The OM SYSTEM OM-3 Mirrorless Camera: Classic Looks, Cutting-Edge Features

The OM SYSTEM OM-3 mirrorless camera has been generating attention for its blend of vintage aesthetics and modern features. Can it compete with cameras with larger sensors? This review takes a look.

Coming to you from Pav SZ, this insightful video explores the OM SYSTEM OM-3's real-world usability beyond mere specs. While internally it shares much with its robust sibling, the OM-1 Mark II, including a 20.4-megapixel Four Thirds sensor and powerful sensor-shift image stabilization, the OM-3 distinguishes itself through its tangible, nostalgic feel. The OM-1 Mark II caters to professionals needing ruggedness and speed—think wildlife or sports shooters—but the OM-3 offers a different appeal entirely. It feels comfortable and intuitive, ideal for daily carry or casual travel. Pav SZ particularly highlights its computational photography modes, accessible through a dedicated front dial, making creative effects straightforward without complex menus.

Autofocus on the OM-3 features a reliable 1,053-point phase detection system that covers the entire frame, handling subjects in motion effectively. Pav SZ emphasizes the joy of shooting without worrying about technical distractions, thanks to its responsive AF and intuitive design. Despite a micro four-thirds sensor, Pav SZ notes the low-light performance is commendable, especially paired with appropriate lenses. Noise at higher ISOs remains controlled and manageable, even without post-processing.

Key Specs

  • 20.4 MP Four Thirds BSI MOS sensor

  • Sensor-shift, 5-axis stabilization

  • ISO range: 200 to 25,600

  • DCI and UHD 4K recording up to 60fps, internal 10-bit video

  • 1,053 AF points with subject tracking

  • Single UHS-II SD card slot

  • IP53-rated weather sealing

  • Bluetooth and Wi-Fi connectivity

  • Electronic viewfinder (2.03M-dot OLED)

  • Articulating 3-inch touchscreen LCD

Pav SZ also praises its built-in video capabilities. The camera delivers up to 4K 60fps internally with robust color profiles like OM-Log400 and the new OM Cinema profiles, simplifying cinematic color grading. Notably, the camera’s built-in stabilization system (IBIS) is highlighted as one of the best currently available, effectively eliminating the need for tripods or gimbals for smooth footage.

Physically, the OM-3 mirrors the classic OM-1 film camera from the 1970s. Its design intentionally omits a bulky grip and rear joystick to retain a minimalist, vintage appeal. This makes it perfect for pairing with compact prime lenses, enhancing its portability and discreet street-shooting potential. The weather-sealing adds practical confidence for various shooting environments.

Price-wise, Pav SZ acknowledges some initial pushback due to its premium pricing ($1,999 US), yet he underlines that this isn't an entry-level gadget. Instead, it's essentially the flagship OM-1 Mark II packed into a stylish, compact body. Check out the video above for the full rundown.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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