Gear

A new 12-bay storage solution by LaCie, four- and eight-bay systems by CalDigit, and four-, six-, and eight-bay systems by Promise announced Monday at NAB 2016, all support Thunderbolt 3, even before Apple has a single device that supports the protocol. That shouldn't be the case after Apple computer announcements expected this summer (or perhaps through a refresh any moment); and some PCs already have Thunderbolt 3 support. But with mass adoption already around the corner, these three companies are showing they're ready to take on the transition to the new standard.

Edelkrone is the king of reinvention, from the Pocket Slider to their tabletop dolly. Sometimes, they’re also very good at charging top dollar for useless rubbish.

If you're like me and you've already purchased a Ronin-M gimbal, hearing news of its replacement is terrible news. Luckily, the new Ronin-MX brings new features to the table, and it's a whole new beast.

Announced this morning at NAB 2016, the G-RACK 12 is G-Technology's first network-attached storage (NAS) device to the market. Featuring bays for up to 12 hard drives, the G-RACK 12 combines the company's proven direct-attached storage (DAS) reliability and speed with network access over quad 10-gigabit-Ethernet (10 GbE) ports for a super fast networked connection for virtually any small business or studio.

Canon has announced a hilariously boring and ambiguous camera, just in time for NAB: the ME200S-SH (catchy, right?). They want it to be an all-rounder, but it may just be subpar in every single category.

"The Daguerreotype Achromat Art Lens is a revival of a lost esthetic that disappeared from photography some 175 years ago. Based on the Charles Chevalier's historical lens model and built using a unique achromat design, you can now create modern images that look like world's earliest photographs bathed in a powerful, alluring veil of light."

Impossible Project, the awesome folks that have been bringing you film for your Polaroid 600 instant cameras and even the ability to make Polaroid prints out of your camera phone images, have just announced their all-new instant film camera and it sounds awesome.

Street photographers are a funny breed and have special requirements for their equipment. Ardent street photographer and owner of Fundy Software, Andrew "Fundy" Funderburg, worked closely with Matthew Swaggart of leathergoods masters Holdfast to create an uncompromising luxury camera bag specifically for those that shoot rangefinder and other mirrorless cameras and need to work light and fast. We spent the past six weeks using one ourselves to see if they succeeded in their quest.

Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.

Fans of Lensbaby's unique optics will be pleased to know that today, the company has announced a new lens, the Twist 60. Drawing on the resurgence in popularity of swirly bokeh effects, the lens is sure to be another interesting option for those who have recently jumped aboard the vintage optics movement.

I'm normally a huge numbers geek. I want to know every specification of every device because I believe in the power of statistics. But when it comes to hard drives, well, I just want them to work. I want ample space for my data, I want to know it's backed up without a second thought, and I want to be able to access it quickly and easily, no matter what device I'm on. Enter the Western Digital My Cloud Mirror.

Capturing a good time-lapse requires patience and precision. Normalizing exposure in changing lighting conditions is an intricate task. Similarly, knowing how your final product is shaping up during the process is difficult. One company is seeking to solve both those problems with one device.

Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.

Some photographers value the technical aspects of a lens above all else. Others prefer lenses that create unique, if not technically perfect photos. The Helios 40-2 85mm f/1.5 is for those in the latter camp. This lens is famous for its characteristic swirly bokeh, and in that it does not fail to disappoint.

For years, videographers shooting in dark situations frequently ran into the issue of a ton of noise in darks and shadows that would oftentimes make some footage difficult or impossible to use. Many have heralded the release of the a7S II with applause due to its power for video in low-light situations and even to record bursts of high frame rates in HD, so we took one into the deep recesses of an abandoned power plant in New Orleans to see how it did.

Reportage seems to be a genre where feminine qualities are seen as an obstacle rather then as an asset. I sat down with French photographer Audray Saulem who proved them wrong and listened to her experience shooting an epic race of 210 kilometers in the Sahara over 6 grueling days.

Hasselblad has launched a brand new medium format digital body, the H6D, in both the familiar 50-megapixel CMOS flavor and also in a new, 100-megapixel CMOS configuration with the same Sony sensor found in Phase One's XF IQ3 100 MP released earlier this year. The new body features an updated UI, a relatively new look and design for the first time in several generations, and a brand new lineup of updated lenses capable of shooting at up to 1/2000 of a second, with full support of the new 100 MP sensor.

