Gear

Professional photographers understand the quality of imagery that can come from a camera phone will never contend with the pictures and video you can capture with your DSLR. Phones will likely always have an innate handicap with sensor size, which leaves it's images lacking. That said, it would be quite unwise for photographers to neglect the most recent developments in camera phone technology. The ease of use, accessibility, and ability to quickly share your imagery can make your phone one the most important pieces of gear in your business. So, when phones like the new Asus ZenFone Zoom come out with a 3X optical zoom, it's best to pay attention.

Tamrac has been keeping busy to revitalize their brand by shipping new products such as the Anvil and G-Elite series of photo backpacks as well as these new Goblin gear pouches. Made to provide minimalist padding to your equipment, the Goblin pouches come in a variety of shapes and sizes to protect cameras, lenses, memory cards, and accessories.

Midway through 2015, Phase One released the XF camera system, an impressive digital medium format system which combines modularity, software upgradability, and image quality into the ultimate shooting package. Last August I spent a couple weeks shooting with the XF paired with the IQ3 50MP digital back, and in January I again spent two more weeks with the newly released mind-blowing XF 100MP system. In this review I cover my time with the new Phase One system shooting landscapes and nature photography and my experience playing with the image files in post-processing.

Sigma has announced their follow up to the EF-610 Flash, the EF-630 and It will be available on B&H very soon. Yesterday Sigma announced the new flash with models available for Nikon, Canon, and of course Sigma. The new flash will pack a little more fire power than its predecessor, and will automatically adjust for focal lengths from 24mm through 200mm.

Both Tamron and Sigma have been shaking up the photography industry by releasing one premium lens after another. Many of these lenses are actually better than the Nikon or Canon equivalents. Tamron's 35mm and 45mm 1.8 lenses have created a new segment; wide angle primes with VC (vibration compensation). But does anyone really need this?

Cell phone cameras are getting better and better each year as sensor technology improves, but zooming still doesn't really work. Yes, you can "zoom in" with your iPhone, but it's not a real optical zoom. Really, you are just cropping into your picture or video, which means the further you "zoom," the lower resolution you will end up with.

Choosing a correct exposure can be difficult at times, especially in bright light. I've become pretty good and reading my LCD screen and using zebra stripes to figure out a correct exposure on the fly, but there are a few more options. Two of them I had not even heard of before.

DJI should have called me and made me the face of their new drone insurance policy. I've crashed many of their drones, destroyed one, and lost another. Sadly, I didn't have the luxury of buying insurance, but now, you do... but it's probably too expensive.

Perhaps a perfect followup to Nikon's D500, Canon's 80D, and even Sony's A7-series releases, Sigma's two new lenses aren't built for full-frame coverage, but instead include a fast, Art-series portrait zoom for APS-C cameras and a fast, f/1.4 normal lens specifically designed for mirrorless cameras that is supposed to offer superb image quality at a reasonable price. In addition, Sony E-Mount users will enjoy the availability of Sigma's new MC-11 Sony E-Mount converter that will allow the use of 19 of Sigma's Global Vision series lenses on many Sony APS-C and full-frame mirrorless bodies.

Now that I'm settled into my new 4200 sq. ft. studio, I have a ton of space. However, that wasn't always the case; in a smaller space, organization was the key to sanity. Tripping over gear and frantically searching for grip equipment is frustrating and doesn't look good in front of clients. I believe if you have an organized workspace that organization will be reflected in your mood while on set, allowing you to stay calm, cool, and collected. In this video, I show you four tips to starting down the path to a more organized studio.

Tamron has fired a serious shot across the bows of Canon, Sony, and Nikon, announcing the release of the world's first 85mm fast-aperture lens with image stabilization for DSLRs, a new macro lens, and a lens console that allows for updating and customization of certain lenses.

While most professionals may have overlooked the latest DSLR to come out from Canon, the 80D, there are a few new features that are important to note. Whether you're a Canon shooter or not, keeping up with the featureset that's included with a modestly priced ($1200) compact camera is a good way to stay plugged in to where certain manufacturers are at, especially when it comes to having a lower-cost, backup camera. Here's a few videos that go in-depth with the 80D, and point out some of the more notable tricks this little camera has up it's sleeve.

