• Originals
    • Categories
      • Gear
        • Forum
          • Picture of the Day
            • Contests
              • More
                • FS Gear Guide
                • Fstoppers T-shirts
              • Home
              • Advertise
              • Meet the Writers
              • Submit Content
              • Contact
              LH_1
              LH_1
              November 7, 2012
              Milton Morris

              Large Format Film for Corporate Brochure

              I teamed up with Luquire George Andrews, an ad agency in Charlotte, NC, to create four images for a corporate brochure for Lincoln Harris, a commercial real estate company with properties in 26 states.  LGA wanted to feature b/w photographs of executives in Lincoln Harris’ properties.

              We started by scouting locations in Charlotte to determine which would work best.  We also had to decide what time of day to schedule each location.  Next, we reviewed models from several agencies.  They would portray our executives in each set up.  Finally, we had to schedule our shoot days around the availability of the locations and models.

              LH 1 Large Format Film for Corporate Brochure

              DIAGRAM 1 Large Format Film for Corporate Brochure

               

              The first shot was on a balcony with the city’s skyline as the background.  We were mostly in the shade of the building, but I knew the sun would move up and around the building before we completed the shot.  So my assistants set up a Matthews 12×12 overhead frame with an artificial silk to soften the direct sun.  We placed two large Chimera banks with Profoto heads to camera left and one medium bank over the camera for fill.  The image was shot with a Sinar X 4×5 camera with Kodak Tmax 400 film.

              LH 2 Large Format Film for Corporate Brochure

              DIAGRAM 2 Large Format Film for Corporate Brochure

               

              The second image was created in a large conference room. We positioned our model near the large bank of windows.  A Profoto head with a reflector snooted with black wrap was positioned in a corner and very close to the window to mimic sunlight coming from outside.  Next we bounced another Profoto head with magnum reflector into the ceiling for fill.  On camera left, and far back in the conference room, we placed a medium Chimera with Profoto head for additional fill.  The image was shot with a Horseman 8×10 camera with Kodak Tmax 400 film.

              LH 3 Large Format Film for Corporate Brochure

              DIAGRAM 3 Large Format Film for Corporate Brochure

              The third shot was in a corporate classroom.  The key light was a Profoto 20.5″ white beauty dish on camera right.  A large Chimera bank from camera left (and far back) provided overall fill.  A medium Chimera on the left side of the room provided fill to the background wall.  One small bank powered down very low was directed at the foreground subject just to record a bit of detail.  The camera was a Horseman 8×10.  The film was Tmax 400.

              LH 4 Large Format Film for Corporate Brochure

              DIAGRAM 4 Large Format Film for Corporate Brochure

              Finally, the fourth image was in a smaller boardroom with plenty of light coming from the windows on three sides of the room.  A medium Chimera on camera left provided the main light.  Another head, bounced into the ceiling, was used for fill.  Again, I used a Horseman 8×10 with Tmax 400 film.

              Here are a few behind the scenes photos:

              LH BTS 11 Large Format Film for Corporate Brochure

              LH BTS 21 Large Format Film for Corporate Brochure

              LH BTS 31 Large Format Film for Corporate Brochure

              LH BTS 41 Large Format Film for Corporate Brochure

              LH BTS 51 Large Format Film for Corporate Brochure

              LH BTS 61 Large Format Film for Corporate Brochure

               

              BTS
              Business
              Commercial
              Film
              Gear
              Location
              Portraits
              Strobe light
              « TOMAAS Hits Your Sweet Tooth With Candy Warhol
              A Look Into The Best Post Production Business In The World: Box Studios »
              • http://twitter.com/Jensthetraveler Jens Marklund

                Respect.

              • http://www.facebook.com/profile.php?id=668610220 Tony Teofilo

                This right here…is stupendous. For a n00b just starting to investigate strobes and lighting, seeing the diagrams and actual shoot photos is what I’ve been missing from many, many tutorials out there. MOAR please. 

                And THANKS.

              • johnbp123

                Beautiful images! I shot 4×5 for years but finally sold my last camera a year ago. I definitely miss using it. I’m all digital now but digital doesn’t hold a candle to 4×5 film.

              • johnbp123

                oops I just realized these were shot on 8×10. Fantastic!

              • http://www.miltonmorris.com/ Milton Morris

                Thanks Tony.  Glad you liked the post.  Let me know if you have any questions.  Glad to help any way I can.

              • http://www.miltonmorris.com/ Milton Morris

                Thanks for the kind words.  Yes, most of the work I shoot is digital too.  I miss those 4×5/8×10/Hasselblad days.  I still try to convince clients to go with film.  But that’s getting harder and harder to do.

