Any time there is a case of nepotism in photography — like with Burberry and the oldest spawn of the Beckhams earlier this year — there is a colossal backlash and insatiable rage. In a time prior to refreshing social media four times an hour, although I could see the motivation for nepotism in fashion photography, it was tantamount to indefensible in my books. Now, however, I have a harder time working out why companies wouldn't favor their elite friendship circles for recruiting photographers.
We shoot and share our photographs. We want our images seen by other people, as a way of expressing ourselves. Entering photography contests leads to a great way of showing our images to more people with a chance of being approved by a selected jury, but what if some contests are just scams?
The humble beauty dish is a studio favorite but it is not often the first modifier most reach for when heading outdoors. Most beauty dishes are not all that portable and can add significant weight to your kit. With a few collapsible beauty dishes currently on the market you can now easily take that gorgeous light with you anywhere. Joel Grimes shows you how to make the most out of using a beauty dish in an outdoor setting.
I think it’s probably a fair assumption to make, that at some point during your photographic journey, you’re going to purchase a piece of photographic equipment. With today's World Wide Web, that can be as easy as a few clicks and a wistful look at your decreasing bank account, but I’m here to make the case for your local, “brick and mortar,” camera store. Well maybe not all of them.
As a group, we photographers tend to like to do everything ourselves. I think it is something about depending on someone else that pushes against our most basic instincts. However, great portrait photography is always a team activity. This team can range from just you and your model all the way up to a full production, but one thing remains consistent: without a team, there is no photo.
I was all set to write a completely different article. I think it had to do with film, maybe. Not anymore. Now I'm frustrated, so I'm going to write about that instead. I love Fujifilm. I love them until I hate them. The problem is, I never really know what sort of day it's going to be until I'm out shooting.
The question of whether or not to do free work is always pressing. The debate becomes a grey area of ambiguity with many people firmly on one side or the other, and the rest of us stuck somewhere in between questioning our self worth as artists. There are strong arguments on both sides of the arena. Over the course of my career I have wandered back and forth across the defining line only to lately land in the anti-free work position, and here is why.
Everyone’s life journey is different and often the road of the bravest leads to the most unexpected discoveries and inspiring experiences. It is never someone else’s decision of which path we take in our way and what we become. Henri Matisse, one of the giants of modern art, once said that creativity takes courage and I can’t agree more. We, as humans, have an obligation to grow as a person, as a professional,and as an artist, and inspiration plays a major role in this process.
Awakening your creative mind can be a challenge, but from my previous article "Fstoppers Creative Photography Challenge (Part One)" I hope that these challenges are helping you overcome your creative rut. Sometimes it's hard to spot simple things and sometimes you just don't have that drive to take that photo. There are tons of options to sharpen you creative skills, but I find these challenges relaxing. Here are some more added challenges for you to continue.
Video is something I have begun to play with over the last few weeks in the form of a vlog on YouTube, but as you might know it's difficult to gain that organic reach you're used to on social platforms. That doesn't mean its impossible, but by using various other channels to advertise and push them to that new content is key in today's world. That is where vertical video comes in on Instagram! Yes, it might be annoying as hell to see yet another vertical video, but hold tight as I walk you through why this is a brilliant place to use it and also how you can do it yourself.
This is an article I've been on the cusp of writing for some time. I was first jolted into this area of discussion when I heard someone refer to the photography of poorer cultures and communities as "white middle-class photography." I say jolted because — perhaps naively — I had drawn no parallels between types of photographer and types of subject before that day. Unlike most criticisms about photography, this comment didn't glide past me; instead, I found myself plunged into an internal debate. Are the loose motivations of "raising awareness for" and "the documentation of" these communities disingenuous and moreover, are they doing more harm than good?
It’s almost a daily occurrence: you open Facebook or Fstoppers, and someone is telling you that it’s not okay to shoot for free. If you’re not getting paid for your work, you’re devaluing the entire industry. But chances are we’ve all done it at some point, we’ll probably all do it again, and If you don’t, you’re only hurting yourself.
Some of us photographer types are rather notorious gear junkies. I'm as guilty of it as the next guy. We like our toys and love to collect as many gadgets and doohickeys as we can get our hands on. Few things grab our attention more than the spec sheet of the newest cutting edge camera. Our budgets, however, aren't as infinite as our eagerness to spend them, which often leads to the need to prioritize purchases. Despite what your eagerness is telling you, the most valuable update might actually be upgrading your computer rather than that shiny new camera body.
It might be tricky to be your own stylist, costumer, or scene creator on your own set, especially when you have never been into it. I have some good news! Imagination, some research, and dedication can solve this issue and bring bright results. Here are five handy materials and tips to use on your upcoming shoots to add a special touch when you need something more than a regular shot. The process is challenging, fun, and brain-training. You will have good practice for upcoming shoots and better coordination with different materials on set.
If you've ever been told by a professional photographer to create series or personal projects, then this is the perfect reminder to do just that. Countless times have I started a series of images for a paid gig and wished I had more time, or less restriction to make it my own. Finn Beales is a commercial and travel photographer based in Wales creating the perfect side project to his commercial work called "72 Hours In...," showing a few days in each exotic location he shoots.