Post-production on images is a deep and varied process with no one way to do any task. So what are the most important tools and in which order should you use them?
Flashguns and strobe lights aren't just for capturing perfectly exposed subjects, they can be valuable as creative assets too.
Photography is a passion and a hobby for many and a career for a few. But to truly succeed in this competitive industry, does love for photography stand you in good stead, does it make little difference, or does it work against you?
There are times where you just don't have enough space, time, or material to cover your entire scene with an infinite backdrop. One workaround that you can do is to use as much as you have, and then extend it across the rest of the image in Photoshop.
Using smoke has been a staple in photography and cinematography for some time, and to great effect. Here is a tutorial on how to create a spiral look to the smoke for an awesome result.
Capturing the moon has been something photographers have tried since it was possible to do. However, it's trickier than most people think, particularly to capture real contrast and detail.
B-roll can feel a bit like a means to an end; a way of linking shots because you have to, but it's an art in itself. Here is a useful comparison of what a beginner might do and what a professional might do when they need the same b-roll.
One of the most popular visual effects used in music videos at the moment is a reimagining of one of the more unusual tools in a cinematographer's bag. While you wouldn't be able to create the intended use of it in post, you can mimic the creative version rather easily.
Creating great work on every shoot you arrange is a tall order and the hallmark of an established and experienced photographer. But what areas have the most impact on the shoot's outcome?
The power of modern phones when it comes to taking images and videos has been growing at an alarming rate. This short film, made for Apple, showcases just how professional a production can look.
Medium format and street photography are two terms that turn me giddy, so any combination of the two is warmly welcome. Though this is taking the medium format part a bit further than most have!
Have you ever taken an image and wished you'd taken a step farther back or used a slightly wider lens? Well, there may be hope yet.
As you take pictures over the years, your mountain of images will grow. Many of them — indeed, most of them — will be forgettable, uninteresting, or unwanted. So, should you just delete them?
There is a wealth of information for every step of the photographic process, but one area that drastically improved my work some years ago is also one of the areas discussed the least.
For most of us, there's a lot of excitement involved in buying a new camera, but it might not be the best investment for upgrading the content you create. Here are 5 things you should upgrade first.
Long exposure photography is a staple of the craft and a right of passage for beginners, but if you have some photos or a time-lapse that wasn't a long exposure and you think it might have looked good as one, look no further.
In a recent conversation, a new photographer asked me a question that I had forgotten I'd had too when I was starting out. It was difficult to find much information that was actionable, so I'm going to do my best to provide it.
Great composition in landscape photographs can be tricky and there are so many tips, tricks, and rules, some of the more basic principles can fall by the wayside. Here are seven tips based around one area of composition that is too often forgotten.
Never work with children or animals, but if you have either, you know you're going to be photographing them. Whether you're photographing your own children or someone else's, here are some tips on how to take better photographs of them.
Street photography — particularly street portraiture — is such an engaging and appealing genre to view, but taking the images is somewhat harder for a number of reasons. Here is a beginner's guide for those photographers interested in hitting the streets with their camera.