                Thanks!

              • http://www.miltonmorris.com/ Milton Morris

                Thank you!

              • http://www.miltonmorris.com/ Milton Morris

                The shot with the skyline is 4×5.  I didn’t have a wide enough lens to use the Horseman.  I think the widest I have is a 240mm.

              • NasirHamid

                It’s great to see someone practicing the real craft of large format photography. For me it’s the root of pure photography. I love using 5×4 and 10×8 for my personal work but don’t get enough time to do it as often as I’d like. Thanks for the diagrams and bts shots.

              • http://twitter.com/wongywongers steve wong

                how many sheets of film did you shoot for each scenario? 

              • http://twitter.com/Pixyst Pixyst

                The look of these images has something I just can’t put my finger on. Is this the reason for shooting film? I think this work is simply beautiful.

              • tyrohne

                this is why I come to fstoppers, not for religious/political views/insults… 

              • http://www.miltonmorris.com/ Milton Morris

                Thanks so much.  Glad you enjoyed the post.  I’m like you.  My large format shooting is more and more for personal work.  Clients don’t want it much anymore.  But every now and then, I can twist their arms into letting me shoot film.

              • http://www.miltonmorris.com/ Milton Morris

                Hi Steve,

                I have 10 – 8×10 holders, so I shot 20 sheets of 8×10 on each set up.  However, I also shot 10 to 20 sheets of 4×5 as back up (except the skyline shot which was all 4×5).

                Thanks!!

              • http://www.miltonmorris.com/ Milton Morris

                Hello! 
                 Thanks so much for the kind words.  Glad you like the images.  Yes, to me, film has its own look.  That’s why I like it.  My all digital friends tell me that if my post production skills were better I could make my digital files look  like film – ha!  They are probably right.  But I also think I enjoy the “process” of film, especially large format.  Each sheet seems like an event. 

                Thanks again!

              • http://www.miltonmorris.com/ Milton Morris

                Thank you!  Glad you enjoyed the post.

              • http://www.facebook.com/pierre.ekman Pierre Ekman

                Wow this is really inspiring. Thanks for sharing. 

              • dinesh thapa

                Very few people will realize all the hardwork behind creating those wonderful pics,,M really impresses and thanks for sharing

              • Eliot William

                Why do you have cross lighting in two of your diagrams? 

              • http://www.facebook.com/profile.php?id=1047675891 Jonathan Keys

                Nice to see others keeping it alive…great images and a timeless quality to them

              • http://www.facebook.com/shai.yammanee Shai Yammanee

                Impressive. 
                In this fast paced world it is nice to see images that are meticulously planned and executed. I really makes me want to get back in to film and in to medium and large format photography.Thanks

              • http://www.facebook.com/profile.php?id=730416303 Stuart Townsley

                Did the client request 8×10?

              • http://profile.yahoo.com/GHN45O2E5EYKCHVVVEI2IPBOCU juan antonio

                excelentes imagenes  4×5 es magnifica . felicitaciones y gracias enseñar tecnicas .yo tengo una Linhof tecnika. con ganas de hacer fotos.

              • http://twitter.com/rcdurston rob durston

                Kudos to you. I still shoot film for some clients and most of my personal stuff.
                I’d just be glad the client didn’t come up to you a couple of weeks later and ask “can we see that stuff you shot in colour too please?”
                Rob

              • http://www.miltonmorris.com/ Milton Morris

                Thanks Pierre!  Glad you enjoyed the post.

              • http://www.miltonmorris.com/ Milton Morris

                Thank you so much for the kind words.  I really appreciate it!!

              • http://www.miltonmorris.com/ Milton Morris

                Hi Eliot.  In some cases the lighting probably wasn’t as crossed as it appears in the diagrams.  The shots probably had more depth than what shows in the diagram.  Also, the key or main light “carried” the shot, with the others as fill to be sure we could record details.

                Thanks for the question!

              • http://www.miltonmorris.com/ Milton Morris

                Thanks Jonathan.  I really appreciate the compliments!

              • http://www.miltonmorris.com/ Milton Morris

                Thanks so much for the kind words.  Yes, like I have said, I most often shoot digitally.  That’s what clients want.  But it sure is nice to slow down and plan a shot every now and then.  I like both.  Digital gives me plenty of options.  Film makes me slow down and think. 

              • http://www.miltonmorris.com/ Milton Morris

                Hi Stuart.  When they asked me to bid the job, I sent it with the idea (and price) of shooting 8×10.  Wasn’t sure they would go for it, but they did.  Of course if they had called back and asked for digital, I would have done that too – ha!  These days you can’t afford to turn down anything.

