A photographer visited the factory of analog concept store Supersense in Austria to document the team who is creating a new way to use vintage Land Polaroid cameras and shoot Peel-Apart instant film. In his two-part video blogs, Mathieu Stern revealed how the collective of photographers is creating the FP-100C film that is no longer produced by Fuji.
We often hear that learning on film is a quick way to learn all of the basics, because every mistake will cost you money, but I recently heard a differing opinion that opened my eyes.
Us photographers love our expensive gear that features the best quality in optics, autofocus, sensor design, and more and offers us the utmost control of every last setting. So, could you take a shooting challenge with the lowest quality camera and absolutely no control over any settings? Check out this fun disposable camera challenge.
Film use is definitely on the rise. However, when you start to play around with this admittedly archaic technology, one fact of life rears its head very quickly: the film needs to be processed. Although you can go the lab route, I've always found a certain satisfaction in processing my film myself. For those of us with means, however, there may be another option: The Filmomat!
In the modern world, very few of us take the time to slow down and really explore the best possible expression of a subject. With much of the photography industry being results focused in the fast-moving market we live in and even personal work being shared directly to social media for instant gratification, very few of us take the time to photograph a laundromat for six months.
Though film has long since fallen to digital, it is still a passion for many photographers, and medium format film still offers the beauty of large negatives that are not matched in size even by the most expensive of digital options. This awesome video review takes a look at one of the best options from yesteryear, the Mamiya 645.
Photography is a dream job for many, and everyone thinks we’re so lucky to do it. To that extent, they also all “would love to get more into photography.” While we get pretty good at sifting out which of our friends are actually serious about that goal, here are a few suggestions for how to get over the biggest barrier to entry by starting with film.
Far from dying out, film photography still has a place in many people's hearts. One of the companies which has warmly occupied this space is Harman technology Limited, which has been trading as Ilford Photo since 2005. This lovely short film documents what still goes on in their factory today.
An amazing new exhibition has just opened, depicting images once lost to history and giving us a behind the scenes glimpse at some of the greatest mysteries of our time.
One photographer has turned a shipping container into a huge camera, complete with a built-in darkroom. The creation is capable of producing large, traditional analog prints.
Modern cameras are rather remarkable pieces of technology that make capturing stunning images even in the most difficult shooting scenarios easier than ever. But there is still a lot of magic in the early processes of yesteryear. This awesome video goes behind the scenes of shooting with a camera that's a century and a half old.
Old school instant cameras have long been a popular alternative to traditional film or digital photography. The film they use and images they produce have a quality unlike any other medium.
Old film cameras captivate so many people in the photography industry, but they are a depletable resource that will naturally dwindle. This 22 year old is working on countering that trend.
In part of three of making prints of my shoot with Cognito, I made a kallitype from a film scan. A kallitype is an iron-based contact printing solution that yields a wonderful tonality that, in my opinion, can only be found in analogue printing. Here's a quick overview of the process and some thoughts on why you should venture out and try something different!
As a sort of part 2 to my last video, I'm taking the black and white film from that same shoot and jumping into the darkroom. It's been a while since I've ventured in, so I thought it would be fun to take you along with me while I kicked off the cobwebs.
