Opinion

I have always wanted to shoot editorial work. Getting my work in print has always been my number one goal. In my opinion, it is the mark of having "made it" as a photographer. The problem was that I never knew how to get my work in front of the right people to even be considered for an assignment. I had read articles in industry photo magazines about how to make brilliant and eye-catching marketing materials to nab that client that you are after.

Guest Writer's and Dale and Jill Lempa of Lempa Creative are a husband and wife team of photographers from Cary, NC who specialize in wedding and engagement photography. If you're a wedding photographer, then you can understand how stressful or hectic weddings are. Sometimes it might not occur that the bride is just as, if not more stressed out than we are. Dale and Jill have taken the time to share these helpful insights in just what the bride is thinking and how you as the photographer can help!

Introducing the latest and not so greatest product from PhotoJojo, the Look Lock. The Look Lock allows you to attach your smartphone to your hotshoe mount using a large and out of place aluminium arm, proving once again, that the camera accessory market is completely out of ideas.

Some people love filters. I personally really like neutral density filters and I know there are those who swear by UV filters. For those of us who love these little glass lens enhancers, we have to separate from that love when we use ultra wide-angle lenses. That is, we used to. Not anymore thanks to Fotodiox’s Wonderpana system which is designed to give us the freedom to use those filters even on convex front elements.

I am the type of photographer that doesn't stay up to date on the latest gear. Instead, I find what works for me and I use it until I hear about something that works better. This is why it was so hard for me to hand in my Pocketwizard Plus II's for the Radiopopper PX system. But boy am I glad that I did.

Plus II's are tanks. They are virtually indestructible. I used them for years with nary a misfire. But there was one thing they couldn't do. High speed sync.

There's one pet peeve I have above all else in the studio, and any assistant can attest to it. Coiling cables around your elbow is wrong. Really really wrong. Of course I realize that it's how you were taught, I learned the same way. Until the day I was working with an audio engineer and nearly made him cry. You would've thought I set fire to his birthday cake and kicked him in the shins.

At Fstoppers, we do our best to stay away from topics that are strictly political in nature. Generally speaking, it's not our place. We are a blog for creative professionals, not any number of sites that poke at hot button issues for the sake of sensationalism. However, once in a while, a situation arises that directly affects photographers and their decisions. One such situation occurred when Weddings Unveiled Magazine rejected a photographer's paid advertisement.

When Adobe launched the Creative Cloud more than a year ago, it was not met with much fanfare from actual users of the software. Those around me heard about it, shrugged and moved on. I’m pretty sure many of us didn’t really fully understand what it exactly was. Fast-forward to today, and Creative Cloud has turned into something that is obviously Adobe's future, begging the question, "Is it good for Adobe, good for consumers or both?"

When dealing with a client’s project I will bend over backwards, even do summersaults and cartwheels if they ask. I will give 100% before, during and after the photo shoot to take their ideas or concepts and do what I can to knock it out of the park for a client. Sometimes the photographs end up in the portfolio, other times the photographs do not make the cut.

There are projects that you create for clients and there are others that you create for yourself.

The internet has become a gold mine of resources for photographers of all different genres, experience levels and styles. It's so easy to find inexpensive Lightroom or Photoshop presets to help create interesting post-processing colors and effects without spending hours trying to create them yourself. The only problem is: which ones do you use? SLR Lounge has released an all-comprehensive Lightroom 4 Preset System that is user-friendly and takes the headache out of using presets.

PocketWizard is to radio transceivers what Kleenex is to tissues. PW's have become the industry standard and the benchmark which all other radio transceivers/transmitter & receiver combos are measured. This week PocketWizard introduced the G-Wiz Vault Storage Solution... What is it? To me it would appear to be the fancy name for a lunch box...

Is this really the hip thing to do these days? Why is it that I keep reading headlines like this of wedding photographers turning to their iPhone versus their camera gear? I get that it’s trendy, and within seconds (with no Photoshop needed) you can add a grunge effect with an Instagram filter and have it posted online. But seriously... *shakes head*

The other day, David Bickley wrote a fantastic article on 365 projects. In the article he made some great points about how the project will sharpen the photographer's skills and even lead to work. And while I agree that projects like this are great for growing as a photographer as well as producing regular content for your readers, I know that it can lead to burning out, for both the photographer and the reader.

The commitment to do anything every day for a whole year is a difficult one. So difficult in fact that the very concept of a New Year's resolution is a joke to most. It's no surprise then that for a photographer to commit to a 365 project takes some serious dedication. Doing so means that you will create and publish something new, every single day. The question is: Is forcing yourself to be newly creative every day really worth it?

