Film Photography

Develop Your Film with Ease at Home or On the Road with Lab-Box [Updated]

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.

'Planet Earth II' Is BBC's Most Cinematic Series Yet, Here's How

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.

Use My New Ultimate Film Processing Price Guide to Decide Which Lab Is Right for You

A few months ago, I started a passion project of mine: Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.

Tinder for Film Stocks

Film has had a great resurgence in the industry. Whether it's because of the hipster hype or due to people wanting the special color and feeling that film brings is unknown to me. On January 5, 2017 Kodak made it known that they were bringing back a classic, the EKTACHROME Film stock.

The Best Camera For Beginning Film Shooters? Maybe!

Although words like "best" and "ultimate" are fun to throw around, of course there is no objectively best camera out there for a beginner. But to me, the Yashica Mat 124G is pretty close for a variety of reasons. From its handling to price, there is a lot to appreciate in this little gem. Here are some of my favorite features and why I think a person starting out in film photography might be in hog heaven with the little Yashica.

The Light Eater: The Biggest Challenge of Large Format Portraiture

Shooting portraits in large format film is extremely rewarding. There's a simplicity of the process, from the posing to the static camera position, that helps ground both the photographer and the subject in the moment. Beautiful images may be your reward for such patience, but it's not without its challenges. For me, the biggest challenge shooting portraiture is not working with the camera, but the insane amount of light you need to throw at it. For the uninitiated, here are some facts about the format and its light-eating characteristics that you may need to consider.

Scanning Film: Options for Archiving and Analog Photographers

Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century. We live on computers and we live online, and if photos don't exist in these spaces, they may as well not exist at all. So what can be done about getting photos taken on film, old or new, into a form fit for such a universe? Let's talk about film scanning.

What Black and White Film Should You Start Out With? Five Popular Stocks Compared

So you've read all my articles on film and decided: "You know what? I'm going to give it a shot!" Great! You're about to embark on a rewarding, sometimes frustrating journey into the old school! However, one of the first questions you'll have to answer is: What film should I shoot with? There are so many choices out there with varying brands, speeds, grain structures, and formulations that it can be daunting to select a few to try out. I know that when I first started out, I had no clue what to try. Hopefully, this guide will serve as a broad primer on some of the most popular stocks and take some of the mystery out of picking your first film.

Super 8: A Primer for the 21st Century Filmmaker

CES, the Consumer Electronics Show, held each January in Las Vegas, is usually a place where new technologies compete for eyes and wallets, where, in a way, the world of the future is presented to us. We can experience this future first hand on the show floor. We can turn on a TV, or click on news links and YouTube videos. We can also read the glossy, picture-laden pages of electronics magazines, and the somewhat less glossy ones of newspapers. These analog news sources are where one of this year's most talked about photography and film-related invention should feel most at home: Super 8 is back.

Kodachrome Might Make a Comeback, And You Could Help

Even after its death, if was there ever one film stock that was the color film, it would have to be Kodak's Kodachrome The last roll was famously given to Steve McCurry, who essentially built his career with the film. To say that was a sad moment for lovers of film would be a gross misrepresentation. This was something that was lost. It would – could – never come back. Or could it? A recent conversation between The Kodakery and a number of Kodak executives including Kodak CMO Steven Overman lead to a glimmer of hope for the resurrection of everyone's favorite color film.

Ego Out, Simplification In: My Two Portrait Photography Goals for 2017

Style. The idea of finding your own voice and style has become an intricate part of growing as a photographer and differentiating yourself from the competition. It's not only a way to get work, but a way to be remembered in a field of talented artists. But, as a portrait photographer, I find that my need to make a signature image sometimes gets in the way of capturing the human being in front of me. I'm so concerned about making the image "cool" that it's almost as if the person in front of the camera doesn't matter. Today, that ends (I hope).