Here are More Ways You Can Save Money in Photography
Spiraling costs are hitting photographers hard. Here are more ways to save money and do photography on a shoestring.
Spiraling costs are hitting photographers hard. Here are more ways to save money and do photography on a shoestring.
Are you not into abstract photography? It’s one of those things you’ll either love or hate. But it's important, and there is much more to it than you might know.
Photographers have three choices when selling photographs. They can be commissioned to shoot for a client, aim for the mass market, or choose to sell fewer, high-quality, collectible images with narrower interest. There are good reasons why you should consider the last option.
We all have genres that we usually shoot, but sometimes, we want to dabble in photography outside our comfort zone. It is possible to start getting great photos in other areas without them becoming a full-time occupation or costing a fortune in the extra kit. Here's how to do that with wildlife photography.
There are different breeds of wildlife photographers. At the top of the food chain is Photographicus Obsessius. They study individual species, so they know all their behaviors and can call them by their Latin names. They get up at 2 a.m., drive fifty miles or more,...
Photography is blessed and cursed with both scientific and artistic rules. We always hear that we should keep or break them, but there is much more to it than that.
We see patterns everywhere. Related to rhythm and texture, they are powerful tools in photography for a host of reasons.
Photography, whether photojournalism, documentary, sports, wildlife, or even landscapes, is much about camera placement and timing. But there are some fundamental mistakes that most of us photographers make that are barriers to getting great photos.
Seascape photography is so different from shooting landscapes. Its dynamic nature makes it one of our most exciting and challenging subjects. The distinct difficulties of capturing the ocean require a different set of skills and learning some of the secrets of the sea.
We all want to improve our photography and get recognition for our work. However, there are two big distractions that we need to push aside to achieve success in our art. The first obstacle is the largest. Usually hailed as the key to photographic success, it has more disadvantages than helpful attributes.
Calling raw handling software a "Lightroom Killer" is a cliche. Nevertheless, this powerful suite of tools is starting to overshadow the Adobe Photographer's Plan. It is now posing a real challenge to Lightroom and Photoshop. ON1 Photo Raw has another update, and now it offers everything most photographers need. It's why I've said goodbye to Lightroom and Photoshop. Will it tempt you too?
Only if you buried your head for the last few months would you have missed the enthusiasm for the OM-1. The new camera from the company previously known as Olympus caused quite a stir. How is it faring in the real world? I've owned the OM-1 for a little over three months. Am I still as enthusiastic about it as I was when I first bought it?
When we create a photograph, there are things we can do to change it from being mundane to interesting. Here are some of the most important aspects of composition and the one unteachable factor that is exclusively yours to discover.
Visual weight is an often overlooked but essential component of your photographs. It influences how your pictures are viewed and is what drives your compositions.
Some photographs raise potent emotions. Emotions are as much an essential element of photographs as composition. So, how do we embed them into our images?
Successful photographers follow one of two paths. Which route are you taking in your photographic journey, that of a conceptual genius or an experimental master?
As waves of international turmoil shake the photographic world, how will the industry be affected? Additionally, are there ways we can protect ourselves from this economic mess? Here are seven options.
Twice yearly, ON1 produces free upgrades to their Photo Raw program. The newest version is just over the horizon, and it has some expected features to add, plus improvements to its existing arsenal of tools.
How far should you sit from your screen? How large can you print your photos? Why are stacked sensors better? There is much more to those pixels than you might think.
There’s an old bit of nonsense that states there are two factors that affect price when buying a tripod: stability and weight. Benro has proved there are two more. So, is their Hydra 2 worth their cost?
I’m increasingly impressed with the products from ON1. Does their latest software update, ON1 Resize AI 2022, live up to the standards of the other products from that stable and its "Perfect" heritage?