Last week we had the Fstoppers community submit their best composite images for the latest episode of "Critique the Community." There were some awesome composite submissions, including a wide range of genres. We chose a total of 20 pictures for Lee and Patrick to give feedback on. Add your comments and ratings to the pictures below. If we selected your picture, we'd love to hear about how you did it.
Today, anyone may call themselves a professional photographer and practice photography. There is no degree that validates the use of the term "pro." So, why do we feel the need to specify that? What does it show about the way we see our work and our competition? Let’s put things in perspective.
If you have been on Instagram lately, there is a good chance you have seen "urbex" photography. Urbex, short for urban exploration, is where people venture deep into cities, exploring areas such as the tops of skyscrapers and depths of subway tunnels where the public isn't allowed to go. Victor Thomas, known as his Instagram name Vic Invades, is a kid from Brooklyn with a love for urbex.
I think the only thing that has changed photography more than the invention of digital cameras is the ever-growing involvement of photography and social media. Sites like Instagram, Twitter, and Tumblr are the perfect platforms for sharing not only your work, but also behind-the-scenes images and other content that draws interest towards your brand. Today it is easier than ever to take advantage of this. Not only have mobile apps changed the shape of the industry, but they have changed the way that photographers can work. Apps like Snapseed, VSCO, and Lightroom Mobile have made it possible for aspiring artists, or even those in a hurry, to create incredible content with relative ease.
Peter Jackson's first steps into Middle-earth with “Lord of the Rings: Fellowship of the Ring” was incredible as it followed Frodo and his good friend Samwise Gamgee as they fight their way to Mordor in one of the greatest trilogies of the early 2000s. You can guess that my excitement level was high when they finally announced “The Hobbit” would come to the big screen in its own series, though as many could have guessed it was a terrible venture that overwhelmed its director at the high cost of making a mediocre follow-up to its previously successful trilogy.
In a move to help speed up the company's workflow and to supposedly stamp out severe editing, Reuters now not only requests only JPEG images, but even mandates that images not be originally altered from a raw file. How they can verify this is unclear (metadata and other types of data about the photo might give experts better hints), but the move is supposed to also help maintain ethical photojournalism practices by reducing one's ability to alter a photograph so much that it would change its meaning.
Over the years, camera companies have been going head to head in the battle for the best camera sensor. This battle has always focused around the amount of megapixels a camera has to offer, and as of lately, how high the ISO can go. Because of this most consumers, including a significant amount of photography veterans, think that megapixel count is the end-all be-all of sensor technology, with ISO following up as a close second. At this point in the game though, I wish the sensor battle would switch gears and focus more on the dynamic range.
I'll be the first to admit it: As a videographer, I'm a sucker for a prime lens. While I love the versatility of zooms, nothing has forced me to learn more about what I'm doing in the heat of the moment than using primes. However, I always find myself going back to the 28mm prime. It is my go-to lens in many situations and when it's not it's still in my kit always ready to go. There are a few reasons I love my 28mm and I think they may persuade you to give one a go.
Canon has released a really cool commercial to promote their imagePROGRAF PRO-1000 printer. They have decided to track the movement of the eye as it views a photograph. They used three subjects; a non-photographer, a photography student, and a full time professional. This was done to illustrate where each of these subjects focused, and for how long.
Once in a while, despite our due diligence and training, we all end up in circumstances where we must handle a difficult situation. As a model with a wide range of experience, I have a large network of professional photographer friends and have seen first-hand how unprofessional my fellow models can be. Here are a few ways to handle a variety of sticky situations without compromising your reputation as a respectable industry professional.
Our next episode of "Critique the Community" will feature images that have included some sort of composite. Take our featured image for example, the background was composited behind the beer bottle. (Check out this post for details of how it was done). Your composite image can come from any genre of photography but it must include elements from multiple images. Please get in your submissions by Saturday, November 14th and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
It can been said that according to Occam's Razor, the simplest solution to a complex problem is usually the correct one. That's all well and good in logic and philosophy, but when it comes to art, solving problems is hardly the priority. Or rather, it shouldn't be. This is why my motivation of late is steeped in the mantra of "How do I eschew my usual, or anyone else's for that matter?" when I walk onto a set.
A few weeks ago we offered to critique a handful of head shot photographs from the Fstoppers Community. Patrick Hall and Peter Hurley sat and gave their feedback for 18 images. Since there were so many submissions for this genre of photography, Lee and I decided to add on an extra round of critique for the photos that were submitted. Check out the images we chose below and add your own thoughts and critique to the comments.
All children have imaginations ranging from creative to radically abstract, and it's not until we become adults that far too many of us accidentally lose a good chunk of that imagination after the years start to stack up. How cool would it be for a child to see a dramatized depiction of what they want to be when they grew up? Brandon Cawood and his family asked the same question and put a project into motion called "When I Grow Up."
Despite making cameras that so many people love, Nikon seems to be suffering a severe camera parts shortage at a number of its repair facilities for certain cameras. While these tend to be older cameras like the D7100, others are still in production, like the F6 (which has been the same camera since its release in 2004). Still, many professional, pro-sumer, and hobbyist photographers rely on these tools every day. Such lengthy or indefinite wait times for repairs are unheard of and could severely hurt the company's reputation as a brand of professional imaging.