Is the Pentax 17 Worth It? Pros and Cons Explored

When it comes to film cameras, the Pentax 17 has sparked quite a bit of interest. If you’re considering diving into film photography or are simply looking to add another camera to your collection, here's a good look at the Pentax 17.

Coming to you from Bobby Tonelli, this straightforward video takes an in-depth look at the Pentax 17. It’s a camera that combines modern design elements with a touch of vintage flair. Tonelli begins by addressing the camera’s appearance, noting that while it may not have the heft of older models, it impresses with its lightweight magnesium alloy build and attractive champagne gray finish. The camera feels modern yet pays homage to classic designs with features like the ISO dial, exposure dial, and an Advance lever that evoke a sense of nostalgia. But the real question is, does it perform as well as it looks?

Tonelli dives into the camera’s usability, highlighting its simplicity. If you’re familiar with film cameras, you’ll likely figure out how to operate the Pentax 17 in no time. The light meter inside the lens sends signals to the viewfinder, where LED lights guide you through settings like exposure and flash readiness. However, one of the quirks that might take some getting used to is the manual film rewinding. Unlike modern digital cameras, this step requires you to press a button and physically turn the reel, adding to the tactile experience of shooting with film. It’s a small detail that could either be seen as charming or a bit cumbersome, depending on your perspective.

Another point Tonelli brings up is the viewfinder’s framing. The camera uses two sets of frame lines—one for macro and one for standard shots. This setup might be challenging if you’re not accustomed to zone focusing, where you estimate the focal distance based on icons and numbers rather than seeing exactly what the lens captures. It’s an old-school method that adds to the camera’s charm but might lead to some missed shots, especially if you’re new to it. On the other hand, this could be seen as part of the learning curve, making every successful shot that much more rewarding.

The video also touches on the importance of choosing the right film speed for different lighting conditions. With a maximum aperture of 3.5, the Pentax 17 works well in bright daylight, but lower light settings might require a higher ISO film, such as 800 speed, to avoid underexposed shots. This is crucial information if you plan on shooting in varying environments. The limited low-light performance might be a drawback, but with the right film and a bit of practice, you can still achieve excellent results. Check out the video above for the full rundown from Tonelli.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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