You all see the classic e-commerce shots on any fashion designer's website, but seldom do you get to see the full behind-the-scenes of what it takes to make them. Recently, I did an e-com photo and video shoot for a brand that I work with. Here is the process, how I lit it, how I shot it, as well as the overall behind-the-scenes look at what goes into a relatively simple shoot like this.
Recently I got to go hands-on with the all-new Canon C50 for a couple of projects, and ultimately I wanted to see if this could be the right compact cinema video camera, delivering high-quality video up to 7K that would work not only for content creation and brand videos but also for some indie filmmaking projects.
Recently, I had the chance to go hands-on with the Canon RF 24-105mm f/2.8 zoom lens to see exactly who this lens is for and if it is something that would fit into my existing workflow and maybe make it better.
In the age of being able to take care of a lot of production needs with AI, are professional models becoming irrelevant? And even beyond AI, why is using a professional model such a necessity for professional photo shoots, especially in the fashion space?
It seems everybody is retiring their gimbals. Every time I look at social media, I hear people talking about: does anybody use a gimbal anymore? Or you'll see videos where people are talking about gear they regret buying, and a gimbal is usually on that list.
As artificial intelligence continues to advance, everyone seems to be saying AI is coming for the fashion industry, especially for photographers and models. I recently put Nano Banana Pro through a real e-commerce test to see whether it could actually do the job of a professional photographer with a full team.
One of the more practical uses I've found for AI in photography is product placement — specifically, dropping a product into a photo you've already taken. Not generating a scene from scratch, but salvaging or extending a shoot you already have.
At now 6 years old, is this compact retro camera still usable for photographers in today's day and age? We are of course talking about the original Fujifilm X-T30, which has become in fact my new favorite travel camera.
I just wrapped up a fashion campaign shoot at Sarakiniko Beach in Milos, Greece. Here is how it went, what I learned from the experience, and how we approached getting the shots.
I have now tried both the Canon 28-70mm f/2 lens and the Canon 24-105mm f/2.8 to see which is better and where I would recommend each of these lenses. I'm just trying to answer the question of which one is right for me, and hopefully in doing so I'm able to also help you identify which one might be right for you.
I have heard people talk about this and wanted to try it for myself, especially as Canon released the new C50 mirrorless camera. I decided to pair that with the 24-105mm f/2.8 to see, is this the perfect run-and-gun indie filmmaking rig?
The world of lighting is saturated with options, but when two fixtures are this close in quality and this different in scale, the choice gets genuinely interesting. That is exactly the case with the Aputure Nova P300c and Nova P600c. Designed to serve hybrid photo and video creatives, both lights offer RGBWW color flexibility, pro-level output, and excellent build quality. But which one makes the most sense for your work and your space?
You'll always hear photographers say that you should create the work you want to be paid for. This is a practice I implemented early on but have refined over the years to help me attract new and larger clients, and that is spec shoots.
Does the biggest brand name always make the best camera bag? Not necessarily. I was recently gifted the BAGSMART Canvas Crossbody Camera Bag — a vintage-style canvas sling bag that isn't a household name but has racked up a significant following on Amazon. At $29.99, if it holds up, it could be a genuinely worthwhile option for photographers who want something functional, compact, and stylish without breaking the bank.
This is an appreciation for the camera equivalent of when you drive a car for a long, long time and it holds up. This is for none other than what was my original photographic workhorse, the Canon EOS 6D Mark I.
Peak Design has announced their recent travel collection, featuring four different bags including two different sizes of backpacks, a crossbody bag, and a weekender duffel-style bag. These bags are designed with travel in mind, but can they work for photographers as well?
In 2025, going into 2026, it seems that photography isn't always just enough. You usually need something else on the go or another way to earn income to survive the slow periods between jobs. As a professional photographer for quite some time now, I've developed a handful of income streams built in and around photography that allow me to take a little pressure off when I may not be as booked and busy as I otherwise am.
