One of the beautiful things about film is the variety of cameras out there. You could shoot a different one every day and seemingly never get to the end of them. With that variety, though, comes a lot of quirkiness. A new generation of photographers has embraced one of the quirkiest cameras of all: The Nishika N8000. Although no technical marvel, its resurgence in the photography community is because of one unexpected trick, creating 3D animated GIFs.
Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made. In this article and accompanying video I'll give a birds eye view of the camera and its features, show a little work produced by it, and give you some insight into why this camera is at the top of the heap for me.
Italy's Film Ferrania, whose halting progress toward reopening as the third (or fourth, if Kodak beats them to the punch) manufacturer able to produce color slide film we've been following, has made another step towards their goal. Their online shop is now open and taking pre-orders for the new Ferrania's first product, a re-engineered version of P30 ISO 80 black and white film in 35mm format.
What a tangled, twisted road this has been. When I finally built up the courage to try out large-format photography a little more than half a year ago, I knew that I was in for a bit of a rough ride. But with a healthy serving of ruined film, swear words, and YouTube lessons under my belt, I've come out semi-clean on the other side. Here are the most useful lessons I've learned thus far. Hopefully I can stave off some frustration for those of you who feel like taking the plunge.
It's 2017, which, if you haven't heard the news, means it's back to film (Yes, I admit I would have said the same for any year, but 2017 really is special in this regard. Read on to find out why). Most of us are living the digital photography lifestyle, however, and though every photographer is a gear hound to some degree, we're loath to overpay on stuff we don't need. Solution? Buy a film body for your existing lenses. In the first of a loose series, let's take a look at the first mount in the alphabet and your options for it. Here are some cool cameras for Sony's A-mount.
Last fall I reviewed the Intrepid Camera, a low-cost 4x5 large-format film camera. Although the sentiment behind the camera was admirable, I found it lacking in finish and functionality. Well now Intrepid has come out with their second version which aims to correct many of the flaws of their first generation. Were they successful? In a word: Yes!
Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.
How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.
A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.
Film has had a great resurgence in the industry. Whether it's because of the hipster hype or due to people wanting the special color and feeling that film brings is unknown to me. On January 5, 2017 Kodak made it known that they were bringing back a classic, the EKTACHROME Film stock.
Although words like "best" and "ultimate" are fun to throw around, of course there is no objectively best camera out there for a beginner. But to me, the Yashica Mat 124G is pretty close for a variety of reasons. From its handling to price, there is a lot to appreciate in this little gem. Here are some of my favorite features and why I think a person starting out in film photography might be in hog heaven with the little Yashica.
Have you ever thought: "I have some cardboard lying around, I bet I could make that into an instant camera"? No? Then you're not Oleg Khalip and his team of cardboard camera constructors. They launched the Jollylook, a vintage-folder looking camera on Kickstarter on January 31, and it has already beaten its modest $15,000 goal by over $200,000.
Shooting portraits in large format film is extremely rewarding. There's a simplicity of the process, from the posing to the static camera position, that helps ground both the photographer and the subject in the moment. Beautiful images may be your reward for such patience, but it's not without its challenges. For me, the biggest challenge shooting portraiture is not working with the camera, but the insane amount of light you need to throw at it. For the uninitiated, here are some facts about the format and its light-eating characteristics that you may need to consider.