It doesn't always have to be complicated. I remember that when I first started buying lenses to expand beyond a standard zoom, I was completely flummoxed by choice. While choice is a good thing in theory, it can overwhelm in practice. So here's a no-brainer of a choice for your first prime lens after you've kitted yourself out with a DSLR and the typical standard zoom and tele zoom set: pick the best, fast 35mm lens you can buy.
Their title may mislead you into think this is just another step one, two, three, posing tutorial but lifestyle and wedding photographers Rachel Gulotta and Daniel Inskeep along with Carlton Banks (a.k.a. Mango Street Lab) are quick to point out that it's directing, as opposed to posing, that gets results. If you follow the wisdom provided in these five simple insights you'll find your subjects falling into their own natural rhythms, resulting in more meaningful images with little to no need to tell subject "A" to put their hand here, and subject "B" there.
So, you’ve discovered a passion for photography and after lots of practice, you’re starting to feel more and more confident in your skills. Great! But what comes next? How do you take this growing passion from a hobby to a full-fledged career? When you’re trying to figure out how to make the jump from amateur to professional, figuring out the best way to get there can be a bit daunting, especially if you didn’t have a formal photography education. So we asked a few of the photography mentors at RookieUp to share a few of the major tips and lessons they learned while growing their own successful photography careers.
The National Park Service in the United States is one of the few organizations to have made clear policies regarding the use of drones, or small unmanned aircraft systems (SUAS) on their property. Yet some people continue to ignore these rules, and it’s only going to make things harder for the rest of us if this trend continues.
This week, I acquired a shiny new Olympus OM-D E-M1 Mark II, which surpasses all cameras in its class when it comes to speed. This is thanks to the advanced silent electronic shutter mode. And this got me thinking, will there come a day when the electronic shutter will ever fully replace the mechanical shutter? And do we want it to?
Not all cinema lenses are made the same, not even those in the affordable price range or that come from the same manufacturer. In this article, you will see the structural and optical differences between Rokinon and Rokinon Xeen cinema lenses and what to purchase if you're looking for video glass on budget.
Apple’s MacBook Air isn’t long for this world. When Apple announced its new lineup of MacBook Pros in October, absent from the update party was the MacBook Air. In fact, Apple quietly removed the 11-inch model from the website around the same time, leaving only the 13 inch to soldier on for the time being. It's not a good sign for photographers invested in the Apple ecosystem (that’s a lot of us) looking for a road-warrior laptop.
Your photography website is your storefront. It’s the way your prospective clients meet you, and it’s your chance to make a lasting and convincing first impression. A website is the first step in meeting good clients, getting hired, and getting paid. I’m a wedding photographer, but the list below applies to everyone. Whether you shoot landscapes, weddings, or commercial work, your website is the key to booking business. Here are the top eight reasons why your website sucks.
We all know that being a photographer can get expensive, from camera bodies to lenses, there is a never ending list of gadgets and goodies that we can spend our hard earned money on. The last thing anybody wants to do is spend their money on the “must haves” of photography when we could just as easily drop some cash on the things we want. Below is a short list of gear that every photographer should have in their arsenal, but probably doesn't want to spend his or her money on.
How much camera do you need? No, for once I'm not talking about how many cameras. Though my inadvertent collection is growing and for every vintage camera that I sell or give away, it seems two new ones await. Gear Acquisition Syndrome (known also by the unfortunate acronym of GAS) is real and many are afflicted. Don't make fun of us. We're fellow humans. We suffer. Ok. Maybe not that much. I'm wondering instead about how much camera you need. How big, how rugged, how professional-looking does it have to be?
So many are awaiting an announcement from Nikon related to their next best thing, but let’s face it, the Nikon D810 is a pretty incredible camera that more than meets the needs of many professional photographers all over the world. That being said, why should I even consider upgrading to whatever Nikon decides to replace the D810 with?