Camera brands collaborating with mobile phone companies is nothing that is particularly new. We saw this with Zeiss, with Leica, and even Hasselblad. But even this collaboration took me by surprise. That is, between Honor and none other than ARRI, with the Honor Robot Phone.
Peak Design has become a staple among photographers for camera bags and accessories, and they have now expanded their line with the Roller Pro and the XL Camera Packing Cube, a carry-on style bag meant for both travel and work. But is it the best of both worlds or does it fall short in each? We put it to the test through travel and work alike to see where it excels and where it could be better.
Some photographers will use brackets to optimize flash placement. Some will leave it on the hot shoe and forget about it. At times, I will even have an assistant hand-hold a strobe close to the lens—but what if you’re not able to do that? How can you still get a flash look that’s direct and punchy, yet cleaner by having the light higher than the lens? That’s where this technique I’ve picked up comes in. It may not be the most elegant solution, but it works.
When Canon first released the RF 28–70mm f/2L, it felt like a statement piece. A constant f/2 aperture on a zoom lens? It was bold, fast, and unlike anything else on the market. At the time, I was impressed by an aperture that wide on a zoom. But in 2025, after years of mirrorless refinement, is this lens still worth its weight, both literally and figuratively?
I’ve had the Ray-Ban Meta smart glasses for a while now, and this is what I think of them as a professional photographer, as well as why I picked them up and whether I would do so again. Smart glasses have come a long way from their initial inception many years ago. While there is still a lot of ground to cover—where I’m sure they will become a more portable version of the Apple Vision Pro—for now, this is what we have. But is it worth it?
Recently, I was flown out for the first time as a photographer, and this is everything I learned from the experience, as well as what I would change for next time.
Peak Design, known for their straps, bags, and carry accessories, has partnered with Carryology, releasing special editions of their popular products. I was sent a few of these, so consider this a hands-on first look at them.
There are many benefits that come with teaching up-and-coming photographers, as I’ve come to learn. But some of them surprised me—namely that I would learn a lot more about photography, as well as myself, in the process. Consider this a short list of those benefits, along with some insights along the way.
In the world of seemingly endless options for camera bags, this has remained a favorite of mine and has been a workhorse for the past six years. It may not be the most popular bag out there—in fact, it has since been discontinued—but here’s why I wish it weren’t.
With film making a resurgence, especially among younger photographers, these are some of the critical mistakes I made while learning to use the medium that I had to learn the hard way. Throughout the video, I go through a few of them and will expand on them as well to hopefully help any photographers newer to film photography avoid making the same errors I did.
The shutter drag/slow shutter trend has found its way into any niche in photography but particularly amongst wedding photography. But is the trend a clever use of camera techniques to add a different feeling or is it overrated?
Early in my photographic career, I was really into hard light in my photos, but at a point, I started opting for really soft, diffused light, that is until recently. I’ve recently revisited using hard light, and here’s how it has shifted my photography.
In the age of selfies and having a camera in your pocket, it seems more and more young people have an endless camera roll of photos that will hardly, if ever, be looked at again. But is there a better way?
It’s safe to say we’ve all heard the phrase “love what you do and you’ll never work a day in your life.” There is also the antithesis to that, where if you love what you do, you’ll work 24/7. Well, I turned my passion for photography into my career, but the ultimate question is: does it feel like work, and do I regret my decision?
I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.
If you’re like me and live somewhere with out-of-control housing costs, finding somewhere with enough space to shoot in can be difficult, to say the least. Having built out a home studio in a major city, here’s why I did it, but also how.
Recently, as I've begun exploring the realm of film photography, my dad pulled out his father's old camera and passed it down to me. I never knew my grandfather, so this feels like a moment to connect where I was never able to.
If you're like me, you have a whole bunch of small photography bits—cables, connectors, SD cards, batteries, and more—in your camera bag. If you were to use a different bag, you'd have to take all of them out and transfer them over. That's how I lived for the first couple of years of my career, and it was awful.
