This image was captured as part of the No Futuro series in a compact room. The lighting setup included a studio flash and a 55cm Softbox with its grid. Initial color and lighting corrections were made in Lightroom. In the Photoshop phase, I focused on refining the subject's features by removing imperfections, employing dodge and burn methods, enhancing eye brightness, conducting additional color correction, incorporating a bokeh overlay layer, and introducing a subtle grain for added texture. Sony a7III and Sigma 24-70 f2.8.
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With Peter Hurley
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