If you've ever wanted a film that you can shoot the way you can shoot with your digital camera in the dark, you'd normally be looking for the discontinued Kodak T-Max P3200. But now, thanks to a few coy teasers on Instagram, Kodak is telling us we're getting it very, very soon.
If you're just starting with film photography or are interested in it, processing your own film can seem a bit daunting, but it's really not that hard, especially with black and white film. Furthermore, it can be immensely satisfying. This great video will show you everything you need to get up and running as well as the entire procedure.
We often draw inspiration from several mediums; art, music, and film to name a few. These inspirations are blended together and found within our work. This article digs deeper into what may give our work moody undertones and makes us feel exactly how we feel when looking at it.
Sometimes, photography is too easy. After churning out perfect images left and right, I really felt I like I needed a challenge that would put my God-like skills to the test. Of course, that’s complete crap, but occasionally I do see the need to challenge myself and alternative processes are a great way to learn about the craft of photography while having a bit of fun floundering in failure. To that end, I’ve learned my first alternative process: the kallitype.
Film lovers and analog purists are not-so-patiently awaiting the release of Kodak's new Super 8 camera, which should finally come out sometime this year at a cost of $2,500-$3,000. In the meantime, Kodak took CES as an opportunity to release some new test footage that looks rather incredible. At times, the reel displays a properly vintage look reminiscent of 1960s French films. Yet, in other sequences, the footage looks much more updated. It's sharper and boasts much higher contrast, which gives hope to directors that this will be a very flexible, very capable setup.
There's a lot said about film versus digital, and a lot of it tends to be one extreme or the other, but like most things in life, the truth lies somewhere in the middle. This great video takes a very balanced and honest look at the merits and drawbacks of each when used in a fashion shoot.
Stefano Carnelli is an Italian photographer living in London and Berlin, shooting socially-engaged, documentary images on medium-format film with a particular interest in the relationship between people and landscapes. His recent project, “Transumanza,” explores the lives of shepherds and their flocks in the Po Valley of northern Italy, examining how their historic traditions have changed in response to globalization and an ever-shifting landscape.
I'm no cinematographer. I mean I dabble, like a lot of still shooters do, but I wouldn't put myself under the category of video expert by any means. That being said, I do know what I like and what I think looks good. What I've always really liked is the depth and feel of large format in still photography and, now finally, in video. You don't need to spend a $100,000-plus to do it either. See for yourself how Zev Hoover from Massachusetts accomplished it.
In a world where flipping our images between color and black and white is as simple as the click of the mouse, photographers and cinematographers today aren’t often tasked with knowing the complexity of how those vibrant colors actually come into existence. But in the early days of cinema, when competing processes for color reproduction took turns as the next best innovation, one name reigned supreme: Technicolor.
Shooting film is a lot of fun, but part of what pushes photographers away from it is the cost, a lot of which is tied up in developing. This awesome video will show you how to develop your own black and white film in your bathroom with a minimal kit and much lower costs than sending it out.
What's the biggest camera you've shot with? If you're like most of us, you might have dabbled with medium format or if you're really passionate, maybe even a 4x5 or 8x10 large format camera. This photographer is putting all of us to shame with his camper that he converted into a giant functioning camera and darkroom.