Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
This week, Instagram released a new app called Boomerang in efforts to grow its need for world domination in the mobile market. This time, they took aim at popular GIF-like apps such as Phhhoto and Apple's New Live Photos. I am a huge fan of Instagram and it has helped me grow my love for photography into something far greater than I ever thought possible, but I have no idea why they keep creating exact copies of already existing apps. Are they trying to simply steal market share? Or, are their hopes to do what Twitter and Periscope did to Meerkat by creating something far better on a larger scale?
The Internet has done a rather annoying job of trivializing the photo selection process. Culling images is a critical process in a photographer’s workflow that the client or model often wants to be a big part of. The majority of photographers I’ve asked address this by dumping all the photos into some sort of web-based proofing site and just send the link off to clients and let them make their choices.
Recently the New York Times revealed a staggering truth about modern photojournalism that has the field's ethics under scrutiny. It appears the acts of staging and manipulating images have become prevalent, which puts the field as a whole in question. Photojournalism is about capturing the truth and journalist often work under a strict code that incudes observation only. But the nature of competition has brought a staggering number of photojournalist to bend if not break this code by presenting images that they themselves setup under the guise journalism.
Our next episode of "Critique the Community" will feature headshot photography. This featured images was taken by the master himself, Peter Hurley, and in our next episode Peter will critique 20 random images submitted by our readers. Please post your submissions into this post by Thursday October 22nd at Midnight for your chance to get direct feedback from Hurley and the FS staff.
Building a respectable name for yourself as a photographer can oftentimes feel impossible, especially in a market saturated with other photographers. In an industry with so much competition, you need to differentiate yourself and your work from the rest your competitors if you really want to stand apart from everyone else. That sounds extremely overwhelming, but there is a very practical and efficient way to carve out your own niche in this market.
Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.
A man with a camera and a smartphone was questioned for twenty minutes in his own neighborhood after a woman called the cops, fearing he was taking photographs of children in the park across the street. It turned out he was just a guy who lives nearby and has been photographing his neighborhood for three decades. Was this a little embarrassing for the woman? She might feel that way, but there are two sides to this story.
Instagram is a great way to promote your photography business. Not only can you make yourself seen by potential clients in your area, you can also be seen by millions of users across the world. With more than 300 million users though, it can be easy to get lost within the massive crowd. There are a lot of things that you can do to help grow your following, but there are also a lot of things you can do to hurt your following. If you want your business to be the next Instagram sensation, then don't make these seven Instagram mistakes.
Our next episode of "Critique the Community" will feature natural light portraits. Use this awesome featured image by Dani Diamond as inspiration for your submission. While images which include the use of reflectors are acceptable, please do not include any shots that include extra light (flash or continuous) added by the photographer. Please get in your submissions by Sunday, October 18th and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
YouTuber Michael Delaney found a pit full of rattlesnakes and, despite anyone's best suggestions, didn't turn back. Instead, armed with a GoPro on the end of a stick, Delaney recorded the scene, most of during which the only audible audio was the collective rattling of the bunch. Eventually, repeated strikes from multiple snakes knock the GoPro off of its mount and into the middle of the pit (good luck getting that one back). Put it some headphones, put the video on full screen... I dare you not to flinch at the first good strike...