A couple months ago, I made a post explaining the uses of the Canon Professional Services that is available to all Canon photographers using more than a couple pieces of professional equipment. The post got some backlash from some non-Canon users, exclaiming that their service was nothing special. Well, I'm back again, to drop the bomb on what makes it a class above the rest.
Monopods, once really only useful in a handful of situations, have evolved into irreplaceable members of our creative arsenals due to the advent of high quality video being produced in DSLRs. The idea of a “video monopod” might frighten video purists, but there are those such as Patrick Hall and myself who swear by them. Manfrotto’s version was a fantastic foray into the medium, but slightly pricey. Benro recently released their more affordable versions, and I was more than ready to see if they were able to hold their own.
As any wedding photographer knows, one of the most nerve-wracking events is when a guest completely destroys the picture perfect moment you've been hired to capture. Whether they stand up in the aisle during the first kiss, take photos with their ipad in front of your camera, or inadvertently cause half the family to look off to the side during posed family portraits, wedding photo bombs can be a real headache. Wedding photographer Corey Ann's suggestion is having an "Unplugged Wedding".
I'm James Robertson, a new addition to the Fstoppers writer staff and a full time commercial photographer/studio owner for the past year. I've joined the team to bring content to the readers who may find themselves either ready to jump into the professional world, or have already and are looking for tips to make life easier. I thought it would be good to start with an article that will give everyone some tips on simplifying the work load that comes with the industry through organization and planning ahead.
Ok, so we've covered why you should love the Creative Cloud: it gives you access to everything Adobe everywhere you go. It gives you all the outstanding programs at your fingertips. It is taking connectivity to a whole new level for creative collaboration. Updates are instantaneous. But all that aside, it's a stifling, expensive system that might be forcing you into something you don't want.
Adobe Creative Cloud, in lieu of Adobe Creative Suite 7, has some great new features but also some hotly contested issues including the loss of disc support and move to a monthly payment feature for all future software. Mike Kelley, Rebecca Britt and I (Jaron Schneider) discuss what this means for creatives and why it may not be the big deal some are trying to make it out to be.
It seems as a people, we have a fascination with photographing our food. From Henry's series of riders, to looking on instagram we cant help but document what we consume. Photographer Peter Menzel started this intriguing series of one weeks of groceries from around the world, taking traditional food photography to a much larger scale.
With social media ever present in our daily lives, it's easy to turn to photographers across the world for critiques. Photographers everywhere, some much better than you, some much worse, will climb out of the woodwork to tear your work apart, or give it the praise of a lifetime. Because of this, its so easy to get caught up in the thoughts of other working pro's opinions about what to do next. Stop.
“These new ways might be found by men who could abandon their allegiance to traditional pictorial standards—or by the artistically ignorant, who had no old allegiances to break. There have been many of the latter sort. Since its earliest days, photography has been practiced by thousands who shared no common tradition or training, who were disciplined and united by no academy or guild, who considered their medium variously as a science, an art, a trade, or an entertainment, and who were often unaware of each other's work…
You've probably heard of Opteka, the company that manufactures lenses, grips, and other photographic accessories and equipment. We found a recent offer on their Facebook page that we wanted to get your opinion on.
By far one of the most influential and yet devastating things I ever realized in my career was that Photography alone is not a viable path to become wealthy or even truly financially independent. In fact a few days ago CareerCast.com released a list of 200 jobs, ranked from best to worst, and photographer came in at #172, beaten soundly by garbage collectors.
Last week, exactly 2 months after the Superbowl 'Unflattering photos' fiasco, Beyoncé started her 'Mrs. Carter Show' world tour. As someone who followed the 'Unflattering' story very closely, and as someone who is a big fan of hers, I had no doubt Beyoncé and her publicist will learn from their mistakes on how to deal with bad pictures taken of her, and wont make horrible mistakes again. I was wrong. Beyoncé banned all professional photographers from her shows, hoping this way no unflattering photos will make it to mainstream media. She was wrong.
We covered a story last year in which Andy Baio was sued for his use of a Miles Davis photograph as a reference for pixel art for a tribute album he created. Now, he's spoken about copyright issues and what constitutes "fair use." There are many opinions on this, but it's a great video if you're curious about the issue -- which you should be if you're any kind of artist or image-maker.
We can all be a little shy: it's not the easiest thing to go up to a stranger and start taking pictures or strike up a conversation. Adam Marelli had an interesting post on his blog called, Can I Take Your Picture, How to Talk to Strangers, in which he discusses how most people are okay with being photographed if you just take the time to talk with them. He even argues that you should always talk to a stranger you're about to photograph first. But are there exceptions?
Photographer David duChemin posted a pretty provocative rant on his blog yesterday. This rant needs a warning, though: COPYRIGHT LAWS MATTER, and SOMETIMES YOU NEED TO FIGHT FOR UNFAIR USAGE OF YOUR IMAGES.
That being said, this isn’t an opinion that is going to be agreed with by everyone. Some are going to support it, and some are going to hate it.
