To get the best video quality possible, you should be shooting S-Log3 on your Sony cameras. But exposing, and editing the flat footage can be incredibly difficult. Not anymore.
We've created the easiest possible workflow built upon our custom LUTs to help you get the perfect exposure on location, and then edit your footage with a single click when you get back to your computer.
Our system takes all of the guesswork out of shooting Log. The footage will look exactly the same on your camera, in your editor, and in your exported footage.
If you don't want to do any complex color grading you don't have to, with a single click, your footage will look great, but by filming in S-Log 3 your footage has the most dynamic range, if you ever need to pull detail out of your shadows or highlights.
Watch the video above to learn about the creation of these LUTs and exactly how they work. Give them a try, and if you don't like them, we will gladly give you a full refund.
Color Accurate Vs S-Cinetone
Two of the included LUTs are 100% color accurate. With these LUTs, colors on location will look exactly the same on your screen. This LUT should be used as a starting point for additional editing.
Most videographers prefer the look of Sony's "S-Cinetone" color profile and therefore we included two LUTs that perfectly mimic these colors. If you're looking for a film-like look with a single click, this is the LUT to use.
Overexposing S-Log3
By overexposing S-Log3 by 1.66 stops (without blowing highlights) you will get the cleanest image with the least amount of noise in your shadows.
By exposing S-Log3 properly, you'll have the benefit of an additional 1.66 stops of detail in your highlights at the expense of noisier shadows.
Our LUTs allow you to decide how you want to expose, and they automate the entire process of exposing, and editing your footage in post.
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