How's your Monday going? While I'm not psychic, I'm willing to guess it's probably going better than this Weather Channel camera-person's day. Check out this hilarious example of what happens when all your preparation and planning for that one shot is ruined by something you never saw coming.
Photography today is more accessible than ever before because cameras are everywhere: not only shaped as DSLRs, but in phones, tablets, laptops, and in the James Bond ball-point pen. It is easy to press a button a capture something your camera is pointed to. Lots of people are thinking about taking the snapshot game to another level: buying a professional camera and making professional photographs. Most of these purchases end with disappointments, but there's not much talk about them. This article will take a peek behind the scenes of the failures newbies face when they first try using a DSLR.
In one of the more ridiculous things I've seen on the Internet lately; simply removing the main subject matter from these bouldering images has revealed a completely different photo. The people left appear to praising or worshipping these large rocks, and the variety and groups of people in some of the photos just adds to the level of absurdity.
18-month-old Augie is getting a head start in the modeling industry thanks to his uncle, New York-based model Aristotle Polites, and the adorable Instagram account they share. What began as an older sister teasing her younger brother by having her son imitate his uncle's modeling photos has turned into a social media following of over 28,000 people.
You don’t need me to tell you the importance of social media. Many of you under a certain age likely can’t picture your life without it. Judging by the number of selfie sticks and Facebook screens annoyingly lighting up dark movie theaters, social media had apparently become as important as breathing. Even those who came of age before the dawn of the smartphone are not immune to its charms. And in an increasingly connected world, our devices are not only a social diversion, but can also become a business necessity. This week, I had an experience that drove home just how necessary it can be.
I’ve written before about the genius of Buster Keaton. Agent Zero on the landscape of cinematic laughter, his influences stretch far and wide. Even nearly 100 years after the high point of his career, you can still see references to “The Great Stone Face” in everything from the films of Wes Anderson to the action comedy of Jackie Chan. In a world without dialogue, Keaton embodied the still-true mantra of motion pictures: show don’t tell. Without the ability, or in his case, desire to draw laughs through witty dialogue, he instead used action, composition, and creativity to tickle our funny bones. The lessons that can be gleaned from watching the master at work are essential learning for any visual storyteller, and this video from Every Frame A Painting helps detail Keaton's approach.
Has anyone ever told you that you're cheating when you apply any post-processing to your image after the initial capture of that image? Well, the reality is that what you were told is completely true. You see, for decades, cameras have had the innate ability to perceive what the scene should look like. In fact, all cameras have always been built with special recognition and reproduction capabilities that quite literally take all the hard work away from the photographer. This leaves you, the photographer, with a much easier job. The advent of the Edit Photo button within Photoshop is simply another way that technology has made our job, as photographers, much easier.
The Nikon D850 is quite the beast of a camera. It holds a massive 45.7-megapixel full-frame sensor that can record 4k video and create 8k time-lapses. It can shoot at a blazing fast seven frames per second and has an enormous 51 image buffer when shooting 14-bit raw images. The focus speed is insanely fast, deadly accurate, and offers 153 focus points with 130% more frame coverage than the older Nikon D810. The only problem with such an amazing monster of a camera is that Nikon thinks it’s too much for women to handle.
We've all had mishaps on set, whether that was tripping over a lighting stand or dropping a lens. And while those can certainly be costly mistakes, they pale in comparison to the amount of money in play when something goes wrong on a top-dollar film production. Here are some expensive and hilariously absurd examples of such bloopers.