Though we have no confirmations that the price drops are permenant, we can probably assume them to last a long time if not forever. Canon has cut prices from $1000 on the higher-end lenses to $50 on the more affordable glass across their product line. In all, there are 26 lenses discounted as of today.
If music and EDM photography is your dream job, this next interview is just for you. The fourth session in the Fstoppers series over at the TogTools Podcast is finally up, and it's a very unique and interesting one. This week's guest is Fstoppers Staff Writer Rebecca Britt who is an amazing commercial and EDM photographer based in Texas. Aside from being with Fstoppers for a very long time, Rebecca is also a team member at Retouching Academy and runs the largest collective of EDM photographers on social media. In this interview, Rebecca shares her own story and gives a lot of useful tips on how to be a successful music/commercial photographer.
Olympus announced the successor to the successful micro four thirds E-PL5, creatively named the E-PL7. It has a few new features that MFT photographers will like, but the flip down screen will be getting most of the attention. Olympus designed the screen with optimal selfie composition in mind. The styling of the camera screams "vintage modern," the oxymoron of choice for many camera makers in that market.
With a saturated market for photographers, there are so many pitfalls a photographer can plunge into that can prevent them from being successful. Taking a step back to analyzing yourself and your business can be the first step to improve and guarantee chances of success for the future. Here are a number of things to look out for, these things can be what is preventing you from reaching your potential.
Fujifilm announced the replacement for the X20, today -- the X30. While the camera still features a 12-megapixel 2/3" CMOS X-Trans sensor combined with the EXR Processor II, the X30 almost doubles battery life, continues the X20's quest for snappier performance, features numerous refinements to the controls and body as a whole, and offers full 1080p video recording at 60fps.
As much as I like to rely on Tamron VC for moving video shots, it only make the footage less shakey and doesn't make the footage more fluid. This is where camera stabilizers like the Steadicam and the Glidecam have come in, but both options tend to be extremely heavy and take a long time to properly calibrate. There have been a few new innovations in camera stabilization, the latest of which is the Casper Mini which solves both the aforementioned problems and works ideally with smaller cameras, what I think are the future of filmmaking.
One of the most overlooked, yet most used items in a photographer's arsenal, is the grip kit. A grip kit isn't something most photographers set out to buy, build, or assemble, it's generally born from necessity. Over the years we find ourselves on jobs needing certain things that we don't have readily available and we end up improvising to get the job done. Usually we make a mental note of how we can be more prepared in the future, which often times leads to adding small "grip" items to our pack list. When we collect enough of these items, they typically make their way into some sort of crate, bag, or box also known as a grip kit.
It's that time! We have the third session in the Fstoppers series over at the TogTools Podcast ready for you all to enjoy - and it's a great one! This week's guest is Staff Writer Adam Ottke. Adam shoots fine art and travel photography, but he also serves as the Art Director for a small creative agency he started called Curate the World. In this week's podcast, Adam discusses his love for gear, how he got started in photography and as a writer for Fstoppers, how to hustle in this industry and why collaboration is important for creating strong artistic ideas.
Today Leica announced a complementary upgrade to the Leica M, the M-P 240. As in the past, the 'P' designation here implies features are catered toward that of the press photographer. The M-P's virtually scratch-proof sapphire crystal display with anti-glare coatings provide for better outdoor viewing, a doubled memory buffer size now at 2GB allows for longer continuous shooting, and a viewfinder selector displays bright framing options for various focal lengths that help make composition and lens-choice decisions before changing lenses.
As one might expect (though perhaps not quite so soon after the H5D-50c announcement), Hasselblad has taken to Instagram to announce the H5D-200c MS, a 200-megapixel, multi-shot variant of the H5D-50c. The camera, which can still produce normal 50-megapixel stills at 6200 x 8272 pixels, also ads 4- and 6-shot capabilities for applications such as fine art reproduction, product photography, and more. At its highest resolution, the 200c MS produces massive and glory-clenching 600MB, 16-bit TIFF files.
ONA, makers of some fine fashion-forward camera bags, has announced the availability of new camera bags: the Prince Street and Berlin II. The bags are designed to carry a camera, two lenses, an iPad and personal items. The Berlin II is a Leica collaboration and made for the Leica M-System. It features one signature red rivet and a red interior.
There is no denying it: there are a lot of motion control devices and even more slider options out there. With the success of Kickstarter, it seems like we get a new awesome idea every week and it can be hard to keep up. That said, I was recently pointed to the Nebo Motion Control Slider and decided to share it with you all because it's actually pretty cool despite entering a very crowded market.
When it comes to diffusion panels, several companies have prefab "blades" intended for holding diffusion materials that fit nicely into grip heads and knuckles, but at nearly $100 a pop, buying several of them may not fit into everyone's budget. Earlier this week, fellow Fstopper Clay Cook put together an awesome post about building your own V-Flats. His post got me thinking about some of my own DIY projects.
In this video, Karl Taylor and Urs Recher experiment with and demonstrate the uses of a Parabolic reflector. Using a model who is wearing white against a white background, they produce a number of portraits demonstrating how to shape the Para light to separate the model from the background. The versatility of this practice is quite astounding as the photographer is able to stand in front of the light and have it still perfectly illuminate the model and is a simple one light set up.