Film Photography

The Best Portrait Camera Ever - The Mamiya RZ67

Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made. In this article and accompanying video I'll give a birds eye view of the camera and its features, show a little work produced by it, and give you some insight into why this camera is at the top of the heap for me.

Film Ferrania Opens Online Shop, Takes Pre-Orders

Italy's Film Ferrania, whose halting progress toward reopening as the third (or fourth, if Kodak beats them to the punch) manufacturer able to produce color slide film we've been following, has made another step towards their goal. Their online shop is now open and taking pre-orders for the new Ferrania's first product, a re-engineered version of P30 ISO 80 black and white film in 35mm format.

Large-Format Photography: 10 Lessons I've Learned After 7 Months

What a tangled, twisted road this has been. When I finally built up the courage to try out large-format photography a little more than half a year ago, I knew that I was in for a bit of a rough ride. But with a healthy serving of ruined film, swear words, and YouTube lessons under my belt, I've come out semi-clean on the other side. Here are the most useful lessons I've learned thus far. Hopefully I can stave off some frustration for those of you who feel like taking the plunge.

Back to Film: Camera Choices for Sony/Minolta A-Mount

It's 2017, which, if you haven't heard the news, means it's back to film (Yes, I admit I would have said the same for any year, but 2017 really is special in this regard. Read on to find out why). Most of us are living the digital photography lifestyle, however, and though every photographer is a gear hound to some degree, we're loath to overpay on stuff we don't need. Solution? Buy a film body for your existing lenses. In the first of a loose series, let's take a look at the first mount in the alphabet and your options for it. Here are some cool cameras for Sony's A-mount.

Fstoppers Reviews the Intrepid Camera, Version 2

Last fall I reviewed the Intrepid Camera, a low-cost 4x5 large-format film camera. Although the sentiment behind the camera was admirable, I found it lacking in finish and functionality. Well now Intrepid has come out with their second version which aims to correct many of the flaws of their first generation. Were they successful? In a word: Yes!

Develop Your Film with Ease at Home or On the Road with Lab-Box [Updated]

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.

'Planet Earth II' Is BBC's Most Cinematic Series Yet, Here's How

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.

Use My New Ultimate Film Processing Price Guide to Decide Which Lab Is Right for You

A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.

Tinder for Film Stocks

Film has had a great resurgence in the industry. Whether it's because of the hipster hype or due to people wanting the special color and feeling that film brings is unknown to me. On January 5, 2017 Kodak made it known that they were bringing back a classic, the EKTACHROME Film stock.

The Best Camera For Beginning Film Shooters? Maybe!

Although words like "best" and "ultimate" are fun to throw around, of course there is no objectively best camera out there for a beginner. But to me, the Yashica Mat 124G is pretty close for a variety of reasons. From its handling to price, there is a lot to appreciate in this little gem. Here are some of my favorite features and why I think a person starting out in film photography might be in hog heaven with the little Yashica.

The Light Eater: The Biggest Challenge of Large Format Portraiture

Shooting portraits in large format film is extremely rewarding. There's a simplicity of the process, from the posing to the static camera position, that helps ground both the photographer and the subject in the moment. Beautiful images may be your reward for such patience, but it's not without its challenges. For me, the biggest challenge shooting portraiture is not working with the camera, but the insane amount of light you need to throw at it. For the uninitiated, here are some facts about the format and its light-eating characteristics that you may need to consider.

Scanning Film: Options for Archiving and Analog Photographers

Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century. We live on computers and we live online, and if photos don't exist in these spaces, they may as well not exist at all. So what can be done about getting photos taken on film, old or new, into a form fit for such a universe? Let's talk about film scanning.