It happens at basically every wedding I shoot. I walk into the room to start taking images of the bride getting ready, and the bride offers me a mimosa. After I leave to take images of the guys getting ready, I walk in and the groom offers me a beer. Then, the ceremony is about to start, and a groomsman offers me a shot out of the flask he has in his jacket. Lastly, we are at the reception and both sets of parents and the entire wedding party are offering drinks. I have to assume that most wedding photographers are faced with at least one of these events at every job. So, the question is: do you accept?
I took a two-week trip to Hawaii last month with the intentions of not bringing along a bunch of camera gear. That was a fine thought in and of itself, but now I’m wondering if I could have mustered the courage to take an extended trip to a picturesque location without bringing a real camera at all?
This week, Instagram awed us all by rolling out one of the simplest and most obvious features that we had all been clamoring for for years. OK, maybe I wasn't awed, but boy does multiple account support make my life so much easier. I’m no longer typing in my Instagram passwords 30 times per day, which got me to thinking: as a platform, Instagram is pretty good, but its features are still notoriously primitive. Here are a few features I think they should add that would make my life much easier.
When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.
To follow my previous article which stirred a healthy discussion about sharpness and whether that it's vital or not, it inspired to me to ask my fellow peers another question. Are the amount of megapixels on your camera crucial, or do other factors and features hold more value when purchasing a camera? Here are my thoughts.
If you ran a poll to find out what are some of the biggest pet peeves that a photographer experiences when dealing with clients, undoubtedly, requests for all raw files from a photoshoot would be up there on the list. Many newer photographers cave in to the pressure of trying to appease their clients but the reality is that this is, in most circumstances, an unfair request that could do more harm than good. Fellow photographer Jessica Kobeissi explains why in this video.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
The world wide web was set ablaze this week by the photography community when Brides.com published an article telling prospective brides which vendors they should and shouldn't be feeding, and this advice strongly suggested photographers should not be fed. Of course, anger ensued. Surely, in this day and age, the author would have crafted a rebuttal or an apology to the legion of photographers in the trenches that she had scorned. Nope. They silently covered it up.
Despite having grown up around photography all my life (thanks, dad) and then starting my own commercial portrait business in 2009, there is one small little thing I'd never done before, silly as it sounds. I have never, ever shot in snow. Born in the Caribbean in 1975, then briefly living in Miami before settling down in Houston in 1979, I have truly never experienced real snow. But all that changed for me recently in Salt Lake City and Albuquerque - in January.
Glamour photography, fine art nude photography, lingerie photography, swimwear photography — all of the above involve nudity. Sex sells — no explanation needed here. Or, at the very least, it will get you more likes on your page or your Instagram account. Is the sexiness in itself a problem? This is a recurrent debate. The #WomenNotObjects campaign, launched by Advertising Executive Madonna Badger, is calling on the advertising industry to put a stop to objectifying women for marketing purposes. As photographers, do we have a responsibility in this controversy?
Fstoppers is happy to announce the next round of Critique the Community. We invite everyone to submit your best sports image to be critiqued by the Fstoppers team. The image doesn't have to have any particular style but it must be related to sports and action, incorporating a human element (not just products or sports equipment). Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 7th and will be offering feedback to a total of 20 pictures.
Everyone wants to win the lottery. In this day and age winning the lottery can mean many things, one of which is hitting it big on social media. Creating a body of work, an brand image, and a following so massive it creates clout behind your name so high, it is easily seen by everyone as the best in the business. For photographers and creative alike, achieving something like that can easily be seen as difficult, but in reality for some it was outrageously easy and can still be done thanks to Instagram.
I admit it freely: I didn't used to pay attention or care about portrait lighting patterns. In fact, when a photographer would mention them around me, I would cover my ears and say "La la la la la" as loudly as possible while hurriedly trying to leave the room. There was a time where dismissing the standards was my usual, as was my tendency, but eventually I realized I was missing out on fundamentals that I could easily have built on and expanded rather than ignored. Just starting out? Don't make my mistakes.
If you work in portrait photography, be it commercial fashion or high school seniors or anything in between, at some point you will be on set with makeup artists (MUA) and hair stylists, if you aren't already. A good makeup artist can make or break your sessions, and a bad one can simply ruin everything. And since no amount of retouching can totally undo subpar makeup, hair, and styling, Staci and I decided to sit down with pro makeup artist Sarah Stafford in The Backyard to shed some light on the relationship between MUAs and photographers.
If you look back to the beginning of photography, color didn’t exist. In fact, it didn’t exist for a long, long time. Even as 35mm film pioneered the way that photography was used and purchased, black and white was king. Slowly, as time progressed, color film began to take a foothold in the industry. Once legendary color films like Kodachrome and Kodacolor became widely available, black and white became far less popular for commercial use. Now, in the digital era, almost every digital camera records information in color. Why then, would I bother viewing my images in monochrome during my shoots, even if I know I’ll deliver them in color?