When you jump into doing photography professionally as a business, you quickly learn that your website’s search engine results are an essential part of making your business successful. Here’s how to improve your visibility on Google.
Last month, Fstoppers was commissioned by MOO to produce an ad for their printing service with Peter Hurley. Luckily, instead of a standard 30-second ad, MOO had a better idea.
Photographers and people love bokeh. There are several discussions on how to achieve creamy bokeh backgrounds in your shot and even recommended lenses to achieve this look. Many will tell you to get an 85mm lens or lenses with a longer focal length, but what do you do when you want to incorporate more environment into the shot?
One of my favorite features in Lightroom for local adjustments is the Auto Mask feature, which can save a ton of time when used in the right situations. This great trick will show you how to get way more mileage out of it to save even more time in your edits.
The world of fine art photography exists in the lofty shadows of the photography industry, it’s secrets hidden behind an air of elite mystery. While endless tutorials on how to make a living as a portrait photographer can be found with a quick google search, how to make a living as a fine art photographer remains a more nebulous subject. Last year, award-winning Fine Art Photographer Jason Matias made $60,000 selling fine art prints, and he’s taking away some of the mystery by sharing part of his journey — and solid advice — for budding fine art photographers who want to do the same thing.
Luminosity masks are a fantastic way to make precise selections based on luminance values (hence the name). As with all things Photoshop, there are multiple ways to achieve the same result. I find using channel selections to be the easiest way to manually create my masks. I realize I'm probably preaching to the choir, but for those yet to join in on the singing, I hope you find this information useful as you continue to build your editing tool set.
Our cameras today are extremely powerful with settings and features that help us archive stellar image quality. But sometimes the images we come home with just don't capture the true essence of what was photographed and what our eyes saw. The photo is just a bit overexposed or underexposed and doesn't capture what we felt in that moment we pressed down on the shutter button. We fiddle and tweak in Photoshop with sliders and brushes, but there is another tool to add to the arsenal: masks. Specifically, luminosity masks.
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