When it comes to budget film stocks, there is no shortage of options. This guide offers a blinded comparison of 9 options widely available in most of the United States.
With the popularity of film photography getting traction, it’s time you get caught up. Let’s talk about your film options.
The TLR camera has long gone the way of the dinosaur, replaced by SLRs, but you can still find used TLRs for purchase, with Rolleiflex models generally being the most sought after. This fun video follows a street photographer as he shoots with a Rolleiflex 2.8F TLR camera.
Instant film cameras have seen a resurgence in the past few years, with their blend of instant, tactile satisfaction and nostalgia making them appealing for photographers and casual users alike. The SQ1 is the latest entry into the series, and this great video review takes a look at what you can expect from it in practice.
With the popularity of film photography getting traction, it’s time you get caught up. Let’s talk about your film options.
When it comes to picking up your first medium format camera, the sheer number of options can be quite daunting. Moreover, the different types of options (SLR, TLR, and rangefinder) can cover uncharted territory.
For every modern film photographer and every digital photographer who occasionally shoots film, having scans of your images is a must-have. The question remains, however, which method of scanning is best?
Large format photography is a very different way of approaching the process of creating images, but it can reward you with images absolutely bursting with detail. Adding in a technique like focus stacking can bring out all the more detail, and this great video explores that process.
The Contax 645 AF is a relatively small and lightweight medium format film camera dating from the late 1990s. It’s a camera that will largely appeal to analog photographers looking to benefit from the greater resolution of 120 film, while still retaining many of the advantages of a 35mm SLR in terms of speed and mobility.
With film getting more and more popular, it’s about time we cover some of the details. Let’s start by talking about your different options for formats and cameras.
Every film photographer who digitizes their negatives at home has come across the same issue: which negative conversion software is the best?
Getting untracked photos of the Milky Way is significantly easier than you may think for both digital and film. The approach for film is much different than digital but still attainable with the right approach.
Back in the era of film photography, you based a lot of your work and creative style around your choice of film stock, which could make a huge difference in the final look of your images. If you are interested in using film for landscape photography, be sure to check out this great video that shows what it is like shooting with one of the most famous landscape films ever, one that was the stock of choice for many shooters.
Photography can be an expensive business, and for those shooting film, while they might occasionally save some money on camera bodies, the process of digitizing images can present some financial hurdles. Just how good can a film scanner be when it only costs $60? This short video from Negative Feedback finds out.
Film photography has been enjoying a strong revival in the last few years. If you’ve yet to try it, it’s about time you jump on the film photography bandwagon.
Having very limited experience shooting pinhole photography myself, I found this advice useful and the results quite impressive.
Of course, any photographer who enjoys shooting film is just as much a film photographer as anyone else. Processing your own black and white, however, is a rite of passage for film photographers.
The Mamiya RZ67 is hands down one the best medium format cameras ever made.
If you shoot film, you probably lean towards Portra or Pro 400H. For two films that are often compared to one another, how do they compare?
Shooting and developing film can be equally rewarding and a major headache. See two photographers develop film for the first time and decide for yourself if you think it's really worth the effort.
Vintage lenses can be a great way to get some different glass for you to try without spending much money. But, there are also a number of hidden gems that can create stunning and singular results.
The Intrepid camera is likely one of the most popular film cameras today. It became that way through offering a good product at a low price.
Film photography may have taken a nose dive in relevance within the industry, but it's no less fun than it once was. With a lot of film stock options, now is as good a time as any to give it a go.
Kodak, the film giant whom has been swirling the drain for nearly a decade, may be getting an unexpected lifeline.
Kodak Portra 400 was the very first film I shot when I get back into film, and it remains my go-to for color negative film. Sure, there are others. None of them come close, however, to the popularity of Portra 400.
These days, there aren't many people that are still shooting with film. For some people who used to shoot professionally with film, the idea of going back is simply unbearable — the chemicals, missed shots, and the hassle to finally produce an image that takes all but a simple click on a digital camera. Have we gotten to a point where film is finally dead?