                Thanks!!

              • http://www.miltonmorris.com/ Milton Morris

                Thank you!!

              • http://www.miltonmorris.com/ Milton Morris

                Ha!! Thanks Rob.  I get that too.  In fact, on this job we shot on a Friday and Saturday.  On Monday morning, I got a call from the AD asking if I would be posting a web gallery that day.  I had to remind him that we shot film and the film was sitting in a FedEx box waiting to be picked up – ha!  He didn’t seem too upset.  He just had to wait a few days.

                 But all clients get used to having it now with as many options as possible. 

                Great for you to still shoot film as much as possible.  Keep in touch.

              • richardaevans2

                Wonderful work Milton! In fact, incredible! The whole crew did a stellar job! Love the images; top shelf stuff! Who lied to us and told us film was dead!  lol

              • http://www.miltonmorris.com/ Milton Morris

                Hi Richard.  Sorry for the late response.  Thank you very much for the compliments!!  Glad you liked the post.

                Yes, when I mention something about film these days, most clients (and some photographers) will honestly ask, “do they still make film?” and “where can you buy it these days?”  Ha!

              • Connect with Fstoppers
                Follow @Fstoppers
              • Fstoppers Originals
              • Popular Articles
                • What A Week Of Groceries Looks Like Around The World
                • "Unplugged Weddings": Preventing Guests From Destroying Your Photographs
                • Endearing Animal Portraits By 18 Year Old Photographer Jessica Trinh
                • Color Film Footage From 1920s London is the Coolest Thing You'll See Today
                • Is Facebook the New Breeding Ground for Copyright Infringement?
                • Raw Comparison: Magic Lantern Canon 5D VS Black Magic Cinema Camera
                • Learn Inexpensive Ways To Create Gallery-Style Works Of Art
                • Brad Pitt Photographs Angelina Jolie: Results Are Impressive
                • Saudi Arabian Women Unveiled
                • Think Tank Photo Announces New Large Capacity Rolling Bag
                • 3 Minutes Of Setup And 2 Shutter Clicks : The Reality Of Celebrity Portraiture
                • Samsung "Artfully" Photoshops Galaxy S4 in Place of iPhone in a Stock Image
                • No Joke: Magic Lantern Gets Raw Video Out Of The Canon 5D Mark III
                • Creating Creative Portraits By Dragging The Shutter And Adding Movement
              • Recent Comments
                • Dan Tabár said Without the athlete, there would only have been a black background in the photo, right? You need a subjec »
                • Tamara Beery said So interesting. This story may help people to think twice about closing their curtains in the future. I »
                • DeathNTexas said Maybe it isn't illegal, but it sure is ethically dubious.And creepy. Let's not forget creepy. »
                • Helmut Steiner said I really enjoyed this documentary. Btw Ziyah has a very unique style and I love the fact that he is shoot »
                • Ced said As you can see it's actually a photo of a photo. So maybe the original isn't that bad. »
                • Akira Schüttler said Hey!I"ve tried something like this too.What do you think?Best regards,Akirahttp://www.facebook. »
                • Tobias Vincent Solem said Perhaps you should inform them of the value of their work? »
                • Tobias Vincent Solem said Parents that believe in and support the abilities of their children are parents who do not end up alone w »
              • Support Fstoppers
                current nikon rebates deals
              • FS Originals
              • Endearing Animal Portraits By 18 Year Old Photographer Jessica Trinh
              • How to Go Pro Without Going Crazy
              • Fstoppers Sits Down with Lara Jade
              • Fstoppers First Look: Sigma’s New 18-35 f/1.8
              • Fstoppers Reviews SLRLounge’s Natural Light Couples Photography Workshop DVD
              • Categories
              • Commercial
              • Video
              • Gear
              • Location
              • Strobe Light
              • Contests
              • Win a 30x40 Print
              • Alien Skin Retouch Contest
              • Win the Art Behind the Headshot
              • Black Rapid Contest
              • Win a Lowepro Bag
              • Random Posts
              • [Video] First 4K Short Film Shot on The Canon 1D-C DSLR
              • [Studio Lighting] Could This Be The Best Light For The Photo Studio?
              • Who Shot Rock & Roll? Photographers Revealed
              • Transformers 3 Behind The Scenes
              • Raw Comparison: Magic Lantern Canon 5D VS Black Magic Cinema Camera
              • Picture of the Day
              • Frankfurt Delay
              • LHD-1
              • Search and Rescue
              • Gallardo
              • Aurora X-Trail
              • Home
              • Advertise
              • Meet the Writers
              • Submit Content
              • Contact
              • Sitemap
              © Fstoppers
              Made by Novum