The Fujifilm GFX 100 is a stunning camera in many ways, and its ultra-high sensor resolution and fantastic dynamic range make it seemingly tailor-made for landscape photography. This great video takes a look at an experienced landscape photographer's use of the camera and his thoughts on how it holds up for such work.

There are so many times I've asked myself: If I were starting fresh, would I end up within the same system of gear that I'm using now? When I started photography, Sony wasn't even a player in the DSLR game, and so inertia has invariably led me to (mostly) Canon and Nikon over the years. But today's new photographers are spoiled for choice. Which way to go?

Many of us have heard that variable neutral density filters give a softer image, or that more expensive filters have less color cast, but few of us have actually tested these "facts" for ourselves. Here are the results of a range of 23 neutral density filters compared.

Today, Nikon released a major firmware update for their D800 and D800E HDSLRs as well as minor patches for the UT-1 transmitter and a few CoolPix cameras. This is the first significant update for the D800(E) since about this time last year. The update (v. A 1.10, B 1.10) brings with it something that I wish all Nikon cameras had.

When you are going for a hike or on a trip, you do not always want to carry a backpack full of lenses. Sometimes, a single lens that covers every focal length you could conceivably need is the better way to go. For Sony and Fujifilm APS-C shooters, there is the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD, and this great video review takes a look the kind of performance and image quality you can expect from it in practice.

The recent resurrection of film and instant film cameras never really interested me until a few months ago. I love shooting digital, mostly because I can just keep going until my heart is content, but that was until I discovered this gem of an instant film camera.

In 2019, I switched mounts, tried out some new gear, and built a new editing setup. Looking back at the year, there are some pieces of equipment I’d buy again in a heartbeat, while others weren’t even worth the cost of return shipping.

Nikon has just announced a raft of rebates on many of its mirrorless full frame cameras, with savings of more than $600 now available.

Canon has demonstrated an aggressive stance on the development and release timing of their RF mount lenses in the last few years. It seems they have no intentions of slowing down, as more interesting designs have emerged.

Wildlife photography can be a tremendously fun and interesting genre, but it often requires very long focal lengths, and the lenses involved can be very expensive. Canon's RF 600mm f/11 IS STM offers the kind of focal length wildlife photographers need at a very affordable price, albeit with some compromises to get to that price level. Is it still worth it? This great video review takes a look at what you can expect.

I’ve always wanted to get into wildlife photography. Although no expert, I love taking pictures of birds. So, when I was in the position to invest in one of the best lenses on the market today, I jumped at the chance.

135mm lenses have long been popular as alternatives to the standard 85mm focal length when it comes to portrait photography, and Canon's EF 135mm f/2L was respected as one of the company's best lenses, offering excellent image quality, including deep contrast and colors and supplemented by reliable and quick autofocus. Now, its successor, the RF f/1.8 L IS USM, is here, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.

Wide-aperture 85mm lenses are some of the most popular out there, and both Canon and Sigma make some of the most impressive options out there. If you are looking for a high-quality portrait lens, check out this excellent video comparison of the Canon RF 85mm f/1.2 L USM and Sigma 85mm f/1.4 DG HSM Art.

No doubt, the huge influx of quality third-party lenses from companies like Tamron and Sigma in the last few years has been a huge boon to photographers, as we have been given quite affordable alternatives that still offer professional performance and results. Now that Canon and Nikon have moved to the world of mirrorless, many are eagerly waiting for Tamron and Sigma to start making lenses for the RF and Z mounts, and the good news is that Sigma will likely start doing that next year.

Nikon’s recent lens announcement, the Z 28-75 f/2.8, came as a bit of surprise. Notably absent from the roadmap, with few rumors or speculation in the run-up to its appearance, this lens is an odd duck in more ways than one. Is this a promising development for the Z system or a missed opportunity?

Adding 20 percent storage to its previous high-capacity models, Seagate now offers 12 TB hard drives in a 3.5-inch size. These spinning disks feature transfer rates up to 250 MB/s and use still relatively new helium gas technology usually reserved for enterprise drives to reduce friction throughout the eight-platter internals. The new 12 TB drives come in three Guardian Series flavors: Barracuda Pro for desktop use and IronWolf or IronWolf Pro for use in network-attached storage devices that often feature multiple-drive RAID configurations.

A keen eye has purportedly captured the first ever photo of the upcoming Sony FE 400mm f/2.8 GM lens at the Winter Olympics.

I promise this is not actually a serious comparison. It is hilarious, however. Sony's new a7S III is the pinnacle of its latest video technology, and it brings with it a plethora of advanced features and capabilities. But let's not forget Sony's once-popular line of Handycam camcorders. This great video takes a look at the two and why the Handycam just might be better.

The organization of digital assets is a fundamental yet often overlooked aspect of photography, crucial for both new and seasoned photographers. A well-organized digital library not only streamlines the workflow but also ensures that valuable images are easily accessible and secure for future use.

Apple's introduction of the M1 series of chips was a major paradigm shift for the company, bringing with them some of the efficient performance ever seen, allowing for powerful laptops that still managed to last all day. That, combined with other features, like a large and vibrant display, make the 16" MacBook Pro with the M1 Max chip the seeming frontrunner for creatives on the go. Can it keep that title in practice? This excellent video review discusses one creative's thoughts after a year with the laptop.

Sony has recently released a lightweight, compact power zoom lens that is perfect for all types of creators regardless of whether you shoot stills or video. What's not to love?

Camera releases have been hit and miss in the last few decades in particular. Which missed the mark by the most, though?

The big names in the photographic industry have made some mistakes. Some have been addressed, while others are rearing their ugly heads. It's time they cleaned up their acts and served photographers and not their investors.

Nikon's Z 9 mirrorless camera is here, and it challenges the supremacy of the Sony a1 and Canon EOS R3 at the top of the professional mirrorless camera race. One of the genres that often demands such cameras is wildlife photography, and this awesome video review takes a look at how the Z 9 performs.

In the realm of landscape photography, the gear a photographer carries can significantly impact their ability to capture stunning images or even get to a location. This is especially true for those who integrate a lot of hiking into their photography expeditions. The right equipment can make the difference between a successful shoot and a missed opportunity, ensuring comfort, preparedness, safety, and the ability to adapt to changing conditions.

If this is your first time buying a digital camera and you are just starting out your foray into digital photography, it is understandable for you to be a little baffled when choosing what to buy for your first digital camera. I remember starting my photography career with a Canon S2 point and shoot and two generic lamps from IKEA, shooting product photography for a startup company.

In this article, I review the FLM CP30-M5 II hybrid tripod. It's the best tripod I've used, and here's why.

When it comes to landscape photography, the lens of choice is normally a wide angle. You can create fantastic images with them, but they come with their own challenges as well. This excellent video tutorial will show you how to get the most out of your wide angle lens when shooting landscape images.