After nearly a decade with Sony gear, this photographer shares what works—and what doesn’t—when it comes to using these cameras for both stills and video. If you’re deciding whether to buy your first Sony or considering switching to something else, this kind of hands-on, long-term insight helps you weigh real pros and cons without marketing fluff.
One of the most debated topics in landscape photography is the role of editing. While some photographers firmly believe that an image should reflect the reality of the scene, others see post-processing as a critical creative tool that allows them to express their unique vision. The central question becomes: where do we draw the line between enhancement and deception?
Canon has just released the fourth lens in its L VCM line of Hybrid Primes, the RF 20mm f/1.4 L VCM. I got to have an early look and wanted to share my thoughts.
Anthony Gugliotta had the opportunity to sit down with Canon's development team to suggest improvements and discuss the future of their cameras and lenses. These insights hint at possible upgrades and changes you might see soon in Canon’s equipment.
Think prime lenses are still unbeatable? Think again—modern zooms are challenging everything we once believed about the best lenses.
Travel photography is at a crossroads, struggling between authenticity and uniformity. Smartphones, AI-generated images, and overtourism are transforming what it means to photograph places and cultures.
You can’t argue that the world of film is making a comeback in a big way. This begs the question: Is shooting film an artistic and bold choice or just a trendy throwback?
The term "cinematic" gets thrown around a lot, often without a clear understanding of what truly defines it. For anyone serious about video production, knowing the elements that genuinely create a cinematic experience is crucial to elevating your work beyond just visually pleasing footage.
Five years ago, I humorously "leaked": a rumor that Canon was about to release the RiP, a camera with a vertical sensor designed for Instagram influencers. Sadly, the RiP never came to market, but the concept may have inspired Fujifilm’s intriguing new camera.
In 2025, digital single-lens reflex (DSLR) cameras are regaining popularity despite nearly a decade in the shadow of mirrorless technology. For anyone serious about improving their photography skills, this comeback matters because working with a DSLR pushes you to master essential techniques rather than relying on technology alone—plus they're cheap!
The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.
Automation can streamline your workflow, but it also has clear limits. Understanding when and how to use automation effectively can significantly impact your final images.
When it comes to still photography and videography, conventional wisdom holds that digital cameras intended for one of these mediums will be middling performers, at best, in the other. Or maybe the whining about every compromise or minor imperfection in our gear has just reached an absurd level.
Everyone likes to tell a photographer they aren’t a real photographer until they always use manual mode on their camera. Understanding the fundamentals of photography is important, but as camera technology advances, it can help you be more efficient in the field. Don’t get trapped in manual mode.
Buried in Nintendo's Switch 2 announcement during Nintendo Direct earlier in the week was a quiet accessory that brings Nintendo back into the camera game. Sort of.
Shooting with medium format cameras isn't simply about image quality; it's about altering your entire approach to photography. Making the jump from full frame or crop sensor cameras to medium format is a significant step, one that changes not just the look, but the feel of your work.
In today's photography landscape, there is far too much emphasis on hardware and not enough thought about what it’s actually being used for. Discussions among the community often revolve around camera specifications rather than the philosophy and thoughts behind capturing images. Yet, we have long passed the point where more megapixels, higher dynamic range, and extreme ISO performance make a meaningful difference for most users.
Mindfulness and photography can work together, creating an immersive experience that pulls you into the present moment. When you struggle with anxiety, depression, or simply feeling disconnected, this combination offers a powerful way to shift your perspective and find inner calm.
Patagonia has long been a dream destination for photographers—dramatic peaks, vast landscapes, and the raw beauty of nature. I had high hopes of capturing my own version of this rugged terrain, expecting to find inspiration in the remote landscapes and the challenge of shooting in unpredictable weather. After finally making the journey, I left feeling uninspired, frustrated, and disappointed. And honestly? I have no desire to go back. Here’s why.
The Sony a7R V was launched more than two years ago. And in terms of technology, that’s a very long time ago. But I don't think this camera should be overlooked.
Forget AI-generated images like the one above. A leaked video on the dark web has revealed a fully automated, intelligent drone that does away with photographers.
Taking fewer, more intentional photographs is a powerful strategy that many photographers overlook. It's not about capturing fewer moments, but instead about being mindful with each press of the shutter.
Technology has come a long way over the last ten years, and it makes photography easier. There are features beyond the basic exposure settings that every interchangeable lens or bridge camera should have and others that should be consigned to the bin. Here are some considerations to avoid disappointment.
Artificial intelligence is rapidly reshaping the filmmaking landscape, prompting both optimism and significant concern. Its growing presence raises important questions about creativity, authenticity, and the future of filmmaking jobs.
Computational photography is changing how we approach long exposures, but not everyone agrees it's a step forward.
A camera that went viral on social media and attracted the attention of influencers and casual users became an overnight success for Fuji. But is the Fuji X100VI still a camera for serious photographers? Or, the bigger question, has it just become the camera to look like a photographer?
The best part about creating personal projects is the opportunity to grow in a pressure-free environment. I just finished shooting such a project with a couple of friends, and the lessons I learned at “play” turned out to be the kind I’ll be sure to use in my work.
I’ve long complained about the usability and connectivity of cameras, and while the big manufacturers seem happy to keep punishing us with shoddy interfaces and annoying memory cards, an upstart has shown us a vision of the future.
Despite their seemingly minor detail, catch lights stir controversy among photographers, sparking discussions around whether they genuinely impact the quality of portraits or merely distract from more important elements of lighting and composition.
As a professional travel photographer, I’ve shot around the world with some of the best gear Sony has to offer, including the Sony a7R V and top-tier G Master lenses. But after years of carrying heavy full-frame setups and investing thousands into the latest gear, I made a decision that might seem crazy to some: I sold it all and switched to the Sony a6700, a crop-sensor camera.
