What is the Best Camera You Have Ever Owned?

What is the Best Camera You Have Ever Owned?

Forget technology updates, larger sensor capacity, and more dynamic range. If you could only choose one camera to shoot with for the rest of your photographic life, what would it be?

What camera have you owned or do you still own that just puts the excitement back into your photography. I don't mean the camera that captures the best images by that statement, that's simply down to the photographer. I mean what camera just feels right? The one that makes you think, "what will I capture today?" The one that excites you to use, even if the motivation for taking photographs for that day is non-existent. We all have a camera like this and whether it's a distant memory like them good old days, or whether you still have the camera in your collection, there must be one that resonates with you, shall we say, at a higher level.

Technology Overload

It feels like these days with all the new megapixel sensors and the next big thing in camera technology we are constantly bombarded with a must-have scenario to improve our photography. And of course, we all know this to be untrue; the camera captures the image, the photographer first sees the image. How the resulting image turns out is down to the photographer's knowledge and skill of their craft and subject matter, and no amount of megapixels is going to improve their photography; quite the opposite in fact as the mistakes will only be amplified.

Technological advances in photography are increasing at hell for leather pace, which is not a bad thing at all, and welcomed in my books. But when is enough, enough? Only yesterday when you finally sorted out the menus of your system and got to know your camera do the manufacturers bring out the next best thing. Yes, it's an upgrade, and yes it can simply do more than the $4k camera that you purchased only 3 months prior.

Now honestly, this is a great thing, and as mentioned I welcome it, as progress can surely do only one thing: provide the photographer with enough technology in their camera to be able to advance their craft.

Choose your Camera

So, going back to the title of this article, this is the best camera I have ever owned: the one above, the Fujifilm XT-3. If you have ever owned one or currently use one you may know what I mean. If you have never and don't in fact like Fuji, that is entirely your prerogative, and below in the poll, you will be able to indicate your preferred brand. I'm going to keep it to brands as there are so many cameras out there, the poll would be endlessly scrollable, but I'll get to that later.

The Fuji XT-3 for me was the camera I didn't know I needed, and it's as simple as that. I'm not going to harp on about sensor size, ISO capabilities, or anything to do with the technology contained within this camera. I am simply going to wax lyrical about the buzz I felt when using the camera. What it was capable of in terms of technology is insignificant compared to how it made me feel when using it.

This is Just Right

This camera excited me to use it. The aesthetics, the ergonomics, everything about it just felt right, including the menu, and I would look for things to shoot. Subjects that I didn't normally shoot or didn't normally interest me, suddenly had a new air of photographic interest and I would look for ways to capture them so that I could just study the resulting image.

Now by no means are these images in this article anything worth giving a second glance to, but I do remember capturing them all and that's because of the buzz I felt when using the XT-3. This for me is what photography is all about; the buzz, the excitement, the whole experience. The camera just felt right in my hands, it created excitement around photography again. Not that I had lost it or perhaps I should say not that I had noticed I had lost some of the excitement. This camera however made me notice that I had.

Unknowingly Stagnant

To be honest, I didn't feel good when I discovered this as I thought I was progressing and challenging myself at every opportunity. But that hadn't been the case. I mainly photographed landscapes, except when in the studio obviously, so I would seek out the light and the composition thinking every time that this was an opportunity to experience and learn something new. But this wasn't the case as I had become unknowingly stagnant in my approach to my photography; photograph, edit, repeat, no buzz, no experience gained. Even in the studio: light shoot, edit, repeat. Don't get me wrong I still loved what I was doing and enjoyed every minute of it but I was missing something more and I never noticed it, until I shot with the Fujifilm XT-3.

Skin tones were just right, details seemed to pop more in the landscapes, everything was the same but different; in a better way. I felt excitement when shooting with the camera, the same excitement I remembered when getting my first camera. Now you could say that it's because a change is as good as a rest and yes, it could be that, but for me, I'll stick with the fact that the Fujifilm XT-3 is the camera that I didn't know I needed. It's the camera that brought back the buzz of photography I didn't know I was missing.