G-Technology updated its lineup today with the introduction of two eight-bay storage arrays made to be easily transportable. From enterprise-class hard drives for robust performance to handles on top of the units that let them be more easily moved from studio to car, to set, and back, the G-Speed Shuttle XLs are the ultimate on-the-go editor's dream direct-attached-storage system.

I can remember when I first got my 36 MP Nikon D800 a few years ago. I actually bought three of them, and I took them out with two assistants to shoot a 10-hour wedding... in raw. We came home with around 3,000 images. That worked out to 180 GB of files I had to transfer, edit, and then save forever. It was a time-consuming process to say the least.

As we all know, photography is ludicrously expensive. Even entry level DSLRs are a few hundred dollars these days; some point and shoots hit close to $1,000. This can be daunting to anyone looking to get into photography, as the sticker shock may drive them away. For working professionals, the price tags get higher and higher as apertures are larger, build quality is higher, and resolution jumps to ridiculous levels. There is, however, an alternative. It’s something that people fear, swear off, and curse because they got bit by a sketchy dude on eBay: buying used gear.

Before CP+ kicks off next week, Canon just announced the successor to the 70D, the Canon 80D. Featuring multiple improvements, especially in areas surrounding autofocus, the 80D provides a more professional standing for Canon's representation in the advanced APS-C DSLR segment. Additionally, Canon introduced a new PZ-E1 power zoom adapter for a new lens, the EF-S 18-135mm f/3.5-5.6 IS USM. Finally, the PowerShot G7 X was updated with a Mark II version along with a new compact superzoom, the PowerShot SX720 HS.

Today, Pentax has announced their entry into the full-frame market, the K-1. Slotting in-between the company's APS-C and medium format offerings, the K-1 aims to be the do-it-all solution for working photographers. In addition, the company has also announced two lenses to complement the new system.

Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.

I took a two-week trip to Hawaii last month with the intentions of not bringing along a bunch of camera gear. That was a fine thought in and of itself, but now I’m wondering if I could have mustered the courage to take an extended trip to a picturesque location without bringing a real camera at all?

PRO EDU recently released a five-part video series on their YouTube Channel dedicated to RAID. RAID, for those of you new to the term, refers to a system of file storage that can write a copy of everything you save to a separate hard drive so that you have two copies of everything you save. The benefit here is that if your hard drive fails, you don't lose all of your data and you have an identical copy ready to roll. In this video series, Gary Martin of PRO EDU explains everything you need to know about RAID systems to get started on your first RAID setup.

When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.

To follow my previous article which stirred a healthy discussion about sharpness and whether that it's vital or not, it inspired to me to ask my fellow peers another question. Are the amount of megapixels on your camera crucial, or do other factors and features hold more value when purchasing a camera? Here are my thoughts.

Warning: treacherous waters are ahead. A dark, cold place where only the brave dare to explore. Recent video projects by photographer and cinematographer Sven Dreesbach create a feeling of icy-cold tension, contrasted by a sense of meditative pleasure. It's a vibe that is best soaked in rather than pontificated upon by some internet writer. Oh, and he did it all on iPhones.

Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.

Neutral density filters seem to be all the rage these days. If you are a landscape photographer, ND filters are a crucial tool for smoothing out rough water and giving your skies a nice blurred effect. For portrait photographers, neutral density filters are great for maintaining wide open apertures in super bright situations while using strobes. Recently, we tested five different brands' filters to see which one produced the sharpest and most accurate color renditions. The results were pretty shocking.

HoldFast is known throughout the photography community for their amazing and well-made dual camera straps. What most people don't realize is that they also have a camera bag. The Roamographer bag has the same attention to detail as their straps and is also constructed out of the same great-looking leather. It's designed to look like a vintage doctor's bag and provides both style and function.

Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.

Almost everyone goes through times when the belt need to be tightened because money just isn’t abundant. During these times when income dips, we need to take care to avoid spending as much as possible. Photography, however, is an expensive vocation that seems to be an endless drain on the bank account. It becomes increasingly helpful to avoid having to replace gear you already own due to wear or damage.

One of the primary reasons many have given for stalling in making the switch to mirrorless is the lack of solid fast aperture zooms. With the newly announced Sony G Master series and initial debut of a FE 24-70mm f/2.8, FE 70-200mm f/2.8 OSS, and FE 85mm f/1.4 lenses, not only are we getting the highly requested fast zooms, but we are getting some of the best precision optics overall for the Sony Alpha system.