I know. It’s another one of those dang camera bag reviews. It’s a bag and it holds a camera, why does there need to be a full on review? Well in this case, because Wotancraft is not a well-known name in the industry and there is not a ton of information out there about their products in comparison to other brands. Their Ranger bag is also really good looking. It’s fashioned after World War II military bags and is completely handmade. Plus, I’m a sucker for a good bag review.
I'll preface this today by making it clear that I know very little to nothing about architectural retouching, landscape retouching, or product photography retouching. That said, I've dedicated the last two decades to Adobe Photoshop, and the last seven years specifically to portrait retouching. As such, I've come to realize one key thing: If your skin work is no good, everything else in your retouch just falls apart, if you will, as the basic foundation is already substandard.
In today's carnival of conceit known as social media, the term selfie has come to be defined as a snapshot of oneself, almost always shot with a smartphone. Selfies have become synonymous with the millennial generation, and have been described as everything from harmless fun to wanton narcissism. But boudoir photographer Kara Marie Trombetta of Kara Marie Boudoir (formerly known as Click Chick Boudoir) has proposed a proper business purpose for selfies in her Business of Boudoir article entitled Selfies: Yes You Have To.
As artists and creatives we thrive off of energy, at least I know I do. Sometimes we can be our own worst enemies and talk ourselves out projects we want to do, want to come back to, or have almost given up on. I've been on this end of the spectrum, holed up in my editing bay whacking my head against the wall on my third cup of coffee. When there is no one around to talk through the details of a project, it can start to become extremely daunting. This is why working out of shared spaces can be a life saver for some creatives, like myself. Let's take a look at what benefits come with working in a shared space.
Working as a wedding photographer is often an exercise in mutual respect with other vendors who have parallel, yet sometimes different, priorities in serving the bridal couple and their family. Most of time everyone is on the same team, but occasionally we photographers run into rules that don’t serve anyone properly. When those rules come from the church, it’s often hard to explain them away.
Online creative marketplaces seem to pop up often. Most are laughable jokes that devalue creative work to the point of absurdity. They all seem to promise great things, in theory, but in practice they are just filled with potential clients looking for professional service for the price of a latte.
There is a movement by the name Project Harpoon, or more recently Operation Harpoon, with the sole purpose of finding images of plus-size celebrities, models, and regular folks, then editing the image to make the people from the original image a skinnier version of themselves. The images are generally accompanied by some rather crude comments to the effect of "Isn't that better?" The creators of this movement claim they are doing this to "help misguided women."
Over the course of a wedding day, you can shoot in countless locations with varying difficulties. Most of the time, the locations will be places you have never been before. If you ask around online for advice, you will probably be told to scout out your locations days or even weeks in advance. You may be advised to know which location you are going to shoot each image in and that you should build a list so you don't forget. When I first started shooting weddings, I would scout locations and build the shot lists; however, the more I would shoot, the more I would realize that this process was actually making things more difficult for me. That’s why I prefer to go into a wedding day with no idea what I’m doing.
Recently I had the distinct honor of being a groomsman in a close friend’s wedding. It’s a lot of hurry and stand while remembering where to look. The pressure really is more on the two people getting married to remember their lines: “I do.” But as part of the wedding party, you also get the full brunt of posing, smiling and cheesing it up for the wedding photographer.
Earlier in the week, we shared Michael Dyrlands, HAZMAT Surfing photo series. To recap, HAZMAT Surfing is a photo series that gives a futuristic look at what surfing could be like twenty to twenty-five years down the road and spreads awareness of our oceans contamination. Dyrland came up with the idea after he was unable to enter the water on a trip to LA because of ten billion gallons of run off that had polluted the ocean after an evening of heavy rain. Dyrland has now released a video version of HAZMAT Surfing, which continues to spread awareness of the contamination of our oceans.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.