Black and white photography creates a unique visual language through its deliberate absence of color. The power of shadows and negative space within monochrome images transforms ordinary scenes into graphic, evocative compositions that engage viewers in a completely different way than color photography.
Coming to you from Alex Kilbee with The Photographic Eye, this insightful video explores how embracing deep shadows can elevate your black and white photography. Kilbee analyzes work from photographer Scott Olson's book "Fargo Street" to demonstrate how intentional use of inky blacks creates striking visual impact. Many beginner photographers make the mistake of trying to preserve detail in every shadow area, but Olson's work shows that allowing certain areas to go completely black creates a more dramatic, sculptural quality. The night photography of gas stations and motels in Olson's collection takes on an almost diorama-like quality when surrounded by pure darkness, isolating the subjects against the blackness of night in a way that color simply cannot replicate.
The transformation from color to black and white fundamentally changes how elements relate within the frame. Kilbee points to an example where a busy scene with a person in a red hoodie changes completely when converted to black and white – the color version draws your eye immediately to the red, while the monochrome version allows you to discover subtle details at your own pace. This is particularly evident in Olson's photograph of a snow-covered mailbox, which would appear completely different in color where the blue mailbox would dominate. In black and white, the emphasis shifts to the organic relationship between the snow and the structure, creating a more contemplative viewing experience.
To apply these techniques in your own work, start by seeking opportunities to photograph at night when darkness naturally dominates the scene. Rather than exposing for the brightest highlights, find a middle ground that retains some shadow detail while allowing other areas to fall into complete blackness. During processing, don't be afraid to push contrast significantly and selectively darken shadow areas. Kilbee suggests creating a separate layer for burning in shadows, slowly building up the darkness to create what he describes as a "liquid tar" quality in the reflections and shadow areas. Check out the video above for the full rundown from Kilbee.
