Photography without a traditional viewfinder often divides opinion sharply. For many, relying solely on an LCD screen seems limiting, yet increasingly, cameras are designed without viewfinders, raising the question of whether adapting to this approach might be worthwhile.
Throughout your photography journey, camera gear inevitably evolves. Understanding how much image quality and camera functionality have improved over time directly impacts your buying decisions and creative possibilities.
Instagram was great until it ruined the art of photography. Somewhere along the way, the app that once celebrated still images traded intention for attention, and in doing so, it didn’t just change photography — it helped ruin the art.
Something's wrong in the photography world, and everyone can feel it. Browse any photography forum, scroll through Facebook groups, or check Reddit threads, and you'll see the same conversations repeating: established photographers selling their gear, newcomers questioning whether it's worth starting, and veterans openly wondering if the industry they once loved still has room for them.
Camera manufacturers have turned photographers into spec addicts, and it's time for an intervention. Every product announcement sends us scrambling to compare numbers: How many megapixels? What's the burst rate? How many autofocus points? We've been conditioned to believe that bigger numbers equal better photos, but that's marketing fiction designed to empty your wallet.
Today, I’d like to take a moment to focus on what has really mattered in my life as a photographer.
Today, I’d like to share three simple rules for success in art and in life that have helped me through both the ups and the downs.
Your personality might be quietly shaping the type of photography you're naturally drawn to. Knowing your personality type could unlock a better understanding of your photographic strengths and struggles, particularly when shooting genres that feel difficult or uncomfortable.
Today, I’d like to share a personal story which some of you out there may just be able to relate to.
What matters more—sensor size or how a camera fits into your real-world workflow? Recent comments from our Fstoppers community made me curious to delve into how typical photographers feel, and it revealed a lot more than just APS-C vs. full frame preferences.
Many photographers grapple with whether printing their images is necessary or if digital presentations alone suffice. Is it right for you?
You’ve heard it all: “Shoot manual,” “Golden hour is king,” “Always follow the rule of thirds.” But what if those trusted tips aren’t always right?
After nearly a decade with Sony gear, this photographer shares what works—and what doesn’t—when it comes to using these cameras for both stills and video. If you’re deciding whether to buy your first Sony or considering switching to something else, this kind of hands-on, long-term insight helps you weigh real pros and cons without marketing fluff.
One of the most debated topics in landscape photography is the role of editing. While some photographers firmly believe that an image should reflect the reality of the scene, others see post-processing as a critical creative tool that allows them to express their unique vision. The central question becomes: where do we draw the line between enhancement and deception?
Canon has just released the fourth lens in its L VCM line of Hybrid Primes, the RF 20mm f/1.4 L VCM. I got to have an early look and wanted to share my thoughts.
Anthony Gugliotta had the opportunity to sit down with Canon's development team to suggest improvements and discuss the future of their cameras and lenses. These insights hint at possible upgrades and changes you might see soon in Canon’s equipment.
Think prime lenses are still unbeatable? Think again—modern zooms are challenging everything we once believed about the best lenses.
Travel photography is at a crossroads, struggling between authenticity and uniformity. Smartphones, AI-generated images, and overtourism are transforming what it means to photograph places and cultures.
You can’t argue that the world of film is making a comeback in a big way. This begs the question: Is shooting film an artistic and bold choice or just a trendy throwback?
The term "cinematic" gets thrown around a lot, often without a clear understanding of what truly defines it. For anyone serious about video production, knowing the elements that genuinely create a cinematic experience is crucial to elevating your work beyond just visually pleasing footage.
Five years ago, I humorously "leaked": a rumor that Canon was about to release the RiP, a camera with a vertical sensor designed for Instagram influencers. Sadly, the RiP never came to market, but the concept may have inspired Fujifilm’s intriguing new camera.
In 2025, digital single-lens reflex (DSLR) cameras are regaining popularity despite nearly a decade in the shadow of mirrorless technology. For anyone serious about improving their photography skills, this comeback matters because working with a DSLR pushes you to master essential techniques rather than relying on technology alone—plus they're cheap!
The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.
Automation can streamline your workflow, but it also has clear limits. Understanding when and how to use automation effectively can significantly impact your final images.
When it comes to still photography and videography, conventional wisdom holds that digital cameras intended for one of these mediums will be middling performers, at best, in the other. Or maybe the whining about every compromise or minor imperfection in our gear has just reached an absurd level.
Everyone likes to tell a photographer they aren’t a real photographer until they always use manual mode on their camera. Understanding the fundamentals of photography is important, but as camera technology advances, it can help you be more efficient in the field. Don’t get trapped in manual mode.
Buried in Nintendo's Switch 2 announcement during Nintendo Direct earlier in the week was a quiet accessory that brings Nintendo back into the camera game. Sort of.
Shooting with medium format cameras isn't simply about image quality; it's about altering your entire approach to photography. Making the jump from full frame or crop sensor cameras to medium format is a significant step, one that changes not just the look, but the feel of your work.
In today's photography landscape, there is far too much emphasis on hardware and not enough thought about what it’s actually being used for. Discussions among the community often revolve around camera specifications rather than the philosophy and thoughts behind capturing images. Yet, we have long passed the point where more megapixels, higher dynamic range, and extreme ISO performance make a meaningful difference for most users.
