For many people, starting a YouTube channel can be a creative outlet, an opportunity to educate, or a job. For Matt it was a chance to share his thoughts and opinions about something he loved – the lasting impact on the film community was just a bonus.
For many Instagram users, hub accounts can be a source of inspiration and being featured can be a game changer. For Jason, it was his opportunity to foster a sense of community.
There has been a trend lately on YouTube and social media of using disposable cameras. It's a fun challenge as you forgo so much creative control, but can it improve you as a photographer?
For those that are just getting into film, the “film look” doesn’t mean anything. There are so many different film stocks available, each with their own characteristics and personalities.
Have you heard of "Star Wars"? John Oliver? Maybe Tom Hanks? Still no? What about Tom Brady? Perhaps you’ve heard of one of the other hundreds of stars Jesse Dittmar has photographed.
If you're like me and just about every photographer I know that shoots film, you have more than one camera. Maybe one or two 35mm options, a 645 or 6x6 camera, and perhaps a 6x7 camera. The question is though, how many is too many?
What does it take to make an image with an ultra-large format 20x24 Polaroid? This strangely hypnotizing video by 20x24-Berlin takes us through the process from start to finish for a much needed moment of zen.
Black and white film is, well, black and white. But using the same principles that a digital sensor uses, you can create color images from black and white film, and this fun tutorial will show you how it is done.
In a world of hundreds of film cameras to choose from, there is a continuum of value for cameras. In this article I list out cameras ranging from most overrated to most underrated.
One of the most used cards in our newfound world of quarantine Bingo is the “clean out the garage” card. After doing my third round of this particular task yesterday afternoon, I found something new.
For months and months I was looking into buying a large format camera and really thought the Intrepid MK4 was the best option. I looked all over for a review on the camera without any luck. It’s starting to become clear why.
The topic of the video is one of the most ground-breaking, disruptive, and commercially successful consumer technology products of the mid-twentieth century. Get a look into the Polaroid backstory, the rise and fall of the company, and the life and career of its co-founder.
The writing is on the wall for film photography. It is a zero-sum game with only one end result – the extinction of film photography. Perhaps something will happen to change that but I doubt it.
I recently picked up a Mint RF70, a fully manual camera designed to accept Fuji’s Instax Wide film. After capturing a few images with it over the past few days, I’m reminded of why I love instant film so much. Yes, it’s magical watching a print develop right in front of you, but that has nothing to do with why instant film is so exceptional.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
Whether you already have a 35mm film camera or are looking to get one, the Nikon F2 is about as good as an SLR camera can possibly be.
It’s pretty well understood that large format is in a league of its own for resolution and depth of field. The real difference, however, lies elsewhere.
Back in the days of film, the 6x6 format was highly popular among a lot of photographers. Even today, a lot of photographers would still love to have a square format digital sensor. This great video discusses a wealth of 6x6 film cameras, what they are like to shoot with, and the sort of images you can take with them.
Few cameras are more legendary than the Nikon F, having been in the hands of countless professionals over many decades, while still remaining a popular collector's item and film camera today. This awesome video takes a look at just what made the camera so popular and what it is like to shoot with.
Large format film is an entirely different experience from 35mm or even medium format, and it can be a really fun and intriguing process to try out. If you are interested in large format work, this great video will show you three different ways to develop your own film at home.
The Mamiya 645 Pro-TL is an all-around great medium format camera for those in search of a something customizable, compact, and affordable. It’s not just me saying it.
Much like the famous Schrodinger’s cat thought experiment, certain facets of film are both its best and worst qualities, and you won’t know until your film is processed.
Large format photography is something entirely different from 35mm digital, medium format, and even other film photography. This fantastic video features a large format photographer discussing his story and some of the process behind making his images, and his lessons are readily applicable to any other type of photography.
As a personal approach to traveling, I generally bring more gear than I think I’ll ever use. As is almost always the case, I find that there’s something more I should have brought or, conversely, something I should have left behind.
Sending off old negatives can be time-consuming and even a little costly. Here is how you can develop film using just your camera, tripod, and a light source.
Yes, it’s true. A medium format point and shoot camera actually exists. I wasn’t really into it at first, but have completely fallen in love with it after a few outings. It may well be the only camera I never sell.
As the coronavirus pandemic continues to cause major disruptions around the world, one of the world's biggest film producers, Ilford, is shutting down all production until further notice.
