The exploration of large format photography, specifically the 4x5 and 8x10 formats, has recently seen a resurgence among enthusiasts and professionals alike. This shift towards more deliberate and intentional photographic practices offers a refreshing contrast to the rapid-fire style of digital photography, presenting unique challenges and rewards that are particularly relevant to creatives interested in the tactile nature of film and the pursuit of exceptional image quality.
Coming to you from Jason Kummerfeldt of grainydays, this insightful video takes viewers on a journey through the trials, tribulations, and triumphs of shooting with 8x10 large format film. Kummerfeldt shares his personal experiences, from the logistical nightmares of transporting and setting up the cumbersome equipment to the financial strains of pursuing such an expensive hobby. Despite these challenges, the video highlights the unparalleled image quality and depth of field achievable with this format, arguing convincingly that the effort and expense are worth it for the right kind of photographer. It captures not just a technical process but a deeply personal quest for artistic excellence, making it a compelling watch for anyone fascinated by the potential of large format photography.
Moreover, the video does an excellent job of balancing humor with technical insight, making the daunting world of 8x10 photography accessible to newcomers while still offering valuable nuggets of wisdom for seasoned veterans. Kummerfeldt's journey through various landscapes and his experimentation with different films and techniques serve as a practical guide for photographers considering the leap to large format. By showcasing the tangible rewards—stunningly detailed and emotionally resonant images—the video underscores the importance of patience, precision, and passion in this craft. Check out the video above for the full rundown.
Never shot with 8x10, but back in my college days I did some architectural studies with a 4x5 view camera. It really does change the way you look at the world. It forces you to slow down and really SEE what you're shooting, and really THINK about the best way to capture it. The very antithesis of modern 9 fps (or higher) digital cameras and "spray and pray" photography.
"It really does change the way you look at the world. It forces you to slow down and really SEE what you're shooting, and really THINK about the best way to capture it."
So what? Landscape photography, portrait photography, and macrophotography, even when undertaken with a low-cost digital camera, will also slow you down and make you think about what you are doing. Lighting, time-of-day, composition, all require considerable thought.
I guess you've never shot with a view camera, and don't really understand what you're talking about. Nothing about shooting landscapes FORCES you to work slowly. Good discipline may have you working slowly, but I see plenty of people just point the camera at a landscape, push the button, and walk away.
Deardorff 11x14, actually.
“It forces you to slow down and really SEE what you're shooting, and really THINK about the best way to capture it.”
As someone who used a 4x5 for both professional and personal work, I practiced at working quickly as possible with my view camera. This was especially true when out shooting landscapes or when light conditions were rapidly changing. Even in the studio where I had time to compose the shot the get the lighting right, I worked rapidly at cocking the shutter, putting the film holder in, pulling the dark slide and taking the photo – lest the butter melt too much, or the foam of the beer become flat (I shot food). Thinking about the best way to capture it had little to do with format or speed but more so with the finite number of sheets of film I carried.
For me, it’s not so much “spraying and praying” as it is the FREEDOM to take photographs of whatever interests me.