Some of us photographer types are rather notorious gear junkies. I'm as guilty of it as the next guy. We like our toys and love to collect as many gadgets and doohickeys as we can get our hands on. Few things grab our attention more than the spec sheet of the newest cutting edge camera. Our budgets, however, aren't as infinite as our eagerness to spend them, which often leads to the need to prioritize purchases. Despite what your eagerness is telling you, the most valuable update might actually be upgrading your computer rather than that shiny new camera body.
It might be tricky to be your own stylist, costumer, or scene creator on your own set, especially when you have never been into it. I have some good news! Imagination, some research, and dedication can solve this issue and bring bright results. Here are five handy materials and tips to use on your upcoming shoots to add a special touch when you need something more than a regular shot. The process is challenging, fun, and brain-training. You will have good practice for upcoming shoots and better coordination with different materials on set.
If you've ever been told by a professional photographer to create series or personal projects, then this is the perfect reminder to do just that. Countless times have I started a series of images for a paid gig and wished I had more time, or less restriction to make it my own. Finn Beales is a commercial and travel photographer based in Wales creating the perfect side project to his commercial work called "72 Hours In...," showing a few days in each exotic location he shoots.
Adobe Lightroom was a game changer for me when it was introduced. I used to spend hours in Photoshop tweaking this and that, creating actions to batch a set of images I had shot, and output different resolutions from the giant PSD files I was working in. Lightroom gave me 90 percent of the control I use in PS anyway, and allowed me to do it quickly, easily, and without an ever-growing collection of PSD files. I was in love.
Shooting in a photography studio can seem a bit daunting. A lot of photographers choose to shoot outdoors due to budget constraints and the fear of stepping into a studio. There are, however, some real benefits to shooting in a studio and they apply to both new and experienced photographers. If you have not had a chance to try shooting in a studio I highly recommend the experience.
Whether you're a photographer, videographer, or a retoucher, you've probably been asked for free work once in your life. Recently, I've noticed an enormous increase of job postings from companies or individuals who are seeking free photography or videography work, or in their own words, "volunteer work." In the past, free work ads were a relatively rare occurrence, but recently they have become quite commonplace. It is possibly related to the increase of photographers in the market as well as the increase in the number of photographers or videographers who want to dive into the market. It's not difficult to offer an explanation for the growing trend of free digital imaging work, and it is even easier to find a solution that might overcome the problems caused by it: Never ever work for free in any circumstances.
Chase Jarvis is always putting out content that aims to push the boundaries of your thought process. Whether he is showing you how to creatively tackle projects with inspirational behind-the-scenes footage, or he is interviewing top creative minds to gain their insight on a variety of matters, Jarvis wants to make sure we have access to the information you don't even know you need. In this new video entry he explores a topic that struck a chord with me: the idea of drawing inspiration from outside sources.
Let me get to the point: Adobe Spark could be the company’s biggest release yet. For veteran Adobe users, it might not seem as exciting as a new Creative Cloud update; but the combination of its ease of use, ingenious functionality, and truly professional results give it the potential to aid far more people than Photoshop ever will — no, really. This is helped immensely by the fact that Spark’s launch is amongst the most impressive I’ve ever seen, as Adobe Spark launches today with the maturity of a decade-old product. And it’s completely free.
Working with a team may be a blessing or a curse. Having a task delegated to a professional may sound relieving — assigning team members control of specific portions of a production, thus reducing headaches for you. It sounds like a great plan, and usually it is, until things go wrong.
Every year, The Knot compiles statistics from thousands of weddings in their annual Real Weddings Study, and we get to learn all sorts of things about the ins and outs of what makes up a wedding in America. While there's plenty of interesting statistics, such as how 83% of couples used a smartphone in planning their wedding, the marquee stat is cost, and for the past five years that number has crept onwards and upwards to a brand new record that's just insane when you compare it to the average wedding in Europe.
Hailing from Seattle, portrait photographer Ben Lucas put together this amusing video pitting his talents as a photographer against those of an actor pretending to be a professional photographer. The lights are set up and the camera is the same, the only thing that changes is the person taking the pictures. How big of a difference can it make?
Fauxtographers. Everyone knows what that means, commonly associated with Mom-tographers and GWC's. Basically someone that self describes as a photographer with no basis or experience to warrant such a title and in some extreme cases, people who have for long stretches of time have made claims of being a professional but have not improved their methods or techniques past what that little green square on the camera does.
Today, more and more cameras have wireless technologies built into the body. So far, the concentration on development for the use of these antennas has centered around image transfer and social media connectivity, posting directly to other services, etc. But that’s far from all that can be accomplished when cameras start being able to communicate with one another.