Wedding photographers get a behind-the-scenes look at every wedding that most guests and vendors don't see. It's one of the reasons I love shooting the beginning part of the wedding day so much. Aside from all of the cute details I get to photograph, the anticipation is palatable and it can be photojournalism at its best.
I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera.
Primarily, I'm a NYC Wedding Photographer. However, I also photograph business headshots in my NJ Studio as well. I love doing this as a side-gig that brings me extra money for practically no work at all. To be honest, I wasn't really all about it when D.C. Headshot Photographer Moshe Zusman told me I should start implementing it into my business. Seemed a bit boring and I didn't get how it would make me more money than the $10,000+ High-End Weddings that I photograph now. I was wrong.
In person sales (IPS) have been a part of the photography process for years. With the onset of digital, it died down a bit, much to the disservice of both photographers (who are missing out on sales) and clients (who are missing out on memories). Thankfully, it's started to make a comeback, along with the value of printing images instead of just letting them live in the digital world.
When I first started my business, I was keeping track of my clients, contracts, and everything else in this old, white, hand-me-down filing cabinet. It creaked every time I opened one of the four drawers. To be very honest with you, I finally just sold the thing for $40 last week.
Photography can be quite an expensive hobby or career. Needless to say us photographers love our gear and always want more of it - or at least I do! Over the past couple of years, I've been transitioning from being primarily a wedding photographer to incorporating more studio photography in my business. I don't plan on leaving weddings, but I love having a couple more thousand dollars a month doing quick and easy headshot photography. Here's how I built my studio with both simplicity and quality in mind.
The difference between good and great posing is all in the details. Whether you photograph men, women, or couples together, knowing how to make everyone look their best is 110% your job as a photographer.
At the time I was a 31-year-old N.J. and N.Y.C. luxury wedding photographer that had been married for 5 years and had over 6 years of stable business ownership. You’d think getting pregnant would’ve been no big deal — but it was for me.
To be honest, I’m not huge on pop culture. So when I heard that Kate Middleton, The Duchess of Cambridge, was recently awarded an honorary membership into The Royal Photographic Society, I didn’t really think much of it. Doing some research on it, there are quite a few opinions on her, her work, and her new membership into the society that I think are relevant to talk about in regards to the photo industry as a whole.
I remember one of my first introductions to branding. I was sitting in a workshop and the Nike logo popped up on the screen and then Mercedes and then Coca Cola. It’s the most common way to explain branding. Showing popular logos and letting the audience realize they have a connection to that logo, good or bad, and therefore a connection to that company and their product. That is branding, but that’s not all that branding is.
Here's the truth. Until recently, I thought professionals using mirrorless cameras were a joke. I grew up in the days of film. Got my hands dirty in the darkroom. Had a Canon A1 and F1 in my camera collection, plus learned on others like a Pentax 35mm as well. Feeling the weight of the camera in my hands and hearing the sound of the mirror slap was part of the joy of photography for me. Pun entirely intended.
After ten years Animoto has just launched their next product, Marketing Video Builder. If you're not already familiar with Animoto, their first product has been a staple for photographers to easily make quality video slideshows. Their product lets you combine both stills and video to your favorite song (or songs), or use their expansive collection of over 2,000 royalty free songs, to produce a video slideshow that's perfect for marketing, client products and so much more.
First, let me just preface with the fact that I have been outsourcing my album design for the past four or five years now. While I took the time to learn and use this product myself, I do still believe in outsourcing your non-photography work. But, regardless of whether you outsource your album design or do it yourself, you want to have the best and fastest designer.
Shooting weddings can get to the best of us. Maybe it's when we were waiting for all of the family members to come together to take a big family photo in the middle of a wedding reception. Perhaps it was one of those moments when your bride turned against you. Or maybe, the lifestyle of a wedding photographer just became too much. Whatever it is, I think all wedding photographers have had frustrating times in their career.
First, I have to give a huge thank you to Adorama and Canon for inviting me to come play with the highly rumored 5D Mark IV. I'm completely blown away that they asked, and truthfully, I'd be lying if I didn't do a few skips at the thought of getting in on the new toy ahead of time.
“How did you DO this?!” I remember watching her exclaim with her jaw on the floor shortly before turning to her bridesmaid standing next to her and saying, “Can you believe this?!” She was holding her wedding pictures, in her hand, before the wedding reception had come to a close and I was her hero, even if for just that moment.
Some days, I have such a short amount of time with the bride and groom alone that I have to decide if I should take the time to better that hand placement or get four more shots that will help fill a wedding album and tell a story. Even though the hand placement will bug me for months afterwards, I choose the story, every time.
Photographers around this time of the year, portrait and wedding photographers especially, tend to have clients banging down their doors for holiday photos and other must have product deliveries in time for Christmas. While the rest of the world is gearing up for a relaxing holiday, we often experience anything but. From Christmas cards to wedding albums — regardless of the client's procrastination all year — we're expected to produce our work in record time.
I’m a big proponent of outsourcing editing in my wedding photography business. There’s probably nothing more painful to me than the thought of trudging through 800-1000 images from each wedding I photograph. However, when it comes to my favorite few images from each job, the ones that I’ll share on social media or use to update my website, I take a dive into Lightroom and Photoshop and enjoy every second of it.
I live just a few miles outside of New York City, so when 911 happened, my world was rocked harder than most in the world. After getting my daily dose of hate mail this week about taking pictures at the 911 Memorial at Liberty State Park in Jersey City, I thought I'd write about it.
