Alex Cooke wrote a post last week about Pepsi's fiasco of a TV commercial. The ad seemed to offend the majority of people who watched it, causing Pepsi to quickly pull it. On Saturday SNL did their own skit on what they believe it was like on set seconds before they were ready to film.
It’s been posted nearly everywhere by now. The official White House portrait of the first lady, Melania Trump is being criticized all over the web for its 1980’s-esque vibe and overall lack of quality. The image has photographers everywhere claiming that they could have produced better, however, given that it’s highly unlikely that you’ll receive an opportunity to photograph the First Lady in a studio environment, I’m interested in how the community thinks the portrait should look.
There is nothing sacred anymore. The one file format agreed upon and standardized across the industry for its minimally processed data directly from the camera sensor has apparently been the target of a recent investigation headed up by Film Lovers Association of North America. There is evidence that while the raw file format advertises and guarantees lossless capturing, about six years ago it started using compression from time to time. This became a habit, and before Raw knew it, it was staying up until sunrise with known compressors like JPG and GIF. PNG recently released a statement condemning the fellow format's recent actions saying "it is like I don't even know who Raw is anymore."
You can't work in the photography industry for any length of time without developing a few pet peeves; it's only natural. Surround yourself with anything for 8-12 hours per day, and a few things are bound to get on your nerves. So, what is it that drives photographers up the wall? A lot, it seems. A few brave photographers and other industry professionals shared what makes them crazy. Is your personal pet peeve on this list?
We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).