One of the benefits of film, is the option to shoot with much larger formats. Currently, the largest and highest resolution commercially available sensor, is the 150mp system from Phase One. This camera offers some of the highest resolutions with the largest sensor currently on the market; however, film cameras still greater potential in this area.
The Pentax 645 is undoubtedly a great camera. It can be had at a relatively low cost while boasting great features with an excellent lens lineup, making this camera one of the best entry-level medium format cameras on the market.
For those interested in a extremely compact medium format camera that shoots the most iconic format, 6x6, the Zeiss Super Ikonta 534/16 is here for you.
Is Pentax even still around? Yes? Who would have known? They need to go back to making the cameras that made them great in the first place: the K1000, 645, and 67 models.
Developing your own rolls of film has been popular ever since it was necessary and is something all photographers should try at least once. In this video, that's exactly what happens, but using coffee to do so!
With medium format bodies more affordable than ever, but still much lighter on lenses than full frame, could one solution be to use lenses originally created for film bodies?
The Polaroid SX-70 has got to be one of the most innovative rangefinder cameras ever created. Photographer Willem Verbeeck gives you a short video that explains some of its idiosyncrasies and why you might want to pick up on from your local second-hand camera store.
Analyzing data from thousands of film photographs, this scientific analysis sought to assess the characteristics of film photographs that are associated with success on social media.
Digital photography usurped film photography within the last two decades almost entirely. But there are still film and analog photographers who swear by their process. This mini-documentary explores their reasons.
If you’d like to get into film and you already have modern glass for a Nikon camera, the F100 is for you. Even if you don’t, the F100 is still for you. The value of this Nikon is almost impossible to beat.
For many people, starting a YouTube channel can be a creative outlet, an opportunity to educate, or a job. For Matt it was a chance to share his thoughts and opinions about something he loved – the lasting impact on the film community was just a bonus.
For many Instagram users, hub accounts can be a source of inspiration and being featured can be a game changer. For Jason, it was his opportunity to foster a sense of community.
There has been a trend lately on YouTube and social media of using disposable cameras. It's a fun challenge as you forgo so much creative control, but can it improve you as a photographer?
For those that are just getting into film, the “film look” doesn’t mean anything. There are so many different film stocks available, each with their own characteristics and personalities.
Have you heard of "Star Wars"? John Oliver? Maybe Tom Hanks? Still no? What about Tom Brady? Perhaps you’ve heard of one of the other hundreds of stars Jesse Dittmar has photographed.
If you're like me and just about every photographer I know that shoots film, you have more than one camera. Maybe one or two 35mm options, a 645 or 6x6 camera, and perhaps a 6x7 camera. The question is though, how many is too many?
What does it take to make an image with an ultra-large format 20x24 Polaroid? This strangely hypnotizing video by 20x24-Berlin takes us through the process from start to finish for a much needed moment of zen.
Black and white film is, well, black and white. But using the same principles that a digital sensor uses, you can create color images from black and white film, and this fun tutorial will show you how it is done.
In a world of hundreds of film cameras to choose from, there is a continuum of value for cameras. In this article I list out cameras ranging from most overrated to most underrated.
One of the most used cards in our newfound world of quarantine Bingo is the “clean out the garage” card. After doing my third round of this particular task yesterday afternoon, I found something new.
For months and months I was looking into buying a large format camera and really thought the Intrepid MK4 was the best option. I looked all over for a review on the camera without any luck. It’s starting to become clear why.
The topic of the video is one of the most ground-breaking, disruptive, and commercially successful consumer technology products of the mid-twentieth century. Get a look into the Polaroid backstory, the rise and fall of the company, and the life and career of its co-founder.
The writing is on the wall for film photography. It is a zero-sum game with only one end result – the extinction of film photography. Perhaps something will happen to change that but I doubt it.
I recently picked up a Mint RF70, a fully manual camera designed to accept Fuji’s Instax Wide film. After capturing a few images with it over the past few days, I’m reminded of why I love instant film so much. Yes, it’s magical watching a print develop right in front of you, but that has nothing to do with why instant film is so exceptional.