Hi, my name is Tam. Most of you don't know me, but I've been with Fstoppers for a few months now. As a system engineer, I'm more or less like a ghost in the machine; I make sure the awesome writers here have a functional server to keep the fresh content coming, and everyone else have their daily Fstoppers fix. The job is simple 90% of the time; the other 10%... you probably don't want to be near me.

Recently I was chatting in a photo forum and mentioned that I am loving my new Canon 5D MK2. Someone noticed and said, "do you mean the MK3?" When I told them no, I recently bought a new MK2 I got flamed with questions of, "WHY?!?!" Well let me explain...

Very few of us have been involved in photography and art long enough to truly appreciate how much change has taken place in when it comes to cameras and photographs. David Hockney, a British artist who has dedicated much of his life to painting and photography, thinks some of the art in imagery has been lost along the way. In short, Photoshop is boring.

It might be easy to form a quick opinion about a picture like this. I'll admit it, when I first heard “trucks,” I was already curious about the people I was going to work with. It's not often that you run into someone who is passionate about their vehicle.

If you have ever opened up a Vogue or Vanity Fair, you have seen some of Norman Jean Roy's work. He is truly a master of his craft and a well sought after photographer. In this interview with Nymag.com Norman discusses how he believes digitial photography is killing fashion photography.

Being a member of a lot of online photography communities, I see stuff like this all the time. A photographer just took a shot that I can tell they are really excited about, and want some feedback on it. They'll post it to a forum or a Facebook page with the typical "C&C please." line. And it drives me up a wall.

Back in September I spent a few days in New River Gorge, West Virginia, rock climbing with a group of friends. For this trip I developed a plan to put together a short documentary that would involve shooting an interview in the climbing area and doing a multicamera shoot of a climber. Watch the final video, and then read on for a breakdown of how it was all done.

Over the last few days, I've taken some time to reflect on 2012 and my work as a wedding photographer. Yes, it's getting close to mid January, New Years has long past, and you may think it's a little late to be retrospective, right?

When we all first heard about the light field sensor in the Lytro camera, there was a considerable amount of excitement. Many of us really saw something great in the ability to focus our images after the fact. But when the tech actually made it to market, it turned out that though neat, it wasn't really practical yet. Now with Toshiba rumored to be developing a light field sensor for mobile phones, is it safe to say this is really catching on?

Let's be honest, writing for a photography website, you notice that a lot of us photographers like to gripe at each other. Hey, you're more than welcome to express yourself as you wish since this is the internet and all. Although, I wanted to do a short positive post about how and why we should be a little nicer to each other. Sometimes it equals more resources and more money. Reason enough for you?

In the last several years camera development has taken huge strides in giving photographic capabilities of stills to video. Non film makers now have the capability of taking cinematic quality video without needing to upgrade from their dslr. In this video, Untitled Film Works unpacks the continual merging of stills and video.

Earlier I posted about Instagram's new terms of service. Instagram has now released a statement concerning their new terms of service that was under the scrutiny... of the entire internet. Following in the footsteps of sites like Twitpic it seems that Instagram either got ahead of themselves or didn't think that users would catch on to its confusing and/or misleading jargon on its TOS update announcement. In a statement entitled, 'Thank You, and we're listening...' on their blog, Instagram clears up some of the perplexing language on the new terms of service.

I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.

This morning our pals at PopPhoto tweeted, "The most popular photography story this morning is the Exif of Reuters' best images of the year. Not the pictures. Doing it wrong." I have to agree with them here. Instead of focusing on the images, the story is instead focused on what they were shot with. Is that what we are reduced to? Oogling over gear?

Take a 3-minute break from whatever you're doing right now, and listen to this short recorded lecture of British philosopher and writer Alan Watts (1915-1973). This is a very inspirational, thought-provoking and interesting to anyone who ever wanted to work in the industry - Doesn't matter if its as a photographer, film maker, sound-man or a retoucher. Listen, and decide: 'What do you desire?'.

I have always had a love for the visual arts. As a kid I constantly was shooting and editing snowboard and skateboard videos with friends, as I grew older I got more and more into photography. In June of 2007 I purchased my first DSLR to start shooting hardcore punk rock shows, and soon after made a Flickr to share my work with the rest of the world. 5 years and some change later Flickr seems to be on the decline, and I am left wondering, "what now?"