Film lovers and analog purists are not-so-patiently awaiting the release of Kodak's new Super 8 camera, which should finally come out sometime this year at a cost of $2,500-$3,000. In the meantime, Kodak took CES as an opportunity to release some new test footage that looks rather incredible. At times, the reel displays a properly vintage look reminiscent of 1960s French films. Yet, in other sequences, the footage looks much more updated. It's sharper and boasts much higher contrast, which gives hope to directors that this will be a very flexible, very capable setup.
There's a lot said about film versus digital, and a lot of it tends to be one extreme or the other, but like most things in life, the truth lies somewhere in the middle. This great video takes a very balanced and honest look at the merits and drawbacks of each when used in a fashion shoot.
Stefano Carnelli is an Italian photographer living in London and Berlin, shooting socially-engaged, documentary images on medium-format film with a particular interest in the relationship between people and landscapes. His recent project, “Transumanza,” explores the lives of shepherds and their flocks in the Po Valley of northern Italy, examining how their historic traditions have changed in response to globalization and an ever-shifting landscape.
I'm no cinematographer. I mean I dabble, like a lot of still shooters do, but I wouldn't put myself under the category of video expert by any means. That being said, I do know what I like and what I think looks good. What I've always really liked is the depth and feel of large format in still photography and, now finally, in video. You don't need to spend a $100,000-plus to do it either. See for yourself how Zev Hoover from Massachusetts accomplished it.
In a world where flipping our images between color and black and white is as simple as the click of the mouse, photographers and cinematographers today aren’t often tasked with knowing the complexity of how those vibrant colors actually come into existence. But in the early days of cinema, when competing processes for color reproduction took turns as the next best innovation, one name reigned supreme: Technicolor.
Shooting film is a lot of fun, but part of what pushes photographers away from it is the cost, a lot of which is tied up in developing. This awesome video will show you how to develop your own black and white film in your bathroom with a minimal kit and much lower costs than sending it out.
What's the biggest camera you've shot with? If you're like most of us, you might have dabbled with medium format or if you're really passionate, maybe even a 4x5 or 8x10 large format camera. This photographer is putting all of us to shame with his camper that he converted into a giant functioning camera and darkroom.
"Instant Dreams" is a feature-length film about Polaroid that explores the magic of this defunct format, the pioneer of instant imagery, and documents the search for the lost chemical formula. Premiering at the International Documentary Filmfestival Amsterdam a few days ago, the film discusses what it meant to produce imagery that is physical, unique, and, as one of the subjects puts it, "an artifact of time."
Creating beautiful and compelling imagery through the medium of photography is a difficult challenge. Capturing a scene as it unfolds is both art and truth in storytelling. Today, digital photography presents the effortless platform for image capture. Excelling technology allows anyone to pick up a camera and take excellent photographs. One might say the ease of digital imagery has opened doors across platforms. We’ve seen this paradigm before; we witnessed the introduction of gateway tools in the world of photography since the dawn of the medium, each time bringing in new and excited enthusiasts who will go on to redefine what it is to be a photographer. In 1981, well before the surge of digital technology, there was a camera that similarly ushered in a generation of photographers: the Canon AE-1 Program.
Reflex is a new brand aiming to give 35mm film photographers a new camera option instead of going with a dated SLR design (the 13-year-old Nikon F6) or buying in the used market. But it’s not just a rehash of the classic film SLR design. Users can change film using a special “I-Back” system, and even change out the lens mount quickly and easily.