Our industries rely heavily on color, which most of us know as a wavelength of light that our eyes and brains perceive as ..well color. But we don’t always think about how or why this is happening. You can go a long way just knowing what looks nice, but if you want to optimize the potential of your finished product, knowing the physics involved is very beneficial.
Jen Brook, a model, recently wrote an article to future brides to be about what to expect and how to prepare for being photographed on their wedding day. Her tips on posing, preparing, and practicing are a great read to share with your future brides.
In the photography business, collaboration among all the players at a photo shoot is the key to success. We all know that concept is king, and effectively communicating that concept to your production team, model, retouch artist, makeup and hair stylists, and printer can make or break your idea.
But let’s step back for a minute and understand how you even got to the concept.
Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.
Warning: NSFW for language.
Do you have an eye for editing video? The editor often wields the power and ability to breathe life into a piece of motion work, or to kill it off. But where do you go to learn how to edit? Inside The Edit recently launched the world’s first end-to-end online program, and while it’s not without it’s considerations, it represents a giant leap forward for anyone who wants to get hands-on experience in the world of motion storytelling.
Last year Fstoppers threw its very first live photography workshop in the Bahamas and world class food and drink photographer Rob Grimm was one of the instructors. I was able to sit in on a bit of Rob's class and I learned a ton about photographing drinks. We just got our new order of FlashDiscs in and I decided to try a shot of my own using the new modifiers.
Tonight at 8pm Eastern, Stephanie Cotta will be hosting a live Spreecast answering all of your Newborn Photography questions. If you are currently photographing newborns, or would like to, and would like a sneek peek into the in-depth Ultimate Newborn Photography Tutorial currently sold in the Fstoppers store then this is your chance to tune in and ask newborn related questions on lighing, posing, composition, marketing, pricing, and everything in between. We will be giving away free tutorials during the event as well so tune in for details.
Everyone gather around and learn how Lee Morris got our San Franciscan features editor, Jaron Schneider, fired from his previous job. In the latest installment of the TogTools Fstoppers series, Jess and Stephen have an engaging chat with Jaron where we learn the interesting tale of how he got started at Fstoppers. More intriguing perhaps are the insights on how he deliberately made his work go viral and how you can do it, too.
Supermodel Coco Rocha and photographer Steven Sebring have teamed up to release an interactive book, The Study Of Pose, chronicling over 1000 poses captured from 100 different angles in an experimental 360 degree rig. It is an ambitious project that has resulted in a massive, and certainly quite heavy, book with over 2000 pages.
Fstoppers editor and writer Zach Sutton took the time to open up to TogTools owners Jess and Stephen, covering everything from how he got started to in-depth tips on how to begin teaching photography through workshops and diversifying your photography business. While he also contributes to Photofocus and Retouching Academy, Sutton has a strong foundation in his own well-known photography business that has taken him from travel assignments to the most intimate weddings and even well-established workshop tours. Take a hint from those with experience, as this is a rare opportunity for some great, free advice from a seasoned pro.
Melissa Rodwell has been there, done it and got the t-shirt. A thirty year veteran of the world of fashion photography, she has paid her dues and then some. She has seen the trends come and go, and now has the knowledge and experience to help those just starting out. Anyone interested in fashion photography, or simply how to survive as a professional photographer will benefit from this frank and exclusive interview.
We’ve all seen heat waves rising up from the asphalt of a hot road in the summertime. But did you know that this same effect happens across all types of open area environments? In this informational video, nature and wildlife photographer Steve Perry demonstrates what long lens shooters need to look out for in order to preserve sharpness in their images.
Sure it's easy to put off watching a video that isn't under five minutes long. Sometimes you just have to make an exception, and the weekend is the perfect time to do it. In this video, David Brommer talks about not only the rules of composition, but the theory behind the rules we all know and how they relate to our way of seeing. He takes us through the history of painting (which is the best possible thing to study for composition) and how it relates to every single image we take.
Last month we interviewed Jen Basford of Seniors Ignite and 3 girls photography about reasons why you should have a senior rep program. The full article can be found here. This month we are getting into specifics of what is takes to build a successful senior rep/model program and insight on how Jen built a program that sees continued success.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
In a world filled with videos and tutorials featuring every yahoo with a camera telling us how-to setup, pose, light, and edit, it's hard to know what's just noise and what's worthy of our time. Fortunately, there's experienced instructors like Karl Taylor and Urs Recher who have teamed up to share their techniques in the latest How-To series from Broncolor.
It’s one of those iconic images that makes your camping trip look like an epic experience of a lifetime. In this segment of AdoramaTV’s “Getting the Shot,” Corey Rich takes the mystery out of how to capture your own glowing tent photo. From gear to technique, this video goes over all the basics to have you prepared for your next adventure.
