As photographers, we’re constantly re-crafting our portfolios, building new work, and (hopefully) growing as artists. Along the way, many of us will face challenges, get burnt out on locations, and ultimately feel in a rut. Through time and education, we invest so much into our portfolios, however the best advice I can give is to invest financially too.
Let me preface this by saying I hate calling anything the "ultimate." Odds are, I've missed something in the market that might be better. It's nearly impossible for me to keep a pulse on everything in this massive and expanding industry. But if anything comes as close to "ultimate" in the video tripod world, it would be the Benro S8 Video Tripod.
If you're like me (and basically every photographer I know), you're a little bit paranoid. Your heart skips a beat when you hit "Format" on your memory cards. You don't trust a source unless it's backed up. ioSafe was not originally built for photographers, but it certainly caters to them with a fireproof, water proof and basically life proof design. With the addition of specialized apps, ioSafe looks to be a the way to store and monitor your precious images and video.
If you’ve made the transition, or are planning on making the transition from photography as a hobby to photography as a job, you’ll invariably come to a point where you’ll just want to throw your hands in the air and give up. These bouts of self-doubt and frustration will likely occur many times and seem to appear not only during your lows but even at the highs. These feelings are normal, and it is those that rise above them time and again that end up successful.
The whole idea of what a camera strap should look like and how it should perform changed when the MoneyMaker hit the scene just a few years back. Gone were the days of tactical black nylon. A new era of stylish form and function began when Tulsa, Oklahoma based wedding photographer turned entrepreneur Matthew Swaggart founded HoldFast – a luxury line of leather camera gear and accessories.
In photography - and in anything else, really - it seems as though when we first discover something new, whether it be a new camera, a new technique, and/or a new system of doing things, it’s fairly natural I think to want to use it all the time. When I first “discovered” photography, I immediately gravitated toward those photographers like Emily Soto, Zach Arias, Joey L, and Syl Arena.
It all started with a conversation between filmmaker Justin Gustavision and I this past Friday. Justin works for Nadus Films who just released a brilliant award-winning documentary “BBoy For Life” which shows how break dancing has provided teenagers a way out of Guatemalan gang life. The film has been picked up by Starz and Discovery Channel, yet their social media presence could be considered dry, when it should be arousing a well-deserved tornado of hype.
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos. Now, I’m not talking about setting up hundred-person movie sets complete with production vans and craft services tables, nor do I mean shooting on private property, sacred land, and/or Area 51-type secret military bases...
One of the biggest frustrations any new professional photographer has is obtaining clients. I’m going to assume that at this point you have sufficiently nailed down your technique, you’ve built up a decent portfolio, and you have a website that is easy to navigate and shows off your work. So why are you not getting replies from your prospective clients? Well the answer may have NOTHING to do with your photography.
Between the dawn of the digital age of photography and services like Instagram, more and more people are trying their hand at photography. Whether you’re looking to be the next Ansel Adams, or just looking to take a few nice photos of your kids and loved ones, there are a few things that you NEED to look out for when getting started in photography.
What does nostalgia for broken things say about us? Over the last year or so, we’ve undoubtedly seen an exponential increase of the intentional “glitch” used in visual arts. The glitch – defined as a short-term fault in a system – has gained tremendous popularity as a visual style. My theory is that a person’s predilection toward a preference for random events can be explained as both a desire for nostalgia and perhaps even a loss of control – and that very act of self-awareness can aid in becoming a better thinker and artist.
“Make me look skinnier” is one of the more frequent requests I get from my clients. Although those kinds of requests are usually accompanied by some laughter as more of a joke than anything, there is some bashful truth there that we, as photographers, need to be aware of. Of course, you have probably heard the old adage “the camera adds ten pounds,” but do you know why and how to combat it?
Just the other day, Canon announced the 16-35mm f/4L IS lens. The general announcement was left with confusion, anger, annoyance and felt an awful lot like when Canon announced the unnecessary 24-70mm f/4 IS back in 2012. Between these announcements and others much like it, as well as general quietness on announcing an updated 50mm lens, we have to ask...What’s the problem, Canon?
Vincent Laforet’s Directing Motion workshop has done what every workshop should do – it’s challenged my current way of working and given me clarity on how I can improve my work. Less than 24 hours after the workshop, I was working differently, shooting differently and thinking differently. This might just be the best workshop for those shooting (or with an interest in shooting) motion work, ever.
During an initial meeting with local publication NFocus Magazine, the Editor-In-Chief asked for a unique aesthetic on Louisville's theater and arts community and wanted a massive group shot, but not your traditional group shot. I threw out the idea to shoot actors and their "characters" from directly overhead on a theater floor, as if they were action figures laid out and organized. Two seconds after I uttered the idea, I realized I had no clue how I would pull it all off.