera was going nowhere I took another piece of advice and began training on how to use it. Reading the user manual and going through each camera function, shooting with those settings, taught me the most about my camera's capabilities. It then made playing around purposeful. Tedious, but worth it.

Jon The Baptist's picture

Worst advice I got was "be a generalist"

Matthias Kirk's picture

"Always ETTR"

Use Imagenomic Portraiture, it’s great!

Get a 24-70mm 2.8 you won’t need another lens!

Pierre Dasnoy's picture

Most boring focal lengths ever.

Was shooting at a wedding. Part of the team and not the main photographer. One guy asks me: "What cam do you have?" I tell him Canon 6D. He tells no!!!, you should buy a 5D M4, then you'll be able to shoot weddings. My reply was that Ive been doing it for the past 3 years with this cam and am getting great results. His reply was that 5dM4 has longer continuous burst and fast shutter speed. Proceeds to take a bursts of everything in that wedding. Ill stick to with Canon 6D

That's a classic technical photographer :-) buying the best and then forcefully using it on all occasions :-) I have been there. Am sure, looking at all the similar photos and the amount of photos to go through, he must have given up on photography

David Pavlich's picture

This is just me, but to be a wedding photographer or any one off type shoot, it's a good idea to use a camera with two card slots. Card failures are rare, but do happen. It happened to me. Because it happened to me, I will always have a camera with 2 slots.

The 6D is still a very good camera, but it lacks that bit of insurance of a second slot.

Mark Harris's picture

I'm always amazed at the self confidence of the random people who will give me advice when I'm working - the wedding guest who warned me that the sun was behind the group; the ones who patronisingly whisper in my ear "I think there's plenty of light today, you don't need flash", and best of all the woman who got quite angry with me because I wouldn't take her advice that "It's much too dark in here, it won't come out without flash".

Charles Haacker's picture

I'd upvote this twice if I could! 👍👍

Michael Carter's picture

The woman I showed some of the great dancing photos I was getting, complete with beautiful light streaks, and she says "Hmm it's just too bad you couldn't freeze the action. Keep practicing though!"

as a dance photographer... that rocks!!! Love it. Thanks

Bela Acs's picture

" Photography is an art form" by self proclaimed Master photographers who even advetising Master class tutorials.

Jon The Baptist's picture

Is it not? Or are we still stuck in 1890 when photography was considered to be a scientific medium to copy stuff?

Greg Desiatov's picture

What!!!

I guess people like Diane Arbus, Annie Leibovitz, Gregory Crewdson, David LaChapelle, Man Ray, and Robert Mapplethorpe, all should have picked different professions to get into and just about every art museum now, has a photography section.

Charles Haacker's picture

I'm very leery of statements beginning with "You Must" or "You Can't." You MUST shoot raw! You CAN'T process JPEGs. You MUST use a tripod! You CAN'T use an ISO higher than 400. Absolutism based on someone's personal, subjective opinion. Experienced photographers can almost always figure out a workaround to get the picture. Having a must/can't mindset just gets in the way.

Mark Harris's picture

Related to that is articles that start with ”The correct way to...”. There is very seldom one correct way to do anything in life, and the author loses all credibility before I even read the text, which I often don’t bother with. “My favorite way...”, or “A good way...” Would indicate that the author understands the process, not just learned one recipe that they are going to force on all around them because that’s all they can.

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