Along with the new year comes an opportunity for a fresh start, the time of year when seemingly everyone looks at their life and what they can change. While it is certainly cliché to come up with goals for the new year, it is a great time to refocus your energy. By focusing on certain aspects of your photography, I believe that you can not only become a better photographer, but find better, bigger clients, grow your business, and follow your dreams. Check out the following simple facets of photography and how you can look at them differently, gain inspiration, and get after it in the new year.
The authenticity of those #wild #liveauthentic social media photos of the outdoor adventure types is questionable at best. But some people really do walk around in the forest with bright colored puffy jackets for more than just snazzy photos and all the likes. Unfortunately, the "take only photos, leave only footprints" model of Leave No Trace principles still leaves many remote and protected areas of the wilderness trampled and exploited by outdoor enthusiasts.
There may be a dozen ways to skin the proverbial outdoor lighting cat (sorry for that, felines), but it never hurts to review some of the most common basics. Some of my favorite approaches outdoors start with pure natural light with some simple modifications, leaving the strobes or speedlites at the ready only when they are absolutely needed or desired. After all, natty light should look natural, no?
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
I have a confession: I don't like a lot of photographers. I see unfounded vitriol and unearned authority slung carelessly and without reason. It makes me weary, and in a field in which it's hard enough to succeed without unnecessary negativity, I simply don't have time for it.
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
Adobe’s last quarter results are out, and they’re better than ever. Adobe’s Creative Cloud and media business rose 35 percent thanks to a 23 percent beat on subscriber expectations, while the company’s overall net income more than doubled from $88.1 million to a staggering $222 million. Adobe’s fourth-quarter earnings report shot its stock to all-time highs. On one hand, that’s good business. But what does this mean for creatives who have felt an increasingly rocky relationship with the software giant?
The Verge reported Tuesday that British hydrogen fuel cell technology company Intelligent Energy has been successfully testing a miniaturized version of a hydrogen fuel cell as part of a drone system with the intent to increase flight times. Through such hydrogen fuel cell technology, drones could start flying for up to and over two hours, which would be a six-fold increase over the current industry-standard 20-minute flight time for many drones.
Several of my associates are surprised to find out that, based on my 3+ years of traveling to give workshops, something like 75% of my class attendees see retouching as a necessary evil, or otherwise disliked doing it and wished they didn't have to bother with it. They all wanted to be good at it, but for many and varied reasons, weren't. And sometimes I am asked "How important is retouching anyway?" So I decided to record a mini-episode of my web series to talk about it a bit.
Being involved in any creative industry usually guarantees one thing: we’re never happy with the work we produce. At least not for long. We’re constantly striving to better ourselves and the work we’re putting out. And in the age of the internet, we’re consuming more images from other photographers than ever, meaning that it’s all too easy to compare our work to that of our peers. For years I questioned my own shooting style, but here’s why I believe you should learn to love your photographic approach just the way it is.
Fstoppers is adding a little something extra to this week's episode of "Critique the Community." We are inviting everyone to submit your lifestyle photography images for review. This means your images shouldn't just be portraits of people, they need to be images of people in action or living some sort of life. Like we've done in the past, we will be choosing 20 images give our thoughts and feedback to. In addition to our normal critique, we will also be giving away two camera bags to two individuals who will be randomly chosen from the critiqued image pool. Submissions must be made by Sunday, December 13th.
For the last few years I have found many different ways to transfer photos from my DSLR straight to my iPhone for instant editing and sharing on social channels like my Instagram page. Now, thanks to a recent update to iOS 9.2 I am able to directly connect my favorite DSLR brand to my iPhone for fast and seamless photo transfer without draining my battery with Wi-Fi.