For most photographers, the idea of a (relatively) fast lens covering everything from 35mm to 150mm is a dream come true. Does the Tamron lens live up to the dream?
Who doesn't love film photography? Who doesn't love the convenience of digital? Why not have both?
"How much detail can you really get out of 35mm scans?" That is the question that has long been up for debate among film photographers, and I believe we now have an answer.
Kodak has a history of being a leader in the market of film and then seeing to its demise. I would argue this graph tells us Kodak is back on the path of self-destruction and (some) other film manufacturers are following them.
For film photographers, digitizing film is arguably the most important part of the workflow. For me, there is no longer a debate of what is the best approach. Using a digital camera to digitize film is the only way.
The Sony a7 IV has finally been released, and it is setting the bar for what we can expect from a mirrorless camera. The question is whether it is so much better than what else is out there that it’s worth getting.
I’ve tried several 70-200mm lenses for the Sony system, and even as I stood there holding it in my hands, I could hardly believe the new 70-200mm f/2.8 II from Sony.
It seems like all photographers can talk about these days is how sharp this lens is versus that lens. I miss the days when blurry photographs were charming.
The popularity of film is on an undeniable upswing. As a result, prices of cameras have crept up and up to a point that one might think that at least film itself can provide some stability. Think again.
It’s a simple question with a (not so) simple answer: can Adobe Lightroom on the iPad give you everything you need to edit your photos?
I used to believe that film photography was a dying medium, but now, I am not so sure. One thing I am certain about is that Kodak and Fujifilm are making it difficult for film to come back.
For many photographers, the 35mm focal length is their go-to lens, as it sits comfortably between wide enough and too wide. Sony’s newest 35mm may be the perfect 35mm lens.
For the longest time, digitizing film was both the best and worst part of being a film photographer. In walks pixl-latr, and the world of digitization is forever different.
Some people shoot full frame lenses on crop sensor cameras. More people should shoot medium format lenses on full frame cameras.
When it comes to landscape photography, there is always some room for improvement, but without new approaches, you may feel as though you've plateaued. These five tips can help you approach your landscape photography in new ways.
Every photographer needs a good mid-range lens. Most go for a 50mm, but you should consider this 65mm from Sigma, as it has a small size and weight and astounding image quality for a low price.
For any photographer who enjoys traveling, finding the ideal balance between utility, image quality, and size and weight can be tricky. This lens offers a great choice to condense it all into one.
For the longest time, I had mixed feelings about drones. Once I finally picked one up, I found myself wishing I had done it sooner.
It’s been a long time coming for some of my gear. I hardly used it and it was worth more to someone else.
If you're like most photographers, you think there are three factors affecting depth of field. In that case, you would be incorrect - there are indeed four factors affecting depth of field. Do you know what they are?