Swimwear Photography with Joey Wright Behind The Scenes continues today with Episode 2. In last weeks episode you were able to see our journey from the US down to Curacao. In this episode we finally begin filming lessons with Joey for this swimwear photography tutorial.

New to the market is the GX8 "lite," the DMC-GX85. This is one of Panasonic's most recent mirrorless digital camera releases that comes with almost all the same perks as the GX8. The main differences between the two cameras are the lower resolution Live MOS sensor (16 megapixels versus 20 megapixels on the GX8) and a fixed EVF. Here are some of the specs the camera comes with.

Los Angeles-based photographer Zach Sutton has spent a long time doing on-location photoshoots for his business. These kinds of shoots usually involve the typical off-camera strobes on light stands and maybe an assistant to help mule equipment or adjust lighting for the photographer. However, when Sutton moved to L.A. last July, he quickly learned that this sort of on-location shoot is not allowed in the city without a proper commercial shoot permit — even if it’s ultimately for personal use. His solution for getting by light stand free looks somewhat crazy, but the end results speak for themselves.

While researching and deciding on what camera or lens to buy next, there can be a lot of banter, back and forth, and noise on opinions on what camera or lens is right for you. It is possible that some websites, influencers, or average Joe’s can hold slanted biases that may play a role in your purchasing decision, and we don’t want that. So what if I told you that there was a more objective resource to help aid your purchasing decisions? Well, I have a site to share with you: DxOMark.

When we think what defines our brand as photographers, we think of our logo, website, and even the style of imagery we create. But, everything that is related and connected to us and our company is a representation of our brand — from the way we answer our emails, interact with our clients, down to the pants we wear, the bag we carry our gear in, and the overall way we present ourselves to the world. Every detail reflects back on our company and in the end reflects back on our bottom line.

A few weeks ago, I had the pleasure of reviewing Syrp's awesome, affordable, perfectly executed Genie Mini time-lapse device. However, time-lapse photography and videography barely covers the beginning of what can be done with the New Zealand company's awesome devices. The Slanted Lens' Jay P. Morgan not only shares his entire lighting setup for a classic food shot, but also proposes some clever and welcomed case studies for how to use Syrp's devices to create better shots, not only around stars, but also around close-range subjects.

Introduced alongside the FE 70-300mm f/4.5-5.6 last week, Sony has added its own take on the “Nifty Fifty” to their lens lineup. Aimed at photography hobbyists, the FE 50mm f/1.8 will only cost $248 and gives a wide aperture option to those that may be only shooting with the FE 24-70mm f/3.5-5.6 kit lens at the moment. Here are my first impressions of the new 50mm f/1.8 after briefly shooting with the lens.

Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.

If you’re looking for a little more reach with your Sony Alpha mirrorless camera, there is a new telephoto lens coming soon that you may want to check out. Sony announced plans to ship their longest E-mount focal length zoom lens, the FE 70-300mm f/4.5-5.6 G OSS, in May 2016. I had the chance to shoot with the new telephoto mounted to the 42.4-megapixel Sony a7RII, and am happy to share my thoughts on the practical-use aspects of the lens in this article.

I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.

First and foremost, gear is not the be all and end all. Creativity will bring the most out of the simplest of gear. We stand on the shoulders of giants now. Remember that it was only a few years ago that high ISOs were all but unusable and that once you'd shot a black and white frame, it stayed black and white. The fact remains, though, that understanding what your gear is capable of is the key to exploiting its strengths and weaknesses, which is where creativity lives. Learning a few simple things about what your existing gear is capable of will do more for your images than any shiny new purchase. Use these five simple exercises to learn more about what the tools you have can do.

This could be your once in a lifetime opportunity to buy a piece of historic glass that could simultaneously boost your hipster and geek street cred out of the stratosphere.

The Zeiss Tele-Tessar 500mm f/8 lens by Carl Zeiss AG, produced especially for the Hasselblad Electric Data Camera (HDC), is a shiny silver gem. But the particular sample RR Auction is planning to offer on April 14 is a piece of history in the truest sense. This lens has been to the moon, after all.

Think Tank makes some of the best camera bags on the market period. Their bags are so well designed that I've actually become a bit cynical when someone announces the "next breakthrough camera bag" because, well, there isn't really much more I need other than my Think Tank Airport. Today Think Tank has announced a new roller bag for everything that won't fit in your camera bag and it looks awesome! Welcome the Think Tank Production Manager 50.