Few things in this world have been able to stand the test of time like the wet plate collodion process. It is now more than 150 years old and can still be done today.
In many ways, digital photography is not on the same level as film photography. In many others, film cannot compete with digital.
There are loads of cameras with incredible capabilities out there that make getting images under even the most difficult conditions possible. However, could you spend just a few dollars on a camera and still take great images? This fun video shows what you can accomplish with a 30-year-old camera from a thrift store.
Previously, we compared a 4x5 film camera to the Canon 5DS R, and the film camera was able to produce incredible results. We mostly focused on the differences in depth of field for that comparison. With 4x5, you're able to produce beautiful bokeh and extremely shallow depth of field. In this latest video, we decided to look at the differences in resolution.
Orthochromatic film is the original black and white film. Compared with its panchromatic counterpart, orthochromatic film can only see blue light (goodbye, red!)
There is no doubt that digital has surpassed the quality of 35mm film, but medium format film still offers tremendous quality and is significantly cheaper than digital medium format. How does it compare to a modern medium format camera? This great video takes a look at the two and the results you can expect from them.
If you think that there are too many options today when considering buying a digital camera, then spare a thought for those who are interested in buying a film camera. Thankfully, this video can give those who are new to the format a better idea of what's on offer.
Have any experience in a studio? Yes? No? Doesn’t matter. You should give 4x5 a try. It’s addictive.
A photographer who discovered a 120-year-old time capsule box in his old family home has developed the images. Deciding on one of the oldest ways to make photography prints, he used Cyanotype to develop the prints and recorded the entire process for this newly released video.
Cinematographers help to bring the vision of the directors they work with to life through their use of practical and off screen lighting, motion capture techniques, and composition. Let’s go behind the scenes with Phedon Papamichael, ASC, the cinematographer from Ford v Ferrari, and see how he helped formulate the lighting and capture of some of the most epic racing scenes in years.
I can’t think of anyone who doesn’t go through some amount of indecision when it comes to picking out a new lens to get. One major factor in decision making is the cost of the lens. Some are affordable, others are better but less affordable, and others are out right expensive. In the end, is there a noticeable difference?
Have you ever wanted to shoot medium format but don’t know where to start? Have you been wanting to try shooting film but 35mm doesn’t seem like it’ll be enough? The RB is here to help.
Protecting your lenses from damage seems like a necessary requirement to being a photographer. In those unfortunate cases where a lens gets damaged, how damaged is too damaged to get beautiful photographs?
Kodak may have filed for bankruptcy in 2012, but Hollywood movie directors and their fervor for shooting on 35mm and 65mm film is giving the company a new lease of life.
You might think that of all places, the big budget studios of Hollywood would have switched over to totally digital workflows by now, but surprisingly, that is not the case. In fact, five of the largest studios in Hollywood recently inked deals with Kodak for more film, ensuring its usage for years to come.
Double exposures, when they’re done well, are incredibly impressive. The literature on how to do them is fairly limited, but here, I'll explain how they work and how they're done.
Many of us photographers have a penchant for vintage lenses, but this one might top the lot.
Film photography is enjoying a bit of a resurgence at the moment, with many people flocking to it for reasons ranging from the abundance of cheap used equipment, to the enjoyment of the process, or the look of the results. And while film can certainly be both a fun and rewarding way to shoot, it is important to be aware of its downsides as well, one of them being the fact that it is not friendly to animals.
The world of analog photography went through a dry spell for a while but has been making a strong comeback in recent years.
Created for cinematic use under Tungsten lighting, Cinestill 800T is arguably one of the most highly sought-after films on the market. Should you manage to get your hands on some, what are you going to do with it?
There is no doubt that digital is by far the choice of the majority of professionals nowadays, but there is still a contingent of photographers who are avidly devoted to shooting film, either exclusively or in tandem with digital. This interesting video takes a look at using both simultaneously and why that can benefit you as a photographer.
There's been a lot of doom and gloom about film and its viability as a photographic medium in the last few years. Film stocks seemed to be fading away faster than ever. However, this past year, Fujifilm decided to bring back one of their most beloved modern films, Acros, in a new formulation: Acros II. In this great video, Roger from Shoot Film Like a Boss puts the film through its paces and gives his thoughts.
For those that are unaware, the Fujifilm GA645 is capable of 100% auto settings like a true point and shoot – autofocus, autoexposure, as well as autoadvance.
