The new year has arrived! Time to stop making excuses as to why you can't make better images. The only barrier to creating the work you really want to create is you. Cast aside your goofy excuses that you use to justify your failings. Do what it takes to become the photographer you want to be and do it now!
I’m not going to lie, sometimes I feel like photographers try too hard. Don’t get me wrong, we all need to try to improve ourselves, and that I completely agree with. It’s a new year, and with that comes new challenges and new opportunities for us to better ourselves as creatives. Challenges aren’t supposed to be easy, and are certainly supposed to push you to step outside your comfy little box.
One key to longevity in filmmaking or photography is to have regular clients that you enjoy working with. What’s even better is when you have enough work coming in from those top clients, so that you can actually pick and choose the projects you take on, and even go as far as to expand your business or pass work off to qualified associates for a modest finders fee. It takes a long time to get there, but being savvy about building a client base can help tremendously.
The new year is upon us. In 2016, many of us will take on resolutions related to our photography. There’s probably not a more common resolution than the 365 project, where a photographer commits to publicly post one photo every day. Projects range in scope, theme, and popularity, but one thing is for sure: Most of us never complete it.
Shooting portrait work during the day outside has always meant that you have to think on your feet and improvise depending on what Mr. Sunshine decides to do. Some days, you get brilliant, bright rays of sol pummeling the entire city with impunity, and other days the order of the day is cloud cover and über diffusion. The biggest challenge, in my opinion, occurs when the sun and clouds start to play games with you and change the game every few minutes, causing you to contend with hard light at 3:54 p.m. and soft diffused light at 4:03 p.m., etc. So, how do I deal with that?
For years I have had the internal and professional battle to go through the motion of building a portfolio website to show off my absolute best and most recent work while also being able to allow clients to easily contact me. In today's day and age there has never been an easier way to do all of these things all in one place, for me that's Instagram and it should be for you as well. Here is why I think it's the best portfolio website on the web.
In the next few weeks, Fstoppers is going to be working on an awesome new project with the incredible swimwear photographer, Joey Wright. While we're working with Wright, we thought we'd give everyone a chance to have their swimwear images critiqued by one of the best in the business. Between now and January 5, enter your swimwear images by following the submission guidelines below. We will be choosing 20 images to give feedback to.
Along with the new year comes an opportunity for a fresh start, the time of year when seemingly everyone looks at their life and what they can change. While it is certainly cliché to come up with goals for the new year, it is a great time to refocus your energy. By focusing on certain aspects of your photography, I believe that you can not only become a better photographer, but find better, bigger clients, grow your business, and follow your dreams. Check out the following simple facets of photography and how you can look at them differently, gain inspiration, and get after it in the new year.
The authenticity of those #wild #liveauthentic social media photos of the outdoor adventure types is questionable at best. But some people really do walk around in the forest with bright colored puffy jackets for more than just snazzy photos and all the likes. Unfortunately, the "take only photos, leave only footprints" model of Leave No Trace principles still leaves many remote and protected areas of the wilderness trampled and exploited by outdoor enthusiasts.
There may be a dozen ways to skin the proverbial outdoor lighting cat (sorry for that, felines), but it never hurts to review some of the most common basics. Some of my favorite approaches outdoors start with pure natural light with some simple modifications, leaving the strobes or speedlites at the ready only when they are absolutely needed or desired. After all, natty light should look natural, no?
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
I have a confession: I don't like a lot of photographers. I see unfounded vitriol and unearned authority slung carelessly and without reason. It makes me weary, and in a field in which it's hard enough to succeed without unnecessary negativity, I simply don't have time for it.
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
Adobe’s last quarter results are out, and they’re better than ever. Adobe’s Creative Cloud and media business rose 35 percent thanks to a 23 percent beat on subscriber expectations, while the company’s overall net income more than doubled from $88.1 million to a staggering $222 million. Adobe’s fourth-quarter earnings report shot its stock to all-time highs. On one hand, that’s good business. But what does this mean for creatives who have felt an increasingly rocky relationship with the software giant?