There's something I've always loved about the photography community and in the age of the internet, it's nearly a unique quality: we give constructive feedback and rarely tear in to a photographer unprovoked. It is a welcoming environment that cultivates growth, for the most part. One particular area in which all previously mentioned qualities are magnified many times over, is young photographers. Their successes are fawned over and their mistakes excused, as they should be. Unless, of course, you're called Brooklyn Beckham.
We've all done it. We've rewatched movies that we knew were bad. I watched the 1995 classic "Waterworld" with Kevin Costner two weeks ago. Maybe we do it to reflect on our past or to get in touch with ourselves again to some degree. This video analyzes bad films and why we keep watching the worst movies. Its main argument is that these bad films actually have some intellectual merit. The video focuses on "The Room," which came out in 2003. It's a movie with bad acting, a low budget, and terrible accents and dialogue.
Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?
Video cameras' resolution war has already started. So has the frames-per-second race. Current DSLRs shoot high resolution stills and lower resolution video. What if you can have an 8K video camera that captures both raw stills and raw video in 8K? Would you replace your stills camera with it?
I worry about becoming stagnant. I'm quite sure lots of us share that worry and conversely, most of us will know people who don't have that worry at all. I envy them in many ways; they want an easy life and concentrate on enjoying things. As far as I can tell, that sentiment isn't compatible with self-employment, or if it is, it's so far away on the horizon I can't make it out yet. In my efforts to always grow and always be moving forwards, I invented a minor way to achieve this and I'd like to see if it works for other people.
I'm going to open with a somewhat obvious statement: Women make up roughly 50 percent of the world population. But when it comes to Hollywood, and frankly many other industries, we don't see those numbers reflected. Women In Film, an organization promoting increased roles for women within the entertainment industry, is trying to shed light on this issue through comedy.
There’s no question that the New York Times photo of James Comey during his Senate Intelligence Committee hearing, where he detailed his uncomfortable and suspect dealings with President Donald Trump, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.
Photographers tend to bemoan that everyone's seeming belief that they are a photo critic. Event though the vast majority of people aren't really experienced enough or aware enough of what makes a good photo to be taken seriously. This position is often weakened by the fact that even top photographers generally can't agree on what makes a great photo. I'd propose the argument that the average viewer actually is quite aware of what makes a great photo while the nit picks of us pros more often than not have little to do with photographic greatness and more to do with photographic elitism.
As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.
With the upcoming release of “Off the Tracks,” a documentary that chronicles the seismic shift that Final Cut Pro X introduced to the video industry in 2011, there been some chatter, even here on Fstoppers, about the video editing software’s place in history. I don’t have any qualms about its place in history: Simply put, it deserved better than what it got, which was heaps of shame, blame, and ultimately denial.
I don't know about you but I've been a little overwhelmed about the power of artificial intelligence and the speed it's replacing jobs that can be automated. Elon Musk and Mark Zuckerberg have recently stated that a basic salary should be paid to every citizen in America to make sure that people who have lost their jobs due to automation can keep on their feet and do whatever it is they've always wanted to do.