Film Photography

Corey Rich on How to Not F-up Your Next Video Shoot

Corey Rich on How to Not F-up Your Next Video Shoot

If you've ever picked up an issue of Climbing or Outside Magazine, you are pretty much guaranteed to have seen Corey Rich's images on the cover. One of the biggest names in adventure photography, Corey has worked for everyone; from Nike and Adidas, to Apple and North Face. As a still photographer and director, his production company handles outdoor film projects in some of the most remote environments on the planet.

Film Flashback: Reviewing the Fujifilm GF670

Film Flashback: Reviewing the Fujifilm GF670

One of the best things about shooting film is that there are so many cameras to choose from! Of course, your wallet may disagree with me. The number of formats, combined with the different brands, form factors, lenses, and options make shooting with film almost impossible to get bored with. If you're at all familiar with my articles on Fstoppers, you know that I tend to focus on film and bringing it to a new audience. To that end, I've created a new video series profiling various film gear, some of it well known, some not so much! In my quest to learn about and use different systems, I hope you'll learn along with me. First up, a medium format rangefinder style camera from Fujifilm: the GF670.

Why Resolution Isn't Everything for Print

Why Resolution Isn't Everything for Print

Camera resolutions are soaring in recent years, with Canon unleashing a 50-megapixel DSLR and Phase One showing off the new XF 100MP back. The unending argument of why manufacturers bother with such resolution swirls around one thing: printing. Photographers argue that a higher resolution camera will produce a better print with more detail. Technically, that is absolutely true, but most photographers aren't printing much these days.

Fstoppers Reviews the Intrepid 4x5 Film Camera

Fstoppers Reviews the Intrepid 4x5 Film Camera

This one hurts. I don't think I've ever written a review for a product that I wanted to like more than this one. From its beginnings as a Kickstarter back in 2014, large format film photographers have been drooling about this camera. Finally, a low cost camera that, at about $300, would make 4x5 photography accessible to the masses. But, long story short, The Intrepid Camera just doesn't live up to its promise. Read on to find out why.

Photomemo: A Simple Tool For Film Photographers to Log Their Exposures

Photomemo: A Simple Tool For Film Photographers to Log Their Exposures

It happens almost every time I scan some film. I look at my developed film on the computer and think, "That's a pretty cool shot. I wonder what my settings were?" Shooting film is amazing, but sometimes it becomes a pain in the rump to remember what you were doing when you shot a specific photograph, since there are no digital markers to log your work for you. Enter: Photomemo. It's a small, lightweight logbook that's specifically tailored to be a film shooter's friend.

Sean Lotman Photographs the Sunlanders of Kyoto

Sean Lotman Photographs the Sunlanders of Kyoto

Sean Lotman photographs the people of Japan's streets and beaches. One of the main reasons he shoots film is because he shares a darkroom with his wife, Ariko Inaoka. For him the advantages of physically printing the images has it's advantages, he can lay them out on the floor, rearrange them and figure out what the project is about and where to take it. You can do the same with the digital photography workflow too, but I must say, it's something I have never done.

Fstoppers Reviews the Selens Parabolic Softbox: Parabolic Goodness on a Budget

Fstoppers Reviews the Selens Parabolic Softbox: Parabolic Goodness on a Budget

Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.

Scanning C-41 Film: A Quick and Dirty Method

Scanning C-41 Film: A Quick and Dirty Method

There's something absolutely wonderful about holding a piece of film fresh out of processing. The feeling of accomplishment, that indescribable rush of holding something you created in your fingers makes the difficulty of dealing with the medium worthwhile. However, once you're done processing the film, the next phase begins. Scanning can be, to put it lightly, a royal pain. From dust-spotting to tweaking color and levels, there are challenges that must be addressed. This is how I do it!

The Awesome Highlights Power of Negative Film

The Awesome Highlights Power of Negative Film

When touting the many virtues of film, people frequently mention the power of negatives in the highlights. But what does that mean, exactly, and how does its strength compare to its digital brethren? To find out the differences, I shot a demanding subject with both digital and black and white film, severely over and underexposing. How did they stack up against each other? Read on to find out!

The Pain of Shooting Film and Why It's Worth It

The Pain of Shooting Film and Why It's Worth It

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!