While walking the floor at WPPI, there was one item we kept seeing over and over again: the MeFoto tripod. It seemed like everyone had one, and we had never heard of the brand. So we spoke with the guys at the MeFoto booth who agreed to let us test them out. Now after using all three sizes of MeFoto tripods, I can see why they were everywhere: they’re excellent.
For those photographers who do most of their work on the move, finding light-weight equipment that can really adapt to different situations is a tall order. Sometimes, even the most compact tripod or light stand still won’t fit into spaces or stay out of the way. The gratuitously named Nasty Clamps aim to amend that situation with their attach-anywhere attitude.
There's a new Facebook app on the market called 'Photos At My Door'. This new app enables your Facebook friends to browse through your galleries and buy different photo products (prints, mugs, keychains, phone covers) using your own images. The question is, do I want my friends to have the ability to sift through my public and 'friends only' albums and make mugs and keychains out of my images or worse yet, buy prints? The answer, on a professional photographer standpoint... absolutely not!
Sometimes, I find it difficult to motivate myself to go out and just shoot for the heck of it. Unless it is a project I've planned, or a client shoot, I often find myself making excuses for not going out to shoot.
I haven’t been able to decide if this is my inner lazy shining through, or if I am subconsciously convincing myself that “There is nothing good to shoot today, I’ll go tomorrow.” but it is a counter productive habit that I decided I needed to break.
Through the years of excitement, down turns, and overall joy of our beautiful love for photography, we share a lot of experiences as we progress in the industry. No matter how divided we are in opinions, one thing we share is our love for photography. We may bicker over camera brands and techniques but you're reading this because like me, you love this industry.
It occurred to me today that the vast majority of modern photographers are completely dependent on the perks of technology to make their images. Of course even in the darkroom there is a certain level of "tweakability" but never before have we been able to do the things we can now. The phrase "fix it in post" is so commonplace today that everyone assumes that we can alter the very fabric of reality in Photoshop...and while that may be true,
If you're in any job long enough, you're bound to come across quirky industry developments that just might help your work flow. Photography is no different. What's this you might ask? At first glance it might seem like a video game controller with a cleverly placed sticker on it.
I've been to a fair amount of conferences and seminars throughout my life. It seems as I was growing up, most offered an amazing getaway that pumped me up for whatever the topic of the weekend focused on. The more conferences I've gone to, though, the more I've felt jaded and unappreciative of the hype they create. That said, I wasn't sure what to expect at this year's annual wedding photography conference in Vegas, WPPI.
Variable aperture lenses are generally scoffed at by anyone who has been shooting for a few years, myself included. That said, collectively variable aperture lenses probably make up a vast number of sales for lens manufacturers. They aren’t necessarily bad lenses, but it can be tricky to select the quality from the lousy. So how does Sigma’s second lens that carries its new design, the 17-70mm f/2.8-4 lens, fare? Actually, really well.
The Canon/Nikon debate is a Ford vs. Chevy debate for trucks, and a Coke vs. Pepsi debate for sodas. Both systems have their advantages, and their flaws (Come on Canon...make a 14-24mm already!). However, Canon, in my opinion, separates itself with one tool, the Canon Professional Services program.
Most cameras are not designed to be any more modular than switching a lens out. They are next to impossible to user-service or upgrade, and if you want to use a different lens system and there isn't an adapter...too bad. That's where Korean designers Dae jin Ahn and Chun hyun Park come in. Their modular camera concept envisions a future where the user can upgrade or completely change key aspects of their system with ease.
I love Nikon, but for its professional line of cameras (anyone can make the little guys). But I've never been a fan of the Coolpix name. Maybe it reminds me of an era during which plastic boxes that could barely make a file for a 4x6 print were actually cool. So when I first saw the Coolpix A, I didn't think anything of it. But when I really read about it, I realized it's time for me to drop the silly baggage I have with the Coolpix name. This isn't just cool. It's red hot -- for a number of reasons.
Okay, the post title is a little bit harsh, but hear me out. It will never be the social network it wants to be unless it redesigns the user interface. I love Google products maybe twice as much as the next guy and I have tried very hard, over and over again, to force myself to use Google+ and to like it, but it's just not happening. Since I'm all about user experience, Google+ design doesn't really do it for me. Even though many have said that Google+ has become a photographer's playground, I'd like beg to differ.
Personal feeling: we don’t give our websites enough attention. It’s usually a “good enough” situation. It shows our photos, gets our name on Google and it serves as a place for us to send clients and prospects. That attitude tends to result in an attitude of “settling.” We settle for what we find and it is, again, good enough. Or is it? I wasn't ready to just be happy with "good enough" on my website.
The 35mm focal length is one of the most popular primes made, probably only second to the 50mm if second to anyone. It’s popular because it is good for so many things, making us feel like we have to own fewer lenses to capture more amazing images. Most of you know that I’m very attached to my Sigma 35mm f/1.4, but when shooting with Canon’s new 35mm f/2 IS, I did my best to remain objective.
