A lot of photographers are afraid to put their work out into the public eye for fear that its not perfect. A lot of work goes unseen because the photographer wasn't comfortable enough to show what they created. Chase Jarvis interviews Austin Kleon, the author of the book Show Your Work!: 10 Ways To Share Your Creativity And Get Discovered, and delves in 3 reasons not showing your work is a bad idea.
Recently, during my annual trek to Las Vegas for WPPI (wherein I arrive in the city of sin and proceed to actively avoid going to the actual expo because I book too many other things), I found myself in the deserts outside of Vegas with a Sony A7RII, a few bits of glorious Zeiss glass, no modifiers or lighting of any kind, and Renee Robyn as my model. Welp, guess it was time to see what Sony's dynamic range claims were truly about then.
As many of you have seen and made clear on your feeds across various social networks this week, Instagram is changing its algorithm and from the looks of it, possibly for the worse. Chronological feed to curated feed is the proposed plan for the Instagram team in hopes "to show the moments we believe you will care about the most." How exactly will they know what I want? Facebook seems to do pretty well in retaining users so they must be doing something right for the majority. Now what does that mean for us photographers and professionals? Who knows but change will come so adapt and get over it!
Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.
Let's take a step back and talk about the growing popularity of the processed photograph. Apart from some rather technical post-processing jibber-jabber, we’ll dabble in philosophy, astronomy, and the evolution of the human species. We will meet strange creatures along the way that see many more colors than we do, as we conclude this with a moral question in photography.
Instagram has continued to transcend the way we share our work, our brand, and lives through our mobile devices. It's safe to say that it has taken over Facebook as the preferred mainstream social media platform to share our work. Fellow Writer Ryan Cooper recently put a great article together about features that could use overhauls and improvements. I decided to add some issues that I've run into time and time again and put together an Instagram suggestion box for the Fstoppers community.
As someone who makes a full time living working as a photographer I am often asked for advice on how to get started and how to make it in this career. Despite the seemingly impossible odds, it is in fact quite possible to make a fantastic living in this industry. Former assistant to Mario Testino, Alexi Lubomirski, has created one of the best videos I've seen describing the persistence and tenacity required to succeed. If you are looking for a dose of motivation I highly recommend giving this a watch.
Owning and operating a photography business can be a lonely task. Most hours of the day are spent at a computer with no one to talk to, no one to bounce ideas off of, and no one to help you when you struggle. Most photographers turn to Internet forums and Facebook groups, and these definitely have their place. But what if you could have all the benefits of online communication with the added bonus of working with local professionals that are in the same industry?
The sheer volume of photographs being produced has reached unforeseen levels. We take photographs almost without thinking now; any vaguely noteworthy event garners a veritable mass of cameras and cameraphones. But quantity does not necessarily beget quality, nor does it necessarily enable the photographic eye to sharpen itself. In fact, the digital age has (to a degree) destroyed appreciation for process, thereby relegating craft to an anachronism, a relic of a time when the process of making pictures forced a certain deliberateness in their creation.
I love to shoot tethered whenever I can. It’s the most successful way to create real collaboration on set, and clients are more engaged when they can see what’s happening on a big screen. Depending on the environment and the demands of the production, I’ll choose between a couple of tethering approaches.
Professional photographers understand the quality of imagery that can come from a camera phone will never contend with the pictures and video you can capture with your DSLR. Phones will likely always have an innate handicap with sensor size, which leaves it's images lacking. That said, it would be quite unwise for photographers to neglect the most recent developments in camera phone technology. The ease of use, accessibility, and ability to quickly share your imagery can make your phone one the most important pieces of gear in your business. So, when phones like the new Asus ZenFone Zoom come out with a 3X optical zoom, it's best to pay attention.
Full disclosure: Creating this Action goes against many things I've stated in the past, including and especially my whole idea that "No Action should create effects for you". That said, with the huge influx of Action requests that I've been receiving, I reasoned this particular one is steeped wholly enough into "procedure" that it could possibly make a decent (and useful) automatic process. As such, let's have a look at my Soft Flare FX Action.
So I've been posting more and more of the Actions I've been making and using lately, and this afternoon is no different. While today's Action creates a subtle effect, and may not be something everyone likes, I am posting about it because it's a process I use pretty frequently. Sure, it's not for every image, but sometimes it just does the trick. Let's review what it's all about.
Recently, a rather scathing article went up on Resource Mag’s website discussing the toxic behavior of a certain photographer. You can feel free to read the article. I, however, won’t mention him here other than to say that he is the sort of person who claims to be a teacher, but instead uses his fame to attack and belittle other, less experienced, photographers. He has made a hobby of robbing others of their love and passion for his own selfish delight.