Here's a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change.
When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up.
Casey Neistat is a great film maker that you may remember for his Peanut Butter Lid Lens Hack. Recently he was hired by Nike to create something interesting for their Nike + Fuel Band. The story goes that instead of making a traditional commercial, Casey took Nike's budget and traveled around the world until it was all spent. He filmed his 10 day escapade and...
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.
Our good friend Blair Bunting is at it again. This time Blair was hired to shoot the ad campaign for The Discovery Channels hit show River Monsters. The concept was relatively simple; to have the show’s host Jeremy Wade wrestling a giant fish in the shallow waters near South Beach, Florida. To do this Blair's team used a fake fish that was then replaced in post. To freeze the water with a quick flash duration and stay portable Blair used the new Photoflex Tritons.
Well, It seems like the video doesn't allow embedding so everybody check it out HERE
This is a great behind the scenes video from Timothy White as he does the promotional photography for Cowboys and Aliens. I'll warn you, there's not much about the technical side of photography, a lot of these shots are done with natural light, but you can see most of his lighting set ups when he does use lights, and he talks at length about environmental portraiture and creating a dramatic image.
Photographer, Michael J Moore was granted access to a creepy and abandoned state mental hospital for this fashion shoot. He used a combination of lighting setups but mainly, the Phase One 645DF camera with a Profoto 8A 2400W and various Profoto strobes. With all three different lighting set ups, Michael did a great job at capturing that Vanity Fair-esque look that we all know so well.
Brett Warren is a photographer based out of Nashville, TN who studied under Annie Leibovitz. You can definitely see the Leibovitz influence in his finished work and in how he lights his subjects. For most of his work he uses a single light source balanced with natural light, which is very similar to some of the behind the scenes videos and images we've seen from Annie Leibovitz herself.
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life's savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video "Silver & Light" gives an in-depth
So many behind the scenes videos we come across are nothing more than boring, overly glamorized music videos. Skateboard photographer Michael Burnett's latest video is anything but boring. Anyone who has photographed extreme or counter culture sports know that there are certain rules to be broken...and certain rules that must be followed. Michael goes through a ton of great skateboard photographs and explains what makes some stand out while others get lost in the mix. So grab your fisheye lens, a few speedlights on stands, and put yourself in harm's way!
Let's Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours. The people in the film who rolled up their sleeves to transform their community with colour. I love this unity through art. Enjoy!
Are you ever on location shooting and the background is a bit boring? Why not add smoke? In this video Jay P. Morgan shows us how he uses a smoke machine in the woods to liven up his shots. Using some materials from your local hardware store you can make the smoke go exactly where you need it to be.
Photographer Dave Hamilton takes us behind the scenes on his latest shoot with hockey legend, Trevor Linden. This video is very informative and well produced - including a lighting diagram for each of the different setups. Aiming to get that perfect cover shot for Vancouver View Magazine's April 2012 issue, Dave was able to get some nice shots using his Canon 5D...
Hi there F(stop)'ers! Today I am posting from the AFP Photo Expo in Caldas, Portugal. I must say this is the most fun and unique expo I've yet to experience. Last night during the Gala event, I sat across from wedding videographer, Antonio Domingo. During conversation he mentioned that upon his client's requests he sometimes shoot, edits and delivers the newly weds their wedding video the night of their wedding! more in the full post
Remember the World Press Photo contest winners from earlier this year? Well, World Press Photo recently introduced (just last year, actually) a similar contest for multimedia and video entries. The winner is a stark, harrowing, and sobering documentary view into the Kommandokorps in South Africa, an apartheid-era relic that still lingers in the country.