For film photographers, digitizing film is arguably the most important part of the workflow. For me, there is no longer a debate of what is the best approach. Using a digital camera to digitize film is the only way.
Brought to you by Kyle McDougall, this video goes through Kyle's process and experience of digitizing film using a digital camera. More specifically, he is using his Fujifilm X-T4 equipped with a 7artisans Photoelectric 60mm f/2.8 Macro Mark II. The film is secured by the (expensive) VALOI 360 film advancer and holders.
In this day and age where the overwhelming majority of photographs live exclusively on our phones and occasionally make it to social media and an even more select few get printed, digitizing film has never been more important. That said, the actually digitizing process can be a real pain. The gear and process can easily get more expensive and time-consuming than any other part of your photography. I used to be a real fan of the Epson V600 (review of it can be found here); before I stopped using it, I had crossed the 2,500 scans threshold. Nowadays, however, I have exclusively been using pixl-latr (the review of which can be found here). The time it takes to digitize any one negative is now a fraction of what it takes with a flatbed or a designated 35mm scanner, and the results, in my opinion, are just as good or better. True, you have to clean the dust off of the scans, but that was already a task required for black and white film.
I expect someone will say that drum scanning is the absolute best way to digitize. And sure, drum scans are now and will continue to be superior in their quality, but they are inarguably impractical for 99% of what the typical photographer needs digitized.
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