Loyalty

Like most of us, we have the brands that we stick with or we move across them until we find the camera and system that just clicks. In my constant learning cycle, I've had the pleasure of using Sony, Fuji, Nikon, and even way back in 1997 my parents owned the Kodak DC210 which I honestly wish I still had. More from a nostalgia point of view, as we lovingly remember it as the Kodak brick, due to the awkward ergonomics of it.

My current setup of the Nikon Z7 II is for me due to the long-standing relationship I've had with Nikon cameras. I do like them and am confident that by using them I'll get the results that I am after. Not always the case, however, but the chase is definitely worth it.

Regrettably, to purchase the Nikon I had to sell the Fuji along with my drone, lenses, kidneys, and other items, and to be honest I use the word regrettably lightly as the Nikon Z7 II is an exciting camera to use and produces the results I am after for my images. I will one day own another one. Not just for nostalgia but to get shooting with one again. Perhaps in their next incarnation, the Fuji XT-5 will be something else, we can only wait and see. One thing I'd like to request though if anyone from Fuji is reading this, make sure you release a silver and black model. Yes, I know it's only aesthetics, but oh my, did the XT-3 look good like this. 

What's Your Camera?

So what camera do you still own or do you wish you still had? I've waxed lyrical about the non-technology reasons why I loved the Fuji camera so much, the buzz, the excitement. What's your camera of choice and why?

There's a poll below with manufacturers but not the models as there would be too many. I'd also love to hear in the comments the model and why?

Gary McIntyre's picture

Gary McIntyre is a landscape photographer and digital artist based on the west coast of Scotland. As well as running photography workshops in the Glencoe region, providing online editing workshops, Gary also teaches photography and image editing at Ayrshire college.

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At the time of film my best camera was Olympus OM4ti now on digital is Nikon D850 for normal work and Nikon D7000 converted to full spectrum to me the best of all

Probably the Mamiya 6 with 3 lenses - dang that was a nice camera, and the lenses...

easiest question ever, Pentax 67 but to shoot with it forever I would need film and polaroid and at least 2 assistants with me. I have a kit with 4 bodies, one with a polaroid back on it and I have 3 copies of the main four lenses I used 90mm, 105mm, 165mm and 200mm in addition I have 6 other lenses. The whole kit is in storage and hasn't been used in about 3 years. Right now my favorite camera what ever the best Canon camera for my needs are, today that is the R5 no film or assistants needed.

For me it is a toss-up between two of the four cameras I own, namely the Leica M 240 and the Olympus OM-D E-M5iii. My Canon 5DSR and Sony A7 have fallen into redundancy.

Honestly…the olympus omd em10mkii…such a fun camera to shoot with lovely dials…i owned a few (nikon d5100, Fuji xt3, Pany Gh5, Sony a7s3, sony a7m4)…but the oly felt so nice and adventurous, delivered stunning images for the price. I DID really enjoy the fuji a lot, but always felt the results were lacking (except for the 56 1.2 the lenses weren my cup of tea). Nowadays the Sony a7m4 and the a7s3 (do a lot of video) consistently blow me aways by their reliability and results.

Today my most loved Cam is the a7s3, its such a powerhouse yet so compact, it takes a beating and then some but still keeps going. Whatever i throw at it it handles it calmly and delivers tunning results, superb images in stills an movie, its just a dream come true.

My favorite was the Contax G2 with three lenses. I really loved that camera. Today I use micro four-thirds and have no regrets with them, but the G2 was just right.

Nikon Z9. It allows me to think less about the tool and more about the art.

Man that sucker is the BEEZ KNEEZ. A true monster of a performer.

That's really what it's all about, Ken. The best camera is the camera that can do all of the camera things on its own, so that the photographer can do all of the photographer things without having to "help" the camera do its job.

If a camera can focus on what it is supposed to, and get the exposure right, without any input from me, then I am able to use all of my mental and physical abilities to keep the subject in the frame, compose the image the way I want it to be composed, zoom in or out as needed, and move around as the subject moves around, so as to shoot from whatever POV is optimal at any given instant.

Had quite a lot of Them, in almost 60 years. One of the first was a very cheap slr, a Petri ttl. It had 42mm lensmount, at that time almost standard, which fitted with the lenses I already had, from a Zenith.
Afterwards I switchen to Nikon, and now working with a D500, whiich is probably the best there is in DSLR.

The one I own, a Canon RF 6. This was shot in my studio with an R which I bad for too many reasons, but I love it, too.

Nice photo.

I have a few favourites:
- Minolta Maxxum 7: Just because it is one of the most advanced 35mm film cameras ever made...I loved shooting with it.
- Nikon F4s: a beast of a camera, I still use it to shoot the remaining rolls of Kodak HIE infrared film in my freezer.
- Leica M6 Titanium w35mm f1.4 Summilux Titanium: Very satisfying to shoot, the mechanical precision! I use it only for B&W, I have never put colour film through it.
- Canon R5: Technically the best camera I have currently...

Out of the cameras i have owned. crop sensor,35mm, mirrorless, medium format, 35mm/120 film, canon, nikon, fuji, mamiya, rollei. i would say My best was the Nikon D700. I loved how my portraits came out with it. plus they were waaaay easier to retouch than my D800E's files because they were 12mp. I think I also really love it because it is the camera I learned the majority of my skills on so there is a nostalgia factor there. I do remember being upset that it sucked with banding but then i learned that you could change it to shoot in 14bit raw which ended up solving almost all of my banding issues. I remember being so mad that the solution to my problem was right under my nose lol XD. Im still a little salty because there are a ton of sunsets i wish i could redo!!!

EDIT: I wanted to give a special mention the Canon 60D I had back like 8 years ago. I bought it after i had to sell off literally almost all of my valuables just so I could move house. I picked that up so i could start shooting again and eventually got the EF 85mmf1.8. i absolutely love that combo. I shot band shows with it and got some incredible images. IMO i got better photos with it than I did with my D800E in those situations. That lens camera combo produced some of my favorite photos.

The D700 was great. If only it had shot video too. I swear it could focus in the dark.

The Canon EOS 1n film camera was probably the best camera for the money before I went digital. It left me scratching my head when I used the D30, 10D, 20D and many other Canon bodies with crippled autofocus.

Ahhh the good old Canon crippled focus gag. BTDT

For me it has too be Olympus. From the OM1 to the OM4Ti for film to the OMD EM1.2 nothing feels as right in the hand as an Olympus camera, or is as well made and joy to use.
The EM1.2 brought back the fun of photography after years of carrying huge and horrible full frame Canons.
I’m expecting my new OM-1 to be even better!
But they’ll always be a place* for Sony’s best camera, the pocket marvel of the RX100 series. So much photographic power in such a tiny package.

*Nestling in the bottom of a pocket somewhere, ready for anything.

My favorite right now is the Lumix G9. Its capabilities far outpace any of its predecessors, whether Canon, Olympus, Nikon or Lumix. It challenges me to grow my skills to match its capabilities. Its immediate predecessor was the Lumix GX8, but ultimately the ergonomics really did not work for me, while the imaging was quite good. When the G9 came out, I tried one on, found the ergonomics delightful and migrated with zero regrets. Its only downside is pixel pitch, which doesn't matter anywhere aside from night sky and low-light work. I enjoy the relatively light weight, having carried a Nikon system with a bunch of primes for a number of years while my shoulders complained loudly. I'm looking forward to the G9's successor, as well as the S1's successor for night sky and low light work.

I enjoyed the G9 too. Great for street photography because it's not so large as to be intimidating and the articulating screen coupled to silent shutter (and/or app triggering) was super-handy too.

Part of me misses the G85 for vlogging. Much smaller and lighter than the G9, but also nowhere near as good AF for video.

For low light with the G9, it's hard to pass up 3 seconds handheld (except for the funny artifacts you sometimes got on the edges)...

Hi, Gary-- Great question! Sentimentally, it would be my first camera, which was a Semflex twin-lens reflex my parents gave me for 8th grade graduation in 1956. I went around Saigon photographing all the interesting people, like lovely young ladies in their ao dais on black bicycles. That camera inspired me to really look at the world, which photography continues to do to this day, whichever camera I use. I now use a Fuji X-T2, very easy to carry and use, and an iPhone Pro Max, which is catching up fast in image quality.

