A lot of landscape photographers will tell you that the best types of images are devoid of people — just nature in all its splendid, unspoiled glory. I beg to differ. Here are some reasons why you should put yourself in the frame of your landscape images.
Sony's not a camera company or at least hasn't been until relatively recently. Its heritage is as un-optical as any recent manufacturer can be and is certainly far removed from the heritage of the likes of Nikon, Canon, Leica, and Pentax. Yet, among the gravestones we see littering the photographic landscape, it seems likely that the A mount will soon join them, finally severing any link to the past. So, why wasn't the A mount Sony's future?
Earlier this week, Instagram published a blog detailing information on how its algorithms work and why transparency is important when it comes to building trust. With that in mind, when will Instagram tell us how much money it makes from allowing the millions of possible copyright infringements that happen every single day?
In the film world, it doesn’t take long before you start to get hooked on the idea of shooting medium format. Why, you ask? By this time, no reason whatsoever.
Different camera makes and models are better than others for longevity. The main failing point of cameras is the shutter, because it is a moving part. Most manufacturers publish targets for shutter life. By spending a little more, you may get much better value and reduce environmental impact too.
Having spent a long and exhausting, but fruitful and necessary, weekend going about the chore of reorganizing my overly cluttered garage, I found myself with time to think about a basic question. Why exactly did I become a professional photographer?
I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there's also a good reason to shun it.
Bo Burnham's new Netflix comedy special hit people's screens last week, and it has been receiving wholesome responses. The new special, titled "Inside," was impressively solo-filmed over the course of a year, with nothing more than minimal gear inside a small room.
With more and more amazing lenses being introduced at a dizzying pace, I find myself asking a very basic question: How many lenses do I actually need?
Canon is the only brand of camera I will ever buy.
Camera sales are declining rapidly. There is seemingly nothing that we can do about it.
Leica pretty much took the world by storm with the 35mm camera, and manufacturers haven't looked back since. In the film and digital realms, 35mm has been the mainstay for any serious photographer, however, it is also true that those who wanted a little bit "more" went medium format. This tended to be the mark of certain professionals with a price tag to match. So, why then is Fuji capitalizing on a digital market that Pentax seemingly had at its feet?
Defining and cultivating photographic style is a "long term" endeavor. Samuel Elkins shares his personal journey through this process.
Artificial Intelligence (AI) has leapt into photography, and as usual, Olympus cameras lead the way with these new technologies. Great for enticing new photographers into our art, it simplifies capturing images. However, as AI takes its first big steps into photography, will it boost overall sales?
This is another brief story about the possibility of progress over the course of a photography career.
