Is the Sigma fp L the Right Camera for You?

The smallest full-frame interchangeable lens camera currently available is the Sigma fp L. It has a 60-megapixel sensor, broad L-mount lens options, and excellent video capabilities, making it quite an intriguing option.

Coming to you from Christopher Frost, this comprehensive video showcases the Sigma fp L's potential. It can shoot 4K video at 120 frames per second and true 24p video. Features like focus peaking, zebra patterns, and a waveform display make it appealing for video makers. You can control exposure by shutter angle instead of shutter speed. With an external device, you can output 10 or 12-bit CinemaDNG raw video for excellent dynamic range in your footage. This is impressive for a camera priced at £2,200 or $2,500, though its small size has some limitations.

Frost highlights some issues with the camera. It lacks a mechanical shutter, which reduces size and cost but can lead to rolling shutter effects in still photos and serious banding under artificial light. The camera also lacks in-body image stabilization, relying only on digital stabilization for video work. These limitations can be problematic, especially when shooting indoors or in low-light conditions.

Despite these drawbacks, the Sigma fp L has a lot to offer. The camera's tiny size, surprising weight, and less-than-ergonomic design make it a unique choice. Its buttons can feel fiddly, and navigating the menu system takes some getting used to. The autofocus is mostly accurate but a bit slow, making it unsuitable for fast-action photography. However, the camera's touch screen is big and detailed, though it doesn't tilt or flip out, which can make video work challenging.

Another feature of the Sigma fp L is its modular design. You can add various accessories, like handles, grips, and an electronic viewfinder. The camera can shoot up to 10 frames per second with a maximum shutter speed of 1/18,000th of a second. While the small battery and single SD card slot can be limiting, the camera's build quality is commendable.

In terms of image quality, the camera performs well. Raw images capture fine detail with no false color, and JPEGs look sharp, though sometimes over-sharpened. High-ISO performance is good, with noise becoming noticeable at ISO 3200. Dynamic range is also impressive, with 14-bit raw files handling shadow detail effectively.

For video, the Sigma fp L shines in 4K, producing sharp and detailed footage. However, digital zoom mode introduces significant noise at higher ISO levels. The camera's digital stabilization takes time to kick in and isn't very effective for handheld shooting. Rolling shutter is a significant issue in 4K, making 1080p a better option for action sequences.

Overall, the Sigma fp L is a camera for those who know how to handle its quirks and limitations. It's great for video makers with the right equipment and expertise. For still photography, it's suitable for street, architecture, and landscape work. However, its design omissions and quirks mean it's not for everyone. Those needing a more versatile and user-friendly camera might need to look elsewhere. Check out the video above for the full rundown from Frost.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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