Probably the Canon 1D Mark II N I had an age ago. It might not have been the *best* camera I've owned, but it was certainly my favorite.

The best camera has to be the one i keep coming back to: the Olympus OM-D E-M5 Mark II. At one point I owned two at the same time, but sold one, and later the other, as i "upgraded." I found myself really missing the experience of shooting with them, especially with small primes. That's how i found myself buying another one, and then a second, so I'm back to owning two at the same time. I may soon buy a third. I think having purchased a single model four times, and planning on five, proves it to be the best camera for me.

That is easy. After having used about 30-40 cameras, my current Canon R6 is the one I like best. Easy to use, great AF, feels perfect in my hands, not too heavy.

Doesn't that model automatically track focus on a subject's eye, so that you don't have to worry about focusing, and are free to concentrate on more important things, like camera placement, timing, and composition? If so, and if an R6 is affordable, then I think I may seriously consider upgrading to that.

Yes, it does.

Well, For me, I loved the Nikon D850, I thought that the colors from those files were super. But, the Z6/Z7 wasn't out yet and I was getting weary of carrying the D850 with the 200-500 lens on it. So I sold the whole system and lenses and decided to try The Panasonic G9 and a few of their lenses, This camera, blew my mind, I have shot a lot of images with it in the studio and used their 200mm lens for outside the studio. I love how it feels, its capabilities, the lens selection for it is superb! So, I started to miss the Resolution of the D850, and I got a Z7II, Which I now love. But for the sake of me, I just can't think of selling my G9 system, especially since I have tried the Topaz software products of Gigapixel, and Denoise, they are incredible and serve the Micro-Four-Thirds community very well. So, I have my Z7II and the G9 system. Very happy, I don't mind working with different menu systems. I don't shoot things that require speed and quick changes. I shoot manual 90% of the time, occasionally using autofocus for a starting point.

Now, My New Love!! The Fuji X100V, Oh and added some accessories to pimp it out, I keep it on my desktop on a small Red Sexy Tripod and use it for my webcam, works awesome! I also got it for easy carry when I'm not working on a project. I like having the 35mm lens on it, it has forced me to re-think how I see things when using it. I have shot a lot of walls and doors and ground cover with it, it's a joy to use. I know, I have to admit it, I'm a Gear Slut! So what!

I miss my Linhof 4x5. The thing was a workhorse for me. The Hasselblad 500c was my go-to daily camera and it produced awesome images. I wore out a Nikon D50, transitioned to a D700 from that. That is a camera that feels like a "comfortable shoe" when I pick it up. My D800 is producing images that really fuel my creativity, as it is so similar to the D700 with the larger image size. However, it there is only one choice it is my Mami ya Press 6x7 with the 3 lenses. Tack sharp negatives and can do it all.

Sony A6000

My no excuse camera was my Nikon D810. It was the camera that always came with me on money shoots. It served on nearly all my professional assignments and, along with a set of Nikon glass, accompanied me on miles-long hikes in the Sierra Nevada and other California locations. I sold it and essentially all my Nikon gear because I no longer needed the exacting precision and over-the-top resolution that my clients insisted on. Today, I find that APS-C and Micro Four Thirds suit my needs fully and I can carry even more lenses when I'm cycling or hiking. In my post-professional world, I can still win an occasional photo contest even with less than prime gear.

Don't get me wrong I love my A9/A7IV/A7C but the best camera I ever owned in context was the Canon 5Dmk ii with the 17-40, 24-105 and 100-400 lenses. It was as transformational as the Sony A7 iii and it felt better in the hand.

yashica-mat 120/220
big negative
waist level twin-lens reflex
12 shot roll made you think before you shoot
waist level shooting great for kids; eye level rather than shooting down

Assuming I can't push us back in time so I can shoot with my Sinar 4x5, my favorite camera these days is the Fuji GFX 50s. I shot a job with it a while back and I loved everything about it. It felt great in my hands, well, on my tripod, the imagery was great, optics were great. Everything.
Oh, and your imagery is great as well. I gave it second, third, and fourth looks!! Love the one I've attached.