For many Instagram users, hub accounts can be a source of inspiration and being featured can be a game changer. For Jason, it was his opportunity to foster a sense of community.
There has been a trend lately on YouTube and social media of using disposable cameras. It's a fun challenge as you forgo so much creative control, but can it improve you as a photographer?
For those that are just getting into film, the “film look” doesn’t mean anything. There are so many different film stocks available, each with their own characteristics and personalities.
Have you heard of "Star Wars"? John Oliver? Maybe Tom Hanks? Still no? What about Tom Brady? Perhaps you’ve heard of one of the other hundreds of stars Jesse Dittmar has photographed.
If you're like me and just about every photographer I know that shoots film, you have more than one camera. Maybe one or two 35mm options, a 645 or 6x6 camera, and perhaps a 6x7 camera. The question is though, how many is too many?
What does it take to make an image with an ultra-large format 20x24 Polaroid? This strangely hypnotizing video by 20x24-Berlin takes us through the process from start to finish for a much needed moment of zen.
Black and white film is, well, black and white. But using the same principles that a digital sensor uses, you can create color images from black and white film, and this fun tutorial will show you how it is done.
In a world of hundreds of film cameras to choose from, there is a continuum of value for cameras. In this article I list out cameras ranging from most overrated to most underrated.
One of the most used cards in our newfound world of quarantine Bingo is the “clean out the garage” card. After doing my third round of this particular task yesterday afternoon, I found something new.
For months and months I was looking into buying a large format camera and really thought the Intrepid MK4 was the best option. I looked all over for a review on the camera without any luck. It’s starting to become clear why.
The topic of the video is one of the most ground-breaking, disruptive, and commercially successful consumer technology products of the mid-twentieth century. Get a look into the Polaroid backstory, the rise and fall of the company, and the life and career of its co-founder.
The writing is on the wall for film photography. It is a zero-sum game with only one end result – the extinction of film photography. Perhaps something will happen to change that but I doubt it.
I recently picked up a Mint RF70, a fully manual camera designed to accept Fuji’s Instax Wide film. After capturing a few images with it over the past few days, I’m reminded of why I love instant film so much. Yes, it’s magical watching a print develop right in front of you, but that has nothing to do with why instant film is so exceptional.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
Whether you already have a 35mm film camera or are looking to get one, the Nikon F2 is about as good as an SLR camera can possibly be.
