If you follow world class retoucher and owner of Solstice Retouching, Pratik Naik, you already know he is something of a jokester. Routinely posting quirky comments, mostly photography or retouching related, Pratik could very well be the Ellen DeGeneres of our industry, although I can't say for sure until I see him dance. Pratik's blog often carries over many of his antics.
Kim Kardashian West needed to bare her booty in an attempt to "break the internet" for Paper Magazine, but move over Kim, the Queen has just side stepped your attempts in grand fashion. Beyoncé's birth announcement photo, published yesterday, has captured more than 8 million likes on Instagram as of this writing, making it the most liked photo to ever grace the social media platform.
There are plenty of mistakes beginner photographers make along the road to becoming a seasoned pro. While it's important not to be discouraged by small, correctable mistakes, it's equally as important to acknowledge them. In this short video tutorial, Mango Street Lab lay out three common mistakes that beginner photographers make in a clean and understandable way.
Last year I got a chance to work with UNICEF on a maternity project where I had to work with a lot of moms-to-be and kids. I have been surrounded with kids all my life and was a new mom myself, so I instantly agreed to be part of it. This was a challenge I was happy to embrace. It is not hard to photograph your own child, a sibling, or someone you already know. Kid photography is probably one of the most difficult genres in the industry if you don’t have a proper approach. In this article I will share my knowledge and experience I gained during years of working with kids.
Do you remember Adobe's Creative Suite or CS? Yes, it was that family of Adobe applications that served creatives well for quite a long time. We used to buy perpetual licenses for applications from the Creative Suite, which felt like you really owned something. You paid and it was yours. Well, Adobe says you can't do that anymore.
In the days when film reigned, most people thought that once you took a photo, the image was completed. They thought that clicking the shutter was the end of the process (They obviously didn’t know much about darkroom manipulation). But, as photographers know, that “click” is only a small part of the photographic process. The rest lies in forethought before taking the image, and the way in which it’s processed after it’s taken.
This is more or less the camera that started film photography for me. Since developing an appreciation for Joey L’s work, I wanted to shoot medium format. The focus falloff and rendering was just so surreal compared to full-frame and crop-sensor cameras that I had been shooting with. Unfortunately, the cost of entry was a little steep for a digital back. After doing some research I stumbled upon film 645 cameras. And so it began.
As I read another report this week of a photographer losing his life’s work to petty theft, I started to question if I was doing enough to back up my own images. How many copies of your work do you currently keep? Are you doing enough to protect your photos? It’s easy to get complacent, but ask yourself: are you prepared for a thief to strike?
Instragram is a great social media platform for photographers. Being primarily focused on images, the popular platform allows for talented photographers to develop a feed that provides their followers a sense of who they are and what they do. So what happens when who you are stays the same, but what you do changes?