Commercials are generally supposed to be innocuous. They're inconsequential, and by that very property, trying to use them to tackle something deeper is touchy territory, and as Pepsi just demonstrated, can be an incredible failure.
I have been asked countless times over the past few years about how I go about culling and selecting portrait shots from a shoot. Frankly, I have had so much trouble trying to organize my thoughts on the matter into a cohesive tutorial, I opted to simply never do one. Until quite literally this morning. My approach was to click record and improvise whatever popped into my head. So, as the catchphrase says, "Here goes nothing!"
It’s been posted nearly everywhere by now. The official White House portrait of the first lady, Melania Trump is being criticized all over the web for its 1980’s-esque vibe and overall lack of quality. The image has photographers everywhere claiming that they could have produced better, however, given that it’s highly unlikely that you’ll receive an opportunity to photograph the First Lady in a studio environment, I’m interested in how the community thinks the portrait should look.
Let's face it. We’re all gear-junkies and tech-geeks whether we choose to admit it or not. Chances are that many of us have made hundreds of purchases related to photography over the years, but I’d venture to say that not all of those purchases have been as impactful as others. Here are five purchases that I certainly don’t regret.
In any service industry, frustrations can run high. Clients sometimes run late, don't always read contracts, show up with spray tans, don't pick the most beautiful venues for their weddings, fail to understand the cost involved in producing quality images, price shop, compare prices, question your prices, don't love their face in that photo, show up with a whole Pinterest board full of ideas, and expect you to just "fix it in Photoshop."
RGG EDU, a company known for producing photography tutorials, has come to the podcast game nearly a decade after they became popular. Late to the game or not, the podcast should not be quickly dismissed. In a world bombarded by media, this broadcast is refreshingly analog in nature.
Knowing how to use a camera or lighting is great but not enough to have a successful photography or videography business. RGG EDU have teamed up with advertising photographer Tim Tadder to produce a series of short clips where he shares insights from the industry and his philosophy on making his business profitable. Although the videos have been shot on a backyard golf course and Tadder not being your best golf teacher, his business advices could be quite helpful for your current or future career in photography and video.
There's something that isn't really talked about among the freelance photographers that I know, or at least not something that I hear about often. It's a small truth that nags at us all the time until we really, really get to where we want to be in our career, and sometimes even after that. And sometimes it involves bread.
Presets are awesome. They've sped up my workflow by an order of magnitude since I first started using them back when I switched to Lightroom years ago. They save time and, therefore, money! But, to quote every action movie ever made: "Is that all you got?"
If you’ve been following the recent news about Panasonic, it’s possible to believe that the sky is falling over at the camera division, only to find out directly from the company it’s not, but then – reading between the lines – realizing it probably is a bad situation either way. A large, 4/3-sized chunk of the photo community is probably asking how it got so bad – didn’t the company just come out with the killer Lumix GH5?
I’m not a trend-setter. I’m 31, pudgy, married, and writing this from my modest ranch hidden among 5000 other modest ranches in a suburb about 90 minutes outside of New York City. I shop at Big Y, buy my clothes at Khol’s, and look forward to Sunday Night Football every Fall. I’m also not really a trend-follower. Ultimately, I spend my time under-the-radar, paying my taxes, and mulching my lawn. Which makes my switch from Nikon to Fuji pretty remarkable.
You can't work in the photography industry for any length of time without developing a few pet peeves; it's only natural. Surround yourself with anything for 8-12 hours per day, and a few things are bound to get on your nerves. So, what is it that drives photographers up the wall? A lot, it seems. A few brave photographers and other industry professionals shared what makes them crazy. Is your personal pet peeve on this list?
Earlier today, we posted about Target forgoing the use of Photoshop in their latest ad campaign, when one of our eagle-eyed readers pointed out that it may not be true that Target went Photoshop-free, which would not be the first time the company was caught in such a fiasco.
Do you like this photo? Would you believe it if I told you that it wasn’t a photo taken in real life – it’s from a video game, Dishonored 2, by Flickr user Videogame Photography. So, then, does the question change? Is it even a photo anymore? No, it’s not.
It doesn't always have to be complicated. I remember that when I first started buying lenses to expand beyond a standard zoom, I was completely flummoxed by choice. While choice is a good thing in theory, it can overwhelm in practice. So here's a no-brainer of a choice for your first prime lens after you've kitted yourself out with a DSLR and the typical standard zoom and tele zoom set: pick the best, fast 35mm lens you can buy.