Over the last several years, I’ve been fortunate enough to grow an audience wider than I’d ever thought possible. From the days of taking photos of whatever was in front of me, to speaking at the Phase One Stand Out Photographic Forums this October in LA and San Francisco, it’s been, to the say the least, quite an adventure. All that would not be possible, however, if it wasn’t for the Google and, more importantly, a core group of photographers who, at one point or another, shared with me the answers to questions that had been burning so bright in my mind, that I literally couldn’t sleep until I’d found a satisfactory answer.
You may have noticed during our studies of umbrellas and technique that we have been lighting everything in a very direct manner, illustrating some very basic techniques for you to test out with your own photos.
Those techniques will serve you well, and can be used to create beautiful photos. But it’s time to try something a bit advanced, something that will give you the ability to better control your umbrella light and impart your own style into the photo.
The Pen Tool is one of the most advanced and accurate ways to make selections in Adobe Photoshop. Because of this, it can also be one of the most intimidating and frustrating features. I often find myself doing everything I can to avoid having to use it... but then the image never ends up looking it's best and it's back to the drawing board. For those looking to master this powerful feature, like myself, check out these two entertaining new training methods!
We've featured ESPN photographer Brett Wilhelm's work before as he's taken us through numerous one-man setups for his events. This time, Wilhelm gives us a great video covering everything you need to know about wirelessly transmitting your images in the field with the Nikon system. From connecting to FTP servers through your iPhone or local wireless network to explaining the advantages and disadvantages between the WT-5 and WT-4, Wilhelm makes sure you'll be ready to shoot anything in the field for instant transmission back to your editing team.
What sets you and your work apart? Having a clear idea of this is critical if you want to develop your work but when was the last time you actually thought about it? Shane Hurlbut is a veteran Director of Photography and today shares his thoughts on his career and success. Whether you work with stills or motion, his approach sets him apart and we can all learn from him.
Flour bombs to the head, water balloons bouncing off my face, ribbon dancing, beer pours, back flops, a ginger eating cinnamon, and silly string to the face. These are a few of of the things we tried today in slow mo on the iPhone 6 and iPhone 6 Plus from Apple. Check out the results here.
We’ve studied how direction and angle can drastically change the quality of light produced from your umbrella. We have also seen examples about how distance can change the umbrella light falling on your subject.
Now it’s time to look at the big picture. Let’s take a peek at how our umbrella is actually producing light across the whole image, not just the subject that you chose. In Umbrellas 103, we’re going to study fall off, and compare the type of light produced by four different shoot thru and reflective umbrellas.
If you’ve ever wondered why you might use a giant umbrella instead of a small, collapsible model, this article is for you!
If you’ve been following along, you may remember that back in July, I packed up my apartment, loaded up my car, and set off on a month-long cross country tour of the southern United States with my girlfriend Holly and my dog, Olive. Along the way we met and hung out with some incredible people, had the opportunity to take great photos, ate at some great local places and most importantly, got to experience first hand the freedom of the open road.
Ever since Benjamin Von Wong took a leap of faith and left his successful career as a engineer to persue his artistic passions, he has kept a legion of die hard fans enchanted by his ability to turn the ordinary into epic. Whether it be organizing complicated pyrotechnics, photographing surreal scenes of ultraviolet models, or chaining models to a shipwreck 25 meters below the surface in Bali, Benjamin has never been interested in being ordinary. In his insanely creative mind, his thought process of "If it's not epic, than what's the point?" has led to some of the most memorable photoshoots in the last several years.
You might have missed it, but last night, the earth cracked and shifted a little in the world of the photo community. The “Stand Out! Photographic Forums” launched and details the first of a series of events that promise to offer up some of the most exciting photographic speakers I’ve seen in a long time. Not only that, but the price is ridiculously low to hear them talk. Something special is afoot, read on to get the full scoop.
The Fstoppers series continues on over at the TogTools podcast, with the latest session bringing you fascinating insights from our senior writer, Noam Galai. If you regularly read Fstoppers, you’re aware of Noam’s compelling story known as “The Stolen Scream.” Noam speaks with co-hosts Stephen and Jess Robertson both about how his experience with the Stolen Scream has inspired him, as well as sharing his thoughts on building a successful career for yourself through a highly-engaged and ambitious work ethic.
Last week, we talked about how to understand the difference between your bare flash unit and a flash fired through an umbrella. We learned that adding the umbrella would drastically change the light, creating a much softer glow to aim toward your photo subject. We also learned that we could use a white umbrella in a shoot thru position or a reflective position. But there is so much more to learn.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
