Last month we shared a really impressive project of an underwater shoot in Bali done by my friend and conceptual photographer Benjamin Von Wong. He stated then that was only part one and that part two would be coming soon. Well, soon is here and he's sharing more technical aspects of how he made the project come to life. Ben goes into great detail about how he made the project come together, from planning and pulling in the staff to how he shot and worked with the challenging environment.
I learned that I would be able to shoot at ISO 400, f4.0 and a minimum shutter speed of 1/50th across most of the shipwreck with nothing but ambient light alone, even at 30 meters depth. In regular english? Images that wouldn’t be blurry or excessively grainy despite the 5 year old Nikon D90 that I was using.
A challenge that is easily overlooked? How colors react to different depths.
One of the challenges shooting underwater is that the deeper you get, the more desaturated everything gets. Thankfully, with a couple layers of color balancing (Color Balance, Curves, Selective Color), dodging and burning, and some careful masking, I was able to paint back color and tones into my image.
To read his full breakdown and see more of the great images he produced, make sure you head over to his blog.