Recently, as I've begun exploring the realm of film photography, my dad pulled out his father's old camera and passed it down to me. I never knew my grandfather, so this feels like a moment to connect where I was never able to.
If you're like me, you have a whole bunch of small photography bits—cables, connectors, SD cards, batteries, and more—in your camera bag. If you were to use a different bag, you'd have to take all of them out and transfer them over. That's how I lived for the first couple of years of my career, and it was awful.
As photographers, we often go through many modifiers to find the right one, and this may just be my new go-to. With its low cost, portable form factor, and ease of setup, the Aputure Lantern could be right for you too.
It seems more and more, competitors are showing up in the COB LED lighting world, and this is no exception. This is the Genaray Portabright, and here's what it’s like to shoot with and ultimately who it could be for.
I've recently heard this statement confidently asserted, mostly by non-photographers, when talking about lighting. I briefly mentioned that it's a little more complicated than that without delving into a whole lesson on light and how it works, but it did leave me pondering the statement longer.
Early on as photographers, advice you often receive is to take your camera everywhere. I did this as a beginner and have advised others to do the same. That said, this camera is one I carry for a different reason, and here’s why.
Most superzoom lenses ranging up to 800mm will cost you the close to the cost of a new car, but this definitely isn’t that. This is the Jintu 420-800mm f/8.3-16mm superzoom lens.
This is one of my most favourite test shoots I’ve done to this date, not only based on how we got the shot but also how they turned out. Here’s how we shot it, how it was lit, and everything that came together to make this shot happen.
