We are living in an era that everyone complains about their bulky camera gear and how hard it is to carry it all day. Many photographers are now switching to mirrorless cameras for this reason. But hey, there is another solution for that: You can minimize your lenses and other gear, rather than changing your main camera body. That's what I did.
I recently posted an engagement photo in a Facebook group and immediately got a comment on it. The comment said: "Awful expression on her face... would not keep this picture." Although I have pretty thick skin when it comes to snide comments and CC on my images, this comment really got under my skin.
Conducting a smooth running photo shoot is a challenge. You need to create the right set conditions, manage the equipment, and deal with the models. Thankfully, there are several steps you can take in choosing the right models, while providing them with a relaxed and smooth-running environment. Having relaxed models can make or break a photo shoot because they’ll give you a more natural performance, which translates into memorable photos. Here are ten tips for working with models and managing the set in order run an efficient shoot and produce natural imagery:
COOPH Video Director, Matthew Rycroft, continues to make my job easier by sending me engaging content to share with the Fstoppers' community. Their latest video focuses on the ability, we all have as photographers, to capture unique, iconic, and fun moments. Watch "The Power of a Photograph," as it highlights twenty-two iconic photos that depict loss, depression, defiance, bravery, triumph, love and respect.
It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?
We love our images. We put our heart, soul, sweat, and tears into our work and we can't wait to share it with the world! But one of the more popular practices in the photography industry is watermarking. The concept behind watermarking is understandable and useful, but in reality, is it really a necessity? I will explain why for my third installment of my community discussions.
The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.
Human beings have rendered images of themselves in one form or another since the beginning of our species. The desire to try and capture the human essence in something that will outlast the physical body is universal; the need to encapsulate our understandings of “self” and “others” is found in every culture throughout the world. But have digital cameras, selfie sticks, iPhones, and Snapchat made such a pursuit so mind numbingly easy, that it has now completely lost it’s value?
When we think what defines our brand as photographers, we think of our logo, website, and even the style of imagery we create. But, everything that is related and connected to us and our company is a representation of our brand — from the way we answer our emails, interact with our clients, down to the pants we wear, the bag we carry our gear in, and the overall way we present ourselves to the world. Every detail reflects back on our company and in the end reflects back on our bottom line.
As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.