This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.
[UPDATE] The winners have been announced! Check out the winners page to see some incredible video editing.
Filmsupply and Musicbed have partnered up to bring you a film competition that could change your life. Without having to shoot one frame of footage, you could win up to $100,000 in cash, prizes, and incredible experiences. Although you're not restricted to only using their content, this competition allows you to tap into the huge libraries of both Musicbed and Filmsupply to create and submit your 60-second film. Check out the submission guidelines below.
Last week I showed you how you can use just a DSLR and a few accessories to digitize your negatives. However, that article wouldn’t have been complete without explaining how to convert the scanned analog picture to a positive image. The process is quite easy and only a few steps are required to achieve a great result. Let’s dive in!
Whether you are shooting film or have a large collection of negatives, chances are you will want to scan them one day. The process to digitize your analog pictures can be expensive and sometimes even disappointing regarding image quality. When I started playing with my Mamiya RB67, I wished there was a cheap and quick scanning method that would offer me a good amount of detail and decent colors. I found it using gear I already owned and that most of you actually also have at home. It even surpassed my expectations to the point that I decided to share the technique with you in this article.
Nick Carver is no stranger to going big. Not only does she shoot big negatives on big cameras, but he's immensely passionate about printing and framing and making sure work both fills and compliments a space. In this video he goes through the process of scanning a panoramic 6x17 Portra 160 film negative, sizing up a space on the wall for the final 6-foot print, and even building a custom frame for it.
I love color. Black and white photography holds a special place in my heart, but 90 percent of the time I gravitate toward color imagery in my own work. When I started shooting film again, I decided that I would most definitely learn to develop my own black and white film. From choosing your film stock to mixing super-secret developer cocktails guaranteed to make your images sing, there are tons of resources out there for the aspiring hobbyist. When it comes to color, however, I had always heard that the machines needed were expensive, the process complicated, and the chemicals harmful. Not so!
The debate surrounding the relevancy of film cameras is an ongoing one; the opinions about which vary from photographer to photographer. The resurgence of digital camera technology in recent years has meant DSLRs are now widely used by the masses, pulling the future of film photography into question somewhat. Is it now just a novelty? I chatted with Howard, one of the owners of a North England-based camera shop that shunned digital cameras in favour of film... and found that business is very much booming.
In this moving film, Italian Pianist and Composer Ludovico Einaudi performs his piece, “Elegy for the Arctic," while on a floating platform in the middle of the Arctic Ocean. The moving and haunting film and music are augmented all the more by a fortuitously timed moment that captures everything Einaudi is trying to convey.
If you ask many filmmakers, or any video production companies, coming up with video ideas and concepts is not always the easiest thing to do. Especially when you're trying to make a series. However, through abstract story telling, Penzoil has successfully made a video series that so far, has kept viewers coming back for more with each iteration of the series. The first, a powerful trip through a city, the second a high speed trist around a race track before breaking back onto the streets, and with this last one, a high velocity excursion through the desert.
Tintypes continue to fascinate us. Despite the process being over 150 years old, its methodical, almost meditative procedure and striking results have kept it alive. It's also a fairly scientific process that involves a good bit of chemistry. Check out this video to learn more about the technical and practical aspects of the practice of shooting tintypes.
Making a film takes many talented people working in varied areas, a fact I've recently come to fully appreciate as they film "Fast and Furious 8" here in Cleveland. The Foley artist is one of the unsung heroes, for if their work is done well, we don't notice it at all. This film is a lovely look inside the world of Foley.
It's truly incredible what they can do with film today, especially with the advancement of visual effects and motion graphics. When I first heard they were remaking Teenage Mutant Ninja Turtles I was incredibly sad; all those years growing up watching the original live action films featuring the puppets crafted by Jim Henson's. It was brilliant and really well done for a movie of its time. Then came the almost 100% CGI filled epic by Michael Bay himself, yet it works and it's fun.
In my last article, Adventures in Large Format: A Beginner's Perspective, I talked about some of the things I noticed upon purchasing and attempting to use my first 4x5 large format camera. As fun as fiddling with some knobs and taking a photo of a stool was, it was time for me to point my camera at some actual people. After lugging the camera upstairs and taking portraits of some of the awesome characters that work at the bar, it was time to see how I did.