A trade show is an organized event for companies in a specific industry to showcase and demonstrate their latest products and services, meet with industry partners and customers, study activities of rivals, and examine recent market trends and opportunities. What this means for photographers is that if you're in the niche of the trade show this is your chance to be face to face and rub shoulders with the big names in your industry. To fully maximize the network and contacts you can make from these events you need a game plan and some guidelines to follow. These are my personal five tips to maximize your networking at a trade show.
What if instead of settling in on yet another evening of editing that overwhelming avalanche of photos, and half heartedly watching Netflix in your pajamas, tonight you excite your palette with a tasty libation while rubbing elbows with a group of like-minded photography enthusiasts. I don’t know about you, but I’m sold.
Adobe touted much faster speeds with the release of Lightroom Classic CC (essentially, Lightroom 7). However, results seemed inconsistent. Even so, these early inconsistencies seem to have gone away with subsequent updates and bug fixes. And thankfully, Adobe will soon release another update to Lightroom that promises even better speed increases. We’ve been playing around with it for a few days to get a better idea of what to expect.
I just watched Justin Timberlake's "Say Something" video, and then, I watched it again. No doubt that's professional production work. Knowing the technical challenges of such a video, for me it felt like I was watching a reality show. The almost "unplugged" vibe of the song was so right for that video that the rest of my senses could be focused on how those guys pull that work off (pun intended). This article will be a humble attempt to reveal how they shot the video.
When it comes to filming, using a fast shutter speed is generally a bad idea. For most applications, you'll probably want to keep your shutter speed somewhere around 1/60 of a second, maybe even slower, depending of course on what frame rate your shooting at. The reason for this is because it allows for more smoother and cinematic looking footage which isn't choppy or harsh looking. Faster shutters speeds generally can be a little jarring to look at. The problem with this is that to compensate for this slower shutter speed you may need to stop your lens down. This, in turn, prevents you from getting that shallow depth of field, especially when filming outdoors.
At one point or another, we all end up questioning our decisions to pursue a creative career over more “traditional” options. If you've never questioned yourself along the way, then congratulations, you're an outlier. It's far too common that we find ourselves creating stress when dealing with self-doubt. Whether you're just beginning to think about a creative career, you're just starting out, or you've been at this for decades, this video might be able to offer some perspective on addressing some of the tough questions that we ask ourselves.
If you’re a videographer that runs your own business, you know that you have to be a jack of all trades. You know that your skills can’t be limited to just creating great images. You need to be good with business, networking, and a whole lot more. What you might not realize is that for the vast majority of self-made videographers, you’ll need to be good at conducting interviews.
Sure, I dig gear reviews, image processing tutorials, and seeing what others are doing with photography just as much as the next person, but today I want to talk about something a little less tangible yet possibly the most important thing when it comes to landscape photography: how does the location feel?
Today, Fstoppers was at the DJI Event in NYC where they announced the Mavic Air. After learning about this drone and seeing examples of photo and video it had produced, I knew that I had to get my hands on one of them to try out. As a current owner of a Mavic Pro, there is no doubt that I questioned whether or not I should get one of these drones. So I went and flew them around a bit and got a little taste of what's to come.
Erik Almas is an inspiration to many of us not only with the work he does as a commercial photographer but also as a person who shares the struggles and successes he had in his career. No doubt that he works with many companies and brands we can only dream of, but in a recent interview he confessed that despite that there wasn't a moment in his life when he could say he "finally made it." It is exciting to hear what his measure for success really was.
As a minimalist (read, "simpleton"), there's something that appeals to me about prime lenses. Unfortunately, the other side of being a minimalist (read, "cheapskate") means that I tend to avoid using gear that doesn't offer flexibility. When I randomly treated myself to Canon's budget, plastic 40mm f/2.8 pancake, little did I realize how much joy it would bring me.
To many of us, it's become apparent that mirrorless is the future for cameras. The huge advancements in short period of time have made them very popular. Companies like Fuji, Sony, and Panasonic have developed some fantastic cameras, and their respective ecosystems are growing fast with new lenses and accessories. Currently, Canon and Nikon have remained behind when it comes to effective and professional mirrorless systems and many disappointed professionals have already jumped ship to other manufacturers. As it becomes clear that Canon is developing their own model, here's what I think it needs to compete with those alread out there.
Back at it again, the charmingly abrasive but always informative Jaren Polin (or as most of us know him, Froknowsphoto) released a new real-world review on Sony’s newly released a7R III. Love him or hate him, Polin always puts out the some of the most in-depth camera reviews in the photography YouTube space, and this